The mighty editrix

This week’s Flipped features an interview with the very talented and incredibly busy Tokyopop editor Lillian Diaz-Przybyl. She would neither confirm nor deny that she leads an army of clones to get all of her work done.

Make your own Wednesday

I’m just not feeling the ComicList love this week. Maybe it’s because I’m in the midst of minor home improvement chaos and the thought of bringing new items across the threshold is kind of terrifying.

The clear highlight is a book I already own in hardcover, but it’s still exciting to see a paperback version of Joann Sfar’s The Rabbi’s Cat be released by Random House’s Pantheon imprint. This is one of my favorite works by Sfar, and it makes for lovely companion reading with Klezmer (First Second), if you liked that. Dare I hope that this means that another collection of The Rabbi’s Cat will be coming from Pantheon soon?

And hey, since I’m already in the wayback machine, I’ll take the opportunity of a lean week to mention some underappreciated books that you might want to check out if you’re hard-pressed to pull together a respectable shopping list on Wednesday:

  • 12 Days, by June Kim (Tokyopop): Kim is currently nominated for a 2007 Lulu Award in the Best New Female Talent category, and it’s easy to see why. The book is an absorbing, unconventional look at grief and healing. (I reviewed it here.)
  • Past Lies: An Amy Devlin Mystery, by Christina Weir, Nunzio DeFilippis and Christopher Mitten (Oni): I don’t think there are nearly enough murder mysteries in comics, and this is a stylish and solid example. Are we going to see a follow-up? (I reviewed it here.)
  • Sexy Voice and Robo, by Iou Kuroda (Viz): An utterly beguiling oddity and probably one of the best books Viz has ever published. Magnificent character study, amazingly fluid shifts of tone, and a real sense of discovery throughout. Lots of people should buy this so that Viz will be motivated to publish more books like it. (I reviewed it here.)
  • Monday links

    ComiPress provides a fascinating look at the uncomfortable position faced by some Chinese fans of Japanese manga and anime:

    “The question of ‘Is enjoying Japanese manga and anime an unpatriotic act?’ has been a great point of debate in China. The topic has caused many problems, and many young Chinese people are torn between their anti-Japan feelings and their love for Japanese manga.”

    *

    I’m always glad to see Fanfare/Ponent Mon’s books get the attention they deserve, so this piece in the Honolulu Star-Bulletin (found via MangaBlog) was much appreciated. I like this introductory analogy, too:

    “But it’s a bit like wine in a sense: Sure, there are products for the masses, but there are also products that true connoisseurs can enjoy even more.”

    I do think the pleasures of Kan Takahama’s Kinderbook are much more readily apparent than these reviewers did, though.

    *

    At Kate no Komento, Katherine Dacey-Tsue casts an understandably wary eye upon the next evolution of Tokyopop’s web presence:

    “What I don’t like about the site are the gimmicky labels that Tokyopop has assigned to the buttons on the navigation bar. They seem like the handiwork of a marketing consultant, rather than someone who actually uses websites.”

    Glancing at the image, I tend to agree that the tags aren’t immediately useful in terms of navigation. I’ll readily admit that this might be a generational thing for me.

    *

    At the Manga Recon blog, Dacey-Tsuei increases my anticipation for Morim Kang’s 10, 20, and 30 from NETCOMICS:

    “Those deformations, oversized sweat drops, and flapping arms capture the way we really experience embarrassment, fear, betrayal, and attraction: in the moment, one’s own sense of self is grossly—even cartoonishly—exaggerated, even if that moment seems trivial in hindsight.”

    This reminds me very much of my reaction to Rica Takashima’s charming, low-fi Rica ‘tte Kanji!? (ALC), which is a definite inducement to give the book a shot.

    *

    For this week’s Flipped, I talked (via e-mail) to Simon Jones about ero-manga imprint Icarus. So you know at least one smart person was involved in the creation of this week’s installment.

    Blu funk

    It’s kind of a slim week on the ComicList, so I’m going to limit myself to three items that particularly catch my eye:

    Blu continues the absolutely welcome wave of manga from Fumi Yoshinaga with Lovers in the Night, a collection of shorts that range from the French Revolution to feudal Japan to contemporary Seattle.

    Anike Hage’s Gothic Sports (Tokyopop) has generated some very favorable pre-release buzz, and the preview pages look great.

    The first volume of Meca Tanaka’s Pearl Pink (Tokyopop) didn’t quite reach the heights of Tanaka’s Omukae Desu (CMX), but I can always use a shôjo fix, and I’m becoming kind of a sucker for wacky, showbiz comedies. I’ll probably pick up the second volume sooner or later.

    Other takes:

  • Chris Mautner and Kevin Melrose at Blog@Newsarama
  • Jog
  • The MangaCasters
  • Matt Blind at comicsnob
  • Awards watch

    It looks like there are some new additions to the current roster of nominations for the list of Great Graphic Novels for Teens, assembled by the American Library Association’s Young Adult Library Services Association (YALSA). (I say “looks like,” because my memory is far from perfect, so apologies if the books I’ve pegged as new nominations have been there for a while.)

    DC’s Minx line seems to be making a favorable impression on nominators, with Re-Gifters joining The Plain Janes. The current edition of Sequential Tart has the first part of an interesting insider’s view of the Minx line from Mariah Huehner, including this assessment of some of the imprint’s early sound bytes:

    “Its times like this I really wish marketing a product based solely on its own merits, of which the titles in MINX have a lot, was the preferred method. Putting down other kinds of books aimed at the same demographic doesn’t do much to elevate the medium. And anyway, wouldn’t it be better if teen girls were readings more of everyone’s titles? I don’t think it’s a choice between Manga and MINX. I think you’ll find a lot of crossover.”

    The first volume of Fumi Yoshinaga’s The Moon and Sandals (Juné) is an interesting choice, partly because Digital Manga has given it an age rating of 18+. It follows two couples, one adult and one teen-aged, and the older pair does reach a sexual milestone, though I’m blanking on how explicit that encounter was at the moment. I thought the book kind of dawdled in a perfectly likeable way, but it does end with an emotional gut-punch worthy of Natsuki Takaya at her most ruthlessly tear-jerking.

    The successful partnership between Tokyopop and HarperCollins (just look at the sales figures for Warriors) hasn’t stopped HC from publishing graphic novels on its own, and Mark Crilley’s Miki Falls books earn two slots on the YALSA list.

    As usual, the list also serves as a handy collection of recommended reading for me, with intriguing-sounding titles like Stuck in the Middle: 17 Comics from an Unpleasant Age from Penguin/Viking:

    “A very unscientific poll recently revealed that 99.9% of all people who attended middle school hated it.”

    Yay! I’m in the majority! (Though 7th and 8th grades were classified as “junior high” back when I endured them, right around the popularization of the internal combustion engine.)

    And while it’s only kind of tangentially related, there’s a great interview with this year’s Eisner judges over at Bookslut, one of whom is Robin Brenner, one of the librarians who assemble the YALSA list. Some of my favorite quotes:

    “The shift from the collector market to the reader market has been incredibly significant, in terms of just where one can find comics and graphic novels today but also in terms of signifying the growing diversity of what’s out there and what people want to read. I feel the industry can only benefit from a concentration on attracting readers rather than collectors — so the story and artistry of the title is the most important thing.” (Brenner.)

    “The industry’s attempt to force-start another speculator glut, is, fortunately, somewhat of a miserable failure.” (Comics writer Chris Reilley.)

    “I would like to see a few less comics about zombies; they’re really overstaying their welcome in my opinion.” (Reilly, again.)

    Well, zombies do move rather slowly.

    Something for almost everyone

    Time for the weekly stroll through the ComicList. It’s a big ‘un.

    Dark Horse rolls out the seventh volume of Hiroki Endo’s Eden: It’s an Endless World! It’s an intriguing and solidly executed series, but I’m starting to wonder how long we’re going to spend with the gangsters and prostitutes. It makes a certain amount of sense that the drug and sex trades would survive near-apocalypse relatively unscathed, but I’d rather the focus turned back on things that have changed.

    I can say with little fear of contradiction that there will probably be no prostitutes and that any gangsters who do appear will be unlikely to be the type to mutilate in the third issue of Jeff Smith’s Shazam: The Monster Society of Evil. The presence of either mutilating gangsters or sex workers would indicate a rather drastic change in the thus-far delightful series.

    It seems inevitable that episodic series will lose some of their charm as ongoing subplots start to take prominence, but I’m not finding that to be the case with Meca Tanaka’s Omukae Desu (CMX). I’ve already read a preview proof of the fourth volume, which comes out this week, and the evolving romantic entanglements are balanced nicely with the restless ghosts who keep the cast gainfully employed.

    Del Rey is moving an unusually high volume of manga this week. You already know what I think of the first volumes of Hitoshi Iwaaki’s Parasyte and Yasunori Mitsunaga’s Princess Resurrection, and I’d also recommend the ninth volume of Tomoko Ninomiya’s charming musical josei, Nodame Cantabile, and the second volume of Yuki Urushibara’s moody, quirky supernatural series, Mushishi. Yes, I like Del Rey’s manga catalog a lot. Why do you ask?

    I found an awful lot to like in James Vining’s First in Space, which arrives this week from Oni. It’s a fact-based portrayal of Ham, the chimpanzee who paved the way for human space exploration in the U.S.

    Sure, Kindaichi Case Files (Tokyopop), by Kanari Yozaburo and Satoh Fumiya, is formulaic, but it comes out so infrequently that it does really matter to me. The fifteenth volume promises another cleverly constructed, gruesome, locked-room murderer solved by a smart-mouthed young sleuth.

    Being a sucker for cute dogs and having seen some of the early reviews, there’s little chance that I’ll be able to resist Christian Slade’s Korgi (Top Shelf).

    For other takes on tomorrow’s arrivals, check out this run-down by Chris Mautner and Kevin Melrose at Blog@Newsarama and the extremely-generous-with-free-comics Dave Carter’s assessment.

    Addictive properties

    I spent most of Sunday tidying up my completely disordered stacks of comics, which actually required the purchase and assembly of cheap shelving units. Sensible people would use this experience as an incentive to dedicate themselves to moderation, and it might ultimately have that effect. But in the short-term, it only prompted me to bask in the crack.

    Death Note Vol. 11: Maybe it’s the release frequency that causes this, but I always feel a little weary when I hand a new volume over to the cashier, as if I expect that this will be the installment where the series wears out its welcome. That weariness persists until I actually read it and become immersed in Tsugumi Ohba’s microscopically detailed plotting and Takeshi Obata’s amazing illustrations. Oddly enough, the weariness resumes shortly after I finish reading the most recent volume, and its sources are a mystery to me. Plot twist overdose, maybe?

    Fruits Basket Vol. 16: I find that I’m becoming increasingly impatient with the fluffy comedy sequences in this title, and I wonder what that says about me, because my impatience is driven by a thorough addiction to Natsuki Takaya’s transcendent ability to heap misery upon her cast. I don’t care about the stupid student council and their quirky high jinks. They get in the way of the profound emotional suffering! (When I was in middle school, my class did a big project on illegal drugs, and I really didn’t understand the appeal of depressants. I do now.)

    Fullmetal Alchemist Vol. 12: Last week, I was griping about the somewhat baffling, excessively enunciated mythology of Shakugan no Shana. Reading this volume of FMA reminded me that Hiromu Arakawa as achieved a kind of Platonic ideal of mapping out a fantasy landscape without derailing plot momentum or character development. She’s got a remarkably steady and generous hand with the elements essential to fantasy adventures, blending drama, comedy, suspense, horror and richly imaginative ideas as she propels things forward.

    March manga sales

    Here are the top-selling manga in the Direct Market, pulled out of the top 100 graphic novels, via Newsarama.

    1 (2) NARUTO VOL 13 (Viz)
    2 (7) DEATH NOTE VOL 10 (Viz)
    3 (10) WARCRAFT VOL 3 (Tokyopop)
    4 (17) BERSERK VOL 16 (Dark Horse)
    5 (50) BATTLE CLUB VOL 4 (Tokyopop)
    6 (51) TRINITY BLOOD VOL 2 (Tokyopop)
    7 (53) FULLMETAL ALCHEMIST VOL 12 (Viz)
    8 (62) GUNSMITH CATS OMNIBUS VOL 1 (Dark Horse)
    9 (68) CRYING FREEMAN VOL 5 (Dark Horse)
    10 (69) ALCOHOL SHIRT & KISS VOL 1 (Digital Manga)
    11 (71) DAY WHICH I BECAME BUTTERFLY (Digital Manga)
    12 (73) SOLFEGE (Digital Manga)
    13 (74) BLACK CAT VOL 7 (Viz)
    14 (79) PRIEST VOL 16 (Tokyopop)
    15 (86) INNOCENT BIRD VOL 1 (Tokyopop – Blu)
    16 (88) IS VOL 12 (Viz)
    17 (91) KASHIMASHI MANGA VOL 2 (Seven Seas)
    18 (93) TSUKUYOMI MOON PHASE VOL 6 (Tokyopop)
    19 (95) ROSE HIP ZERO VOL 2 (Tokyopop)
    20 (96) READ OR DREAM VOL 3 (Viz)
    21 (97) MABURAHO MANGA VOL 2 (ADV)
    22 (100) KUROSAGI CORPSE DELIVERY SERVICE VOL 3 (Dark Horse)

    Nothing tremendously surprising here, with the sprinking of perennial sellers up top, a healthy handful of boys’ love and yaoi, and a strong performance for Dark Horse, which always seems to earn solid numbers in comic shops. Most of the manga action is confined to the bottom half of the top 100, but three books cracked the top 10. That’s an unusually weak performance for Fullmetal Alchemist Vol. 12, but it did ship towards the end of the month.

    Dark Horse had a terrific month overall, taking the top graphic novel spot with the hardcover of 300 and solid showings for books like Fafhrd and the Gray Mouser and Empowered. The first issue of Buffy the Vampire Slayer Season 8 cracked the top ten in floppies, which is quite an accomplishment for a publisher that isn’t Marvel or DC. And while coming in at the very bottom of the graphic novel list might not seem like a huge accomplishment, I’ll trumpet any traction gained by The Kurosagi Corpse Delivery Service.

    Three go in…

    This week’s edition of ComicList is like the poster for some ultimate fighter title bout. With the exception of a certain bewhiskered trainee ninja, all of the heavy hitters will be arriving simultaneously, sizing each other up for a sales cage match.

    In this corner, plucky orphan Tohru Honda! She’s taking on an ancient family curse, but can heartfelt pluck stand up to the one-two punch of…

    The Elric Brothers? They’re looking for the secret to eternal life, but will it be enough to fend off the deadly, note-taking onslaught of…

    Light Yagami? The sleuthing sociopath is taking names in this battle of the commercial juggernauts! Who will win?!

    Well, comics retailers with even a rudimentary manga selection, for one. (To be fair, none of the above will probably come within spitting distance of this release from Marvel in terms of sales in the Direct Market.)

    If none of the above interest you in the slightest, not to worry, because both Tokyopop and Viz are unleashing an absolutely insane number of titles. Tokyopop is rolling out 18, and Viz is offering 37. Thirty-seven.

    One of those 55 titles is the sixth volume of Minetaro Mochizuki’s Dragon Head (Tokyopop), much loved by bloggers like me, but disappointingly ignored by the average bookstore browser. Seriously, there aren’t that many volumes out, and new ones don’t come out that often. You have plenty of time to catch up with this tense, apocalyptic suspense story.

    Sick of hearing about comics from Japan? No problem. There are also comics from France, most notably a prestige edition of Joann Sfar and Emmanuel Guibert’s The Professor’s Daughter from First Second. I’m going to hold out for the $16.95 paperback instead of the $29.95 collector’s edition that’s coming out tomorrow, but I strongly suspect it will be lovely and delightful either way.

    And wow, how long as it been since a new issue of Jimmy Gownley’s wonderful Amelia Rules! (Renaissance Press) came out? Too long, almost certainly, but these fun stories are always worth the wait.

    Stars search

    There’s some really solid work in Tokyopop’s Rising Stars of Manga People’s Choice competition. Some entries have lovely, accomplished art, and others have nicely crafted, imaginative scripts and stories. These are my five favorites, though:

    Ares Maier by Daniel Lucas Cross: It’s great-looking and makes really good use of the short format. I particularly admire how well Cross pulled off the twist ending.

    B is for Bishie by Margaux Hymel and Russell Herrick: Superb teamwork from Hymel and Herrick here, combining a perversely funny premise with pitch-perfect art. It got my vote.

    Bloomfield Memory by Yujin Chung Moon: The premise is familiar, but Moon executes it with style, verve and sincerity, and the art is just breathtaking.

    Minion by Alyssa Farris: Steam of consciousness and dream logic are difficult to evoke in a coherent narrative, but Farris seems to have just the artistic arsenal to pull it off.

    The Cacti Boys by Sarah Adams and Christine Wu: Of all of the submissions that suggested a larger narrative, this is the one where I really want to know what happens next.

    March 12 is the last day to vote.