Dead of winter

The new Previews is out, with lots of offerings to get your mind off the gray chill.

The first product of DC’s partnership with Flex Comics arrives in the form of Daisuke Torii’s Zombie Fairy (CMX) which seems to start with a visit to a Japanese version of Antiques Roadshow and follows up with pesky ghosts (Page 100).

There seems to be a new global manga publisher in the Previews listings, Demented Dragon, or maybe I just haven’t noticed them before. There are solicitations for first volumes of The Phoenix Chronicles by Kenyth Morgan and Melissa Hudson, A Steel Wing Shattered by Chris Hazelton, and Stray Crayons by Yoko Molotov. Here’s their web site. (Page 265.)

Go! Comi goes global with the release of animator Aimee Major Steinberger’s Japan Ai – A Tall Girl’s Adventures in Japan. It’s a journal of Major Steinberger’s travels in Japan and her “passion for all things cute.” (Page 295.)

Houghton Mifflin, the publisher of Alison Bechdel’s Fun Home, offers Blue Pills: A Positive Love Story by Frederik Peeters. It’s a memoir about the creator’s relationship with an HIV+ mother and son. (Page 296.)

NBM releases the softcover version of Rick Geary’s ninth Treasury of Victorian Murder: The Bloody Benders. I’m crazy about these books, but I always wait for the paperback version. Yes, my love is cheap. (Page 312.)

Tokyopop drops the first volume of Kozue Amano’s much-admired Aria, with a new cover and “refreshed translation.” (ADV published it a while back.) It’s one of those books that’s always been on my “to try” list, and this seems like a good opportunity to start from the beginning. (Page 333.)

I just mentioned this book a couple of days ago, and voila, here it is in Previews: Fox Bunny Funny by Andy Hartzell (Top Shelf). I dug out my copy of The Book of Boy Trouble (Green Candy Press) to refresh my memory about Hartzell’s style, and his story is really funny in a mortifying, slightly perverse way. (Page 342.)

I’ve read a couple of chapters of Hinako Ashibara’s Sand Chronicles (Viz) in Shojo Beat and found them really effective and moving. The first collection is solicited in this issue. (Page 365.)

'Tis the Seasonal Sampler

I need a bigger mailbox. I’ve had to go to the post office three times this week to pick up parcels that wouldn’t fit. I love getting parcels, but I could do without the extra errands.

They’ve been worth it, though. One parcel came from Top Shelf, and it contained their Seasonal Sampler. It’s a very handsome collection of excerpts from the publisher’s graphic novels, concentrating on upcoming and recent works, with well-written introductions and creator biographies. It’s over 250 pages long, and it’s free.

You can order it from Top Shelf’s web site while supplies last, or you can pick one up at SPX if you’re going. If you pick the latter route, get it early, so you can browse and focus your shopping at the Top Shelf booth later. You should also buy an Owly t-shirt, because they’re timelessly stylish and super-comfy.

It doesn’t adopt a particularly hard-sell approach. Top Shelf is obviously enthusiastic about their catalog; they wouldn’t have published the books if they weren’t. But for the most part, they let the work speak for itself, which is an approach I always prefer.

It also lets me browse some titles that aren’t readily available at the local comic shop. I’ve sampled a fair amount of Top Shelf’s all-ages books and really enjoyed them (the aforementioned Owly and Spiral-Bound in particular), and I think Renée French’s The Ticking is amazing, but it’s nice to get a sense of the publisher’s full range. (At the same time, it lets me know that I really don’t need to rush to get my hands on the works of Jeffrey Brown or snag a copy of that scabrous super-hero parody by James Kolchalka.)

On the bright side, it gives me added incentive to track down Jeff Lemire’s Essex County books, and Andy Hartzell’s Fox Bunny Funny has rocketed onto my must-have list. Strangely, the book that excites me most isn’t really a comic at all but a collection of essays about American vice-presidents called Veeps by Bill Kelter and Wayne Shellabarger. (I can even get past the designer’s choice not to use hyphens to make it look more olde-tyme-y.)

Upcoming 8/22

With a relatively lean week on our hands, you’d think it would be easy to single out a pick of the week, but it’s a tough call.

Fond as I am of comics about food, I can’t wait to check out a comic starring food. In this case, it’s David Yurkovich’s Death By Chocolate – Redux (Top Shelf). I’ll just let the first sentence of the solicitation do the talking:

“Agent Swete — an unlikely hero comprised of organic chocolate and a member of the FBI’s Food Crimes Division — and his sharp-tongued partner, Anderson, investigate a series of bizarre, food-inspired crimes.”

Sold! (“Food Crimes Division” inspires a lot of unkind Sandra Lee jokes, but I’ll spare you.)

I’m a sucker for both hype and manga that lives on the border of shôjo and josei, so I’ll have to pick up a copy of the new Shojo Beat from Viz. It includes the debut chapter of Chika Umino’s Honey and Clover, an eagerly anticipated Kodansha Award winner about a group of students at an art college. It sounds right up my alley.

A new issue of Jimmy Gownley’s Amelia Rules! is always worth noting.

Netcomics re-offers the first volume of Morim Kang’s 10, 20 and 30. Katherine Dacey-Tsuei has already made an extremely persuasive case for the book over in her latest Weekly Recon column, so I’ll just point you there.

Oh, and it’s Viz Signature week at comic shops with new volumes about endangered elementary school students, saintly doctors and the serial killers who fixate on them, and ruinously endowed assassins. Choose your poison.

Previews review

There’s plenty of joy in the latest Previews catalog, and while orders are due many places today, timeliness issues have never stopped me before.

ADV delivers the fifth volume of Kiyohiko Azuma’s absolutely wonderful Yotsuba&! (Page 215, AUG07 2389). I would link to the information on ADV’s web site, if such a wondrous thing existed in this day and age, so you’ll just have to settle for Amazon’s listing.

More Fumi Yoshinaga is always worth noting, and Digital Manga delivers with Garden of Dreams, a shôjo title set in Victorian England (Page 280, AUG07, 3580).

The easy pick of the month is the second volume of Moomin: The Complete Tove Jannson Comic Strip from Drawn & Quarterly (Page 286, AUG07, 3600). It’s glorious, timeless stuff, and it’s been beautifully packaged.

Lots of people loved Lat’s Kampung Boy, and :01 follows up with Town Boy (Page 289, AUG07 3662). If you missed out on Kampung Boy, that’s available for re-order as well (AUG07 3663).

If you aren’t already delirious, there’s more Andy Runton with the fourth volume of Owly: Don’t Be Afraid (or A Time to Be Brave) from Top Shelf (Page 354, AUG07 4028).

Pleasant diversions

I love Joann Sfar’s solo comics – The Rabbi’s Cat (Pantheon), Klezmer: Tales of the Wild East, Vampire Loves (First Second). The Professor’s Daughter provides an appealing introduction to his collaborative work. Emmanuel Guibert illustrates Sfar’s grumpy, fanciful script with elegant watercolors that are both lively and lovely.

In the book, a pair of unlikely lovers (a less-proper-than-she-seems Victorian maiden and a 3,000-year-old royal mummy) struggle to keep their romance alive as forces conspire to drive them apart. If Sfar never lets seriousness of subject matter overwhelm his comedic instincts in books like Klezmer, he’s also too crusty to let the diverting fluff of The Professor’s Daughter prevent him from dosing the story with a thread of fatalism either. Guibert’s watercolors, which range from sweet and swirly to cheerfully antic, suit the script while providing just the right notes of counterpoint.

In other words, all of the pieces fit, but they do so in slightly unexpected ways. The Professor’s Daughter doesn’t offer the depth of pleasure of some of Sfar’s other works, but as imaginative trifles go, it’s tough to beat.

*

Christian Slade’s Korgi (Top Shelf) reads a bit to me like a gorgeous, polished sketch book. Without words, Slade tracks the misadventures of a cute, woodland sprite and her full-on adorable canine companion, a helpful but excessively inquisitive young korgi named Sprout. Slade’s sketches are richly detailed and tremendously effective in conveying the simple story. If I were a kid, I’d probably immediately set about scripting it, and if I were a teacher, I’d be sorely tempted to turn it into a class project.

Since I’m neither, I occasionally found myself wishing that the tightly paneled illustrations had a little more room to breathe. There’s something about Slade’s style that makes me want to see it float in a bit of white space. Slade’s so adept at creating a lush fantasy landscape that I wanted more of a storybook presentation.

*

Bisco Hatori’s Millennium Snow (Viz – Shojo Beat) is one of the more easygoing comics about mortality that you’re likely to find. Chronically, probably terminally ill Chiyuki is trying to make the most of whatever is left of her tenuous existence. She finds diversion aplenty when she meets moody vampire Toya, who’s averse to drinking blood and unwilling to select a human partner to provide sustenance for a thousand years.

There isn’t a whisper of predation in Hatori’s approach to vampirism, which lies squarely in the land of the parasitic-romantic, depending on how you view it. Toya doesn’t want to subject an innocent to centuries as a food source. Chiyuki, entirely aside from not wanting to die young, doesn’t want Toya to have to spend his long, long life alone and unfulfilled. She likes him and says so; he likes her and doesn’t. It’s not the most novel of conundrums, but Hatori’s sincerity and quirky charms as a storyteller sell it.

The dying young person as inspirational life force usually results in the worst kind of sickly sentimentality, but Hatori manages to pull even that old saw off. There’s no treacle to Chiyuki’s optimism, and she’s funny and brave enough to carry the weight of the story on her own. She’s a winning combination of pragmatism and romantic fantasies, setting the tone for an endearing story that strikes a nice balance of light and dark.

(Review based on a complimentary copy provided by Viz.)

Something for almost everyone

Time for the weekly stroll through the ComicList. It’s a big ‘un.

Dark Horse rolls out the seventh volume of Hiroki Endo’s Eden: It’s an Endless World! It’s an intriguing and solidly executed series, but I’m starting to wonder how long we’re going to spend with the gangsters and prostitutes. It makes a certain amount of sense that the drug and sex trades would survive near-apocalypse relatively unscathed, but I’d rather the focus turned back on things that have changed.

I can say with little fear of contradiction that there will probably be no prostitutes and that any gangsters who do appear will be unlikely to be the type to mutilate in the third issue of Jeff Smith’s Shazam: The Monster Society of Evil. The presence of either mutilating gangsters or sex workers would indicate a rather drastic change in the thus-far delightful series.

It seems inevitable that episodic series will lose some of their charm as ongoing subplots start to take prominence, but I’m not finding that to be the case with Meca Tanaka’s Omukae Desu (CMX). I’ve already read a preview proof of the fourth volume, which comes out this week, and the evolving romantic entanglements are balanced nicely with the restless ghosts who keep the cast gainfully employed.

Del Rey is moving an unusually high volume of manga this week. You already know what I think of the first volumes of Hitoshi Iwaaki’s Parasyte and Yasunori Mitsunaga’s Princess Resurrection, and I’d also recommend the ninth volume of Tomoko Ninomiya’s charming musical josei, Nodame Cantabile, and the second volume of Yuki Urushibara’s moody, quirky supernatural series, Mushishi. Yes, I like Del Rey’s manga catalog a lot. Why do you ask?

I found an awful lot to like in James Vining’s First in Space, which arrives this week from Oni. It’s a fact-based portrayal of Ham, the chimpanzee who paved the way for human space exploration in the U.S.

Sure, Kindaichi Case Files (Tokyopop), by Kanari Yozaburo and Satoh Fumiya, is formulaic, but it comes out so infrequently that it does really matter to me. The fifteenth volume promises another cleverly constructed, gruesome, locked-room murderer solved by a smart-mouthed young sleuth.

Being a sucker for cute dogs and having seen some of the early reviews, there’s little chance that I’ll be able to resist Christian Slade’s Korgi (Top Shelf).

For other takes on tomorrow’s arrivals, check out this run-down by Chris Mautner and Kevin Melrose at Blog@Newsarama and the extremely-generous-with-free-comics Dave Carter’s assessment.

From the Eisner-nominated creator of…

This is turning out to be one of those weeks where I wishfully assume more days have already elapsed than actually have. I currently seem to be telling myself it’s Thursday, and the disappointing realization that it isn’t is mitigated by the fact that a ton of great comics are coming out on Wednesday. In fact, it’s sort of an Eisner Nominee Showcase New Comic Book Day!

The sixth issue of the second volume of Linda Medley’s wonderful revisionist fairy tale, Castle Waiting, arrives courtesy of Fantagraphics. (The collection of the first volume of Castle Waiting has been nominated for Best Graphic Album – Reprint and earned a nod for Adam Grano for Best Publication Design.)

Joann Sfar, writer of The Professor’s Daughter (due out in paperback and hardcover from First Second) was nominated in the Best Writer/Artist category for his work on Vampire Loves and Klezmer. Artist Emmanuel Guibert didn’t get a nod this year, but give him time. John Jakala has reviewed The Professor’s Daughter at Sporadic Sequential, confirming my suspicions that I’ll enjoy it very much.

Joining Sfar on the Best Writer/Artist slate is Renée French for her unsettling yet strangely uplifting The Ticking (Top Shelf). The book also earned a spot in the Best Graphic Album – New category, and Jordan Crane was recognized with a Best Publication Design nod. So, yes, The Ticking is superb, which raises my hopes very high for French’s Micrographica, also from Top Shelf. (Reading Tom Spurgeon’s review didn’t hurt either.)

Vertical’s lovely productions of classic manga have been a regular presence in the Eisner nominations, and I wouldn’t be surprised if their release of Keiko Takemiya’s To Terra… made its presence known next year. The second volume of To Terra… shows up in comic shops this week.

When Setona Mizushiro’s After School Nightmare (Go! Comi) earned a nomination for Best U.S. Edition of International Material – Japan, some of the reaction was “After What Who?” Consider the arrival of the third volume of this creepy, psychologically nuanced shôjo thriller incentive to find out just why it deserves the nod. Sure, plenty of manga series focus on extracurricular activities, but Mizushiro’s take is disturbing and unique.

But really, a book doesn’t need an award nomination to be worth picking up, does it? This is my way of saying that I’m stupid-happy over the imminent arrival of a new volume of Sakura Tsukuba’s Penguin Revolution (CMX). So far, this romantic comedy has leaned heavily on the “com” and largely neglected the “rom,” which is partly due to the fact that the heroine is far too focused on professional concerns to consider the possibility that the world of teen idol management could pose romantic complications, on top of all of the secrecy and backstabbing. Things shift a bit towards the “rom” side in the third volume, but the book is still an awful lot of fluffy fun.

I will rename it "The Month of David"

Each June, comics publishers seem to join forces to drive me to poverty. Based on the latest Previews catalog, 2007 will be no exception. At least the weather will be warm.

The manga arrival of the month would have to be Masashi Tanaka’s Gon, in a new edition from CMX. Wordless, gorgeously illustrated stories about a tiny dinosaur who defends “the friendly and furry from the mean and hungry.” Sorry, Avril. (Pages 96 to 98.)

I’ve enjoyed a lot of comics either written or written and drawn by Andi Watson (Little Star, Love Fights, Paris, Princess at Midnight), so I’ll definitely give Clubbing (Minx) a look. It’s been illustrated by Josh Howard of Dead @ 17 fame. (Pages 113 to 115.)

In a couple of cases, well-written solicitation text was enough to interest me in books even though I knew nothing about them or their creators. First up in this category is Jamie Tanner’s Aviary from AdHouse Books, which promises “a world of mysterious corporations, foul-mouthed robots, drunken ghosts, amputee comedians, wealthy simian pornographers, and canine scientists.” Why not? (Page 215.)

I really liked the first volume of Kye Young Chon’s DVD (DramaQueen), about a dumped, possibly delusional young woman and the two slackers who give her renewed purpose (or at least are weird enough to distract her from despair). And now DramaQueen is offering the first four volumes. When they go Diamond, they don’t mess around. (Page 292.)

A new arrival from Fanfare/Ponent Mon is always worth a look. This month it’s Tokyo Is My Garden by Frédéric Boilet and Benoît Peeters. “With the collaboration of Jiro Taniguchi” is an effective extra inducement. (Page 295.)

The other Spring First Second release I’m eagerly anticipating (in addition to The Professor’s Daughter, recently given five stars by Tangognat) is Eddie Campbell’s The Black Diamond Detective Agency. Many gorgeous preview pages are available at First Second’s web site. (Page 300.)

Not everyone likes to buy even great books in hardcover, so kindly publishers almost inevitably offer soft-cover version eventually. Houghton Mifflin will roll out a paperback version of Alison Bechdel’s justly acclaimed Fun Home in June. (Page 312.)

I know nothing about Byun Byung Jun’s Run, Bong-Gu, Run! (NBM), but the preview pages at the publisher’s web site look absolutely exquisite. I may not like painted comics as a general rule, but I’m a sucker for watercolors. (Page 328.)

It’s been out for ages, but I’ve made a personal vow to mention Bryan Lee O’Malley’s wonderful debut graphic novel, Lost at Sea, at every opportunity, because I love it. Oni is releasing a new edition. Even if you aren’t eagerly anticipating a new volume of Scott Pilgrim, give it a look. (Page 329.)

Not being much of a webcomic reader, I didn’t check out the Young Bottoms in Love portal very often, but I liked what I saw when I did. Now Poison Press is releasing a print collection for geezers like me who don’t want to squint at a computer screen. Lots of talent, 328 color pages, $22. I can’t complain. (Page 335.)

As with Aviary, the solicitation text for David Yurkovich’s Death by Chocolate: Redux (Top Shelf) sells me. If anyone honestly thought I’d be able to resist “a series of bizarre, food-inspired crimes” investigated by “an unlikely hero comprised of organic chocolate,” they just don’t know me very well. (Page 364.)

From the in-box

The list of comics bestsellers for March in the current Publishers Weekly Comics Week shocks me by actually having something to say about one of the manga titles that made the top ten. Of course, it’s in reference to the 13th volume of Naruto (Viz – Shonen Jump), which is handy, because nobody’s really pondered that sales phenomenon yet. The other seven ranking manga titles, five of which have no anime or game tie-in to bolster sales, go without narrative. I’m too beset by the vapors to fill in the blanks myself.

300 (Dark Horse) showed up somewhere on the list, though an apparent coding problem keeps readers from knowing precisely where. It didn’t make the top 10, though. I’m not saying that it means anything, because 300 is currently ranked first in graphic novels and 39th in books overall at Amazon, and the first manga title to land is an as-yet-unpublished volume of Fruits Basket which doesn’t show up on graphic novels until 12th place and is at #1,067 in books overall. I’m just saying.

There’s also a nice, long interview with Alvin Lu, vice president of publishing at Viz. It’s a solid, informative piece about a company that doesn’t come under a lot of scrutiny, perhaps because they have such a consistent approach to publishing. They do their thing – licensed manga from Japan – without going out on too many limbs in the process. So it’s good to see a substantive discussion with Lu about what Viz tries to do and why. This quote pretty much sums it up:

“Although Viz has changed over the years, the focus hasn’t. Even when we were a much smaller company, the goal was always to bring manga to a mass audience as much as possible, replicating the readership in Japan with the one in America. I don’t know if that differentiates us from the other [manga publishers], but we have not wavered in our core mission. It’s made our business strategy straightforward. We want to bring to the U.S. a library of manga that is created for every walk of life.”

They still have a ways to go, what with the heavy focus on shônen and shôjo, but it’s nice to see that they have ambitions beyond that. It would make me happy if they accelerated up the timeline, but if they did, they probably wouldn’t be Viz.

Also, those preview pages from Christian Slade’s Korgi (Top Shelf) are absolutely breathtaking.

Mark your calendars

It’s Manga Month again in Diamond’s Previews, and while that’s not all the volume has to offer, there’s plenty of noteworthy new stuff from all over.

Del Rey debuts the first volume of Ai Morinaga’s My Heavenly Hockey Club. I keep hoping someone will pick up the rest of Your and My Secret, which vanished after one volume from ADV. Maybe this will provide a satisfying, substitute Morinaga fix. (Page 269.)

None of this month’s listings jump out at me, but it’s really nice to see Drama Queen’s offerings on the pages of Previews. (Page 288.)

The Comics Journal #284 (Fantagraphics) will include an interview with Gene (American Born Chinese) Yang, and interviews with Yang are always worth reading. (Page 292.)

:01 First Second unveils their spring season highlight (for me, at least): Joann Sfar and Emmanuel Guibert’s The Professor’s Daughter, a Victorian romance between a young lady and a mummy. (Page 294.)

I know printing money actually involves specialized plates and paper with cloth fiber and patent-protected inks, but it seems like there could be a variation involving delicately handsome priests at war with an army of zombies. Go! Comi will find out (as will we all) when they release the first volume of Toma Maeda’s Black Sun, Silver Moon. (Page 298.)

Last Gasp promises “catfights, alien safari adventures, evil experiments, and a girl who dreams of becoming a pop idol singer” in its re-release of Junko Mizuno’s Pure Trance. Since its Mizuno, I’m sure that description doesn’t even begin to describe the adorable, revolting weirdness. (Page 313.)

Mike Carey’s work as a comics writer is hit and miss for me. I’ve loved some of it, and found other stories to be pretty tedious. One of my favorite examples is My Faith in Frankie (Vertigo), illustrated by Sonny Liew and Marc Hempel. So I’m inclined to give the creative team’s Re-Gifters (Minx) a try. (Page 109.)

Pantheon releases a soft-cover version of Joann Sfar’s sublime The Rabbi’s Cat. This was my first exposure to Sfar’s work, and I’ve loved it ever since. And in some cultures, the release of a soft-cover means a hard-cover volume of new material might be on the way, which would make me deliriously happy. (Page 324.)

The Tokyopop-HarperCollins collaboration bears fruit with the release of Meg Cabot’s Avalon High: Coronation Vol. 1: The Merlin Prophecy. The solicitation doesn’t include an illustrator credit, which is an unfortunate slip, and neither does the publisher’s web site. Maybe Cabot drew it herself? (Page 333.)

I’ve been hoping to see more work from Yuji Iwahara since CMX published Chikyu Misaki. Tokyopop comes through with Iwahara’s King of Thorn. (Page 335.)

Top Shelf offered some all-ages delights last month, which made me happy, and presents a new (I think?) volume of work from Renée (The Ticking) French. Micrographica is a collection of French’s online strip of the same name and offers “pure weirdness.” I don’t doubt it will deliver in a lovely, haunting way. (Page 352.)

Vertical rolls out another classic from Osamu Tezuka, Apollo’s Song, displaying the God of Manga’s “more literate and adult side.” For readers wanting something a little more contemporary, there’s Aranzi Aronzo’s Aranzi Machine Gun, featuring plush mascots on a tear. How can I choose? Why should I? (Page 355.)

I can’t read every series about people who see dead people. I just can’t. I wouldn’t have any money left for food. But Viz ignores my attempts at restraint by offering Chika Shiomi’s Yurarara in its Shojo Beat line. Shiomi is enjoying quite the day in the licensed sun, with Night of the Beasts (Go! Comi) and Canon (CMX) in circulation. (Page 372.)

And here’s an oddity, but an intriguing one: edu-manga from Singapore. YoungJin Singapore PTE LTD (you’ll forgive me if I hold off on adding a category) releases manga biographies of Einstein and Gandhi and adaptations of Little Women and Treasure Island. (Page 375.)