Upcoming 10/3/2007

Okay, it’s not entirely in keeping with Obscure Comic Month, but this week does offer a lot of titles that might be classified as under-read, in spite of varying amounts of critical appreciation.

Dark Horse offers the fourth volume of Eiji Otsuka and Housui Yamazaki’s The Kurosagi Corpse Delivery Service, which I really, really enjoy. (Short version: unemployable psychic college students help dead bodies – or parts of dead bodies – with unfinished business in hopes of financial recompense.) There’s also the second volume of Adam Warren’s Empowered, which is simultaneously extremely tawdry, extremely funny, and very sweet. I can see how the tawdriness might easily overwhelm the other two qualities for some readers, but I think Warren keeps things in just the right balance.

If you missed them the first time around, Fanfare/Ponent Mon gives you another crack at the splendid anthology, Japan as Viewed by 17 Creators, and Jiro Taniguchi’s The Walking Man. Japan collects short works from Japanese and European creators that range from really good to extraordinary. The Walking Man is one of the most serene reading experiences comics have to offer.

Tokyopop provides the eighth volume of the constantly surprising, sometimes terrifying series Dragon Head, by Minetaro Mochizuki. The seventh volume was probably the most haunting yet, and the relatively long wait between new installments hasn’t diminished my interest in what happens next.

Viz digs into its back catalog for a new addition to its Signature line. This time around, it’s Junji Ito’s extremely unsettling horror series, Uzumaki. I found the early chapters to be the strongest in the three-volume series, but it’s solid all the way through. It’s just scarier before the pattern solidifies and you aren’t really sure what you’re dealing with.

And okay, no one would call these obscure or underrated, but I like these series a lot, so I’ll mention new volumes of Ai Yazawa’s Nana (Viz), Kairi Fujiyama’s Dragon Eye (Del Rey), and Tenshi Ja Nai!! (Go! Comi). Alas, this is the final volume of the funny soap opera of cross-dressing pop idols that is Tenshi. I’ll miss you, emotionally unstable and fundamentally dishonest teens!

Upcoming 9/12

This is one of those weeks at the comic shop that doesn’t look especially overwhelming at first glance, but becomes a buffet upon closer scrutiny.

In fact, I couldn’t really select a Pick of the Week, though I think I’d have to give DC the Publisher of the Week. How do they accomplish this, you ask? Variety.

First there’s a new volume of Kaoru Mori’s Emma, which is a bit late but no less welcome for it. Then there’s the first release in the second wave of Minx books, Confessions of a Blabbermouth by Mike Carey, Louise Carey, and Aaron Alexovich. M. Carey contributed the script for the excellent Re-Gifters, easily my favorite book in the line, so this will definitely merit a read. And while I found DC’s last effort at reviving the franchise completely incomprehensible, John Ostrander’s Suicide Squad stands as one of my favorite super-hero team books ever (though it rarely featured any actual heroes). I don’t see any obvious deterrents to coherence in the solicitation for the new mini-series featuring Ostrander’s cast, so I might have to give it a try.

That said, DC has Viz hot on its heels, and the manga publisher seems to be going for the “massive show of force” technique. Yes, lots of Naruto is on the way, but there are also new volumes of excellent ongoing series like Beauty Pop and Gin Tama, and a really, really lovely treatment of Taiyo Matsumoto’s Tekkonkinkreet, with three volumes of weirdness packed into a satisfyingly hefty package. I’m about halfway through it, and it’s pretty amazing.

If the Suicide Squad thing tempts me sufficiently, I’ll be picking up three whole floppies this week. The other two are the eighth issue of the second volume of Linda Medley’s Castle Waiting (Fantagraphics) and the fifth issue of the endearing Maintenance (Oni).

And last but not least, Tokyopop reminds me that I don’t need to lead a life void of Meca Tanaka manga just because Omukae Desu is done. The third volume of Pearl Pink is out, which puts me only one volume behind. (I know. That’s how it starts.) Because I’m not reading enough quirky comedies about would-be teen idols.

The lotion in the Basket

I needn’t have worried about the slackening plot momentum in Fruits Basket. As Adam Stephanides promised, volume 17 roars out of the gate with all kinds of crazy revelations and high drama.

(Spoilers after the cut.)

By Tezuka’s jaunty beret, that Sohma family is just plain creepy. I know this shouldn’t come as a revelation or anything, as there’s already ample evidence of their multifaceted dysfunction, but damnation, people!

The major revelation of the volume is unsettling to me mostly for my reaction to it. The knowledge that Akito is a woman comes shortly before a significant shift in my sympathies regarding that character. While readers learn a number of other painful secrets about the head of the Sohma family, I’m left to wonder if my sympathies that easily swayed because I found out that this ghastly creature is a woman? Or was it just the cumulative effect of that revelation plus all of the startlingly horrible bits of new information I received? Or is Natsuki Takaya just that good that she can drop that many bombshells at once and still make it fluidly unsettling reading beyond surface shock?

I do have to say that the flashback showing the various cursed Sohma children gathering tearfully around Akito’s unsuspecting mother was one of the most disturbing things I’ve seen in a manga in ages.

And in a pleasant change of pace, the volume actually features plenty of page-space for the character who graces its cover. I love Hanajima, and I’m delighted that Takaya is keeping Tohru’s non-Sohma friends woven into the narrative. Her little brother is a treat too.

I’m still not entirely persuaded by Rin as a character, but I’ve got plenty of reason to trust Takaya at this point.

Upcoming 8/15

Just got back from some work travel, about which the less said the better. I checked in periodically to see if there was any blog spam in the filter, and it all apparently concealed itself for this morning. I tried to look through and see if there were any actual comments in there, but my eyes started to glaze over, so if I dumped anything inadvertently, I apologize.

Now, on to today’s haul.

The pick of the week for me is the sixth volume of the Foglios’ delightful web-to-print fantasy-adventure, Girl Genius: Angela Heterodyne and the Golden Trilobite, now available in softcover. The last volume ended on quite the cliffhanger, so I’m eager to see what happens next. (If you’re interested in the series and want a good starting point, Airship has an omnibus edition of the first three volumes.)

Oni Press delivers the fourth issue of the very funny series Maintenance, written by Jim Massey and drawn by Robbi Rodriguez. It’s one of the few series I collect in floppy form, and it just got optioned by Warner Brothers. (I realize that lots of series get optioned, and that it’s no sign of quality whatever, but I think this property might make for fun viewing.)

Tokyopop has three titles that interest me. The first is the 17th volume of Natsuki Takaya’s Fruits Basket. The series seems to be in a bit of a holding pattern, and the last couple of volumes have only bruised my heart as opposed to ripping it clean out of my chest. I’m fairly confident that it will get back on form soon enough, but the plot really could use a bit of forward motion.

I’ve seen various responses to Fumi Yoshinaga’s Truly Kindly, coming from the Blu imprint, though none of them have been what I’d call negative. I believe it’s been described as “weird,” and there’s nothing wrong with that.

The title alone is enough to get me interested in Atelier Marie and Elie Zarlburg Alchemist by Yoshihiko Ochi, though I wouldn’t relish typing it very often.

Random happy linkblogging

NPR is really getting its geek on lately. First they do that piece on the Eisner Awards for All Things Considered, and then they cover not just anime, but a really specific niche of anime fandom on today’s Morning Edition.

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I know that it’s kind of irksome when a publisher is specifically created to be a movie property shop, but since Tokyopop established itself as a comic publisher first, I’ll give them a pass and not get too cynical about their new deal with the William Morris Agency.

And who would have ever guessed that Princess Ai would be one of their first in-development properties?

(I said I wouldn’t get too cynical. I didn’t say I wouldn’t get cynical at all.)

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It’s impossible for me to be cynical at all about the news of the strong sales for Drawn & Quarterly’s collection of Tove Jansson’s Moomin strips, because I love them. I also squealed a little bit when I saw the second volume listed in the current Previews catalog.

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It’s very kind of John Jakala to suggest coping strategies for people who will be a little discombobulated by the slower release schedule for Bleach. From a purely selfish perspective, this means it will be easier for me to catch up. (Has anyone else seen that tacky Cartoon Network commercial for the Bleach anime starring Orihime’s rack?)

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Regarding the next wave of Minx books, I’m so delighted to see that Joelle Jones is drawing one of them. I think she’s just incredibly talented. I’m also happy that Andi Watson is following up on his Clubbing character. (Is Josh Howard drawing it? If not, I won’t mind too much, as I thought his illustrations were kind of serviceable.)

Brian Wood isn’t the first creator that would come to my mind when lining up people to create for Minx, but that’s neither here nor there.

Upcoming 7/5

I’m planning to spend Independence Day in the traditional fashion – drinking vodka lemonade and reading comics. (In spite of the holiday delay, I still somehow have plenty to read.) It’s just as well, as it’s a bit of a slow week.

Okay, so no week with a new volume of Dragon Head (Tokyopop) can actually be called “slow.” Even if I like them, there are some series that sit around for a while before I get around to reading them. This is one of the books I read as soon as I bring it into the house.

There’s a whole heap of stuff coming from Seven Seas. Since I have a demonstrated weakness for people-who-see-dead-people manga, I think I’ll have no choice but to give Venus Versus Virus a look.

For other perspectives on the week in comics, here are some links:

  • Matt Blind at comicsnob.com
  • Christopher Butcher at Comics.212.net
  • Katherine Dacey-Tsuei at Manga Recon
  • Chris Mautner and Kevin Melrose at Blog@Newsarama
  • Exes

    Okay, I’ve finally gotten around to composing the list of manga series I’ve dumped after a fairly significant investment of volumes (inspired by John Jakala). Looking at them, the common thread seems to be novelty wearing off. And this doesn’t count the series where I tried a single volume and decided to give it a pass, because I’m terrified that any mention of them would lead to people swearing that things improved later and that I’m really cheating myself by not reading a little farther. Because I’m totally susceptible and would find my B&N member card and car keys and say, “D’or, okay!”

    Absolute Boyfriend, by Yuu Watase (Viz – Shojo Beat): There’s just something depressing about the premise here. If the heroine had come out and said, “Listen, he’s hot, he’s devoted, and he’ll never cheat on me, you lowly human, and I don’t feel like working very hard on a relationship,” that might have been one thing. But the suggestion that there’s actually some kind of competition-fostering inner life to the robot guy is just something I don’t see.

    Case Closed, by Gosho Aoyama (Viz): This is a perfectly pleasant mystery series with a cute premise and absolutely nothing in the way of forward momentum. What finally broke me was the knowledge that the series is still apparently going strong in Japan with some 60 volumes in print. I couldn’t see myself making that kind of commitment to something that was just reasonably entertaining.

    Cromartie High School, by Eiji Nonaka (ADV): I’ll chalk this one up to too much of a good, weird thing. I just couldn’t quite keep up with the releases, as there was always something with an ongoing narrative that I wanted to read more. It’s funny and weird, and I’m fairly sure I might check in with the series again at some point when I need a disorienting laugh. But it doesn’t feel like something I need to “subscribe to,” per se. Am I spoiled? (On the bright side, it’s like the only opportunity I’ve ever had to link to ADV’s web site without it being in the context of not being able to find information on a series.)

    Iron Wok Jan! by Shinji Saiyo (DrMaster): I’m really making a lot of you weep for my taste, aren’t I? I’m not doing it on purpose, I swear. And again, I like what I’ve read of the series. It just didn’t seem to be going anywhere, and I guess I need narrative momentum more than I thought. Like Cromartie, though, it’s always possible that I’ll pick up a couple of volumes on a rainy day when I need outrageous, over-the-top culinary action.

    I’m trying to decide whether or not to count Shuri Shiozu’s Eerie Queerie (Tokyopop). It’s only four volumes long, and I made it through two of them. The first was really promising, the second was creepy in all the wrong ways, and I have no idea about the third and fourth and plan to keep it that way.

    And just for bonus points and to give more people the opportunity to tell me how foolish I am for even considering such a reckless course of behavior, here are some series that are on the bubble:

    Eden! It’s an Endless World, by Hiroki Endo (Dark Horse): Seriously, if I wanted to read about gangsters, prostitutes and illegal narcotics, there are approximately one billion choices out there in the world that didn’t bait-and-switch me with a thoughtful sci-fi introductory run. This is not what I was led to expect from the series, and I find myself irritated to a possibly unreasonable degree.

    (Update: Myk speaks… from the FUTURE! Or in this case, Germany, where more Eden is available, and he confirms Huff’s assurance that the hookers-and-blow mini-arc comes to an end and things get back to abnormal. That’s good news, but I still think that wedging this story into a landscape where the vast majority of the population has been turned into crumbled Swarovsky figurines was a really, really bad, self-indulgent idea.)

    Kindaichi Case Files, by Kanari Yozaburo and Sato Fumiya (Tokyopop): You know what could get me more invested in this series? A forward time-jump that gets Kindaichi out of high school and into a different setting with a different dynamic. He can still be a slacker, but I think moving him to a different stage of his life would revitalize things. I feel like there needs to be a sense of time passing that isn’t limited to references to previous cases.

    (Still no Tokyopop links available, as 2.0 is still in limbo.)

    Diamonds

    Okay, when I come home from the comics shop, I usually read… y’know… comics, but I find myself distracted by all kinds of manga craziness in the new Previews catalog.

    CMX launches a new line for mature readers featuring two horror titles. The first is Kanako (School Zone) Inuki’s Presents. The second is Iqura Sugimoto’s Variante, which sounds kind of like Parasyte. They’ll both be in a larger format (5.5” x 8”) at a slightly higher price ($12.99). I’d also like to note that the cover for the second volume of Masashi Tanaka’s Gon is the cutest thing ever.

    Horror fans will be pleased to see Viz give the Signature treatment to two works by Junji Ito – Uzumaki and Gyo, which they’d published previously. I haven’t read Gyo, but Uzumaki is amazingly creepy, for the most part.

    Tokyopop gets on the omnibus with “Ultimate Editions” of Battle Royale, Warcraft: The Sunwell Trilogy, and Fruits Basket, collecting multiple volumes at a time in a hardcover packaging. Royale ($24.99) and Warcraft ($29.99) collect three volumes per, though Fruits Basket ($14.99) seems to stick to two.

    In other Tokyopop news, they seem to have cut back a bit on their Previews pages, skipping the cover images for many of their longer-running series and going with more conventional listings, concentrating the illustrations on new series and products. (They still provide cover art for a good half of those end-of-the-section listings, though.) One of the books getting the full treatment is Kozue Amano’s Aqua, which I would be looking forward to even if the solicitation didn’t include the possibly snarky promise of a “refreshed translation.”

    (The publisher’s revised web site isn’t quite up and running yet, as has been noted elsewhere, but I’ll add links when it goes live, provided the redesign doesn’t drive me mad… MAD! It could happen.)

    Yen Press arrives with the release of Keiko Tobe’s With the Light: Raising an Autistic Child. It’s hard to settle on a pick of the month, but this one’s definitely in the running. (Yen hasn’t gotten any farther with its web site, but here’s an ICv2 article on the book.)

    I’m pretty sure that these had been solicited previously, but Fanfare/Ponent Mon re-lists Kan Takahama’s Awabi and Jiro Taniguchi’s The Ice Wanderer. Nouvelle bliss!

    (What is it with the shortage of usable permalinks? I feel like I’m wearing oven mitts as I format this!)

    Upcoming

    Who’s the weird, green-haired tyke all the manga readers like? Yotsuba&! Yes, the fourth volume of Kyohiko Azuma’s much-loved, long-dormant series arrives Wednesday in better comic shops everywhere courtesy of ADV. I’ll let you absorb that for a moment, then distract you with the knowledge that Tokyopop has picked up Ai Morinaga’s delightful Your and My Secret, along with 37 other titles. ADV squeezed out a single volume of the series years ago, then left us all hanging.

    Fantagraphics releases Human Diastrophism, the second collection of Gilbert Hernandez’s richly entertaining Palomar stories. Information can be found by scrolling down this page, and while they’re a step up from ADV by having information on recent and upcoming releases at all, I’d really love it if they’d give a blogger a break and start building some pages that would let me link directly.

    Speaking of gender ambiguity, Go! Comi delivers the fourth volume of Setona Mizushiro’s After School Nightmare. (And Go! Comi has updated its web sight to profile two upcoming releases, Ryo Takagi’s The Devil Within and Takeru Kirishima’s Kanna.)

    It had to happen sooner or later, and if I’m going to be entirely honest, I’ll admit that I’m happy it’s sooner. Can you imagine what Death Note (Viz – Shonen Jump Advanced) would have turned into if it had been one of those 20-plus-volume monstrosities? The very suspenseful series ends with the 12th volume this week, which seems just about right in terms of length.

    Pace yourselves

    The run of relatively low-key weeks is apparently over, as the comics industry unleashes an avalanche of interesting-sounding new releases and new volumes of much-loved series. (The ComicList even goes so far as to pull out a manga-only version of the Wednesday roster.)

    The Aviary, by Jamie Tanner (AdHouse): The publisher sent me a review copy of this, and it’s a very odd work. Visually, it reminds me of Rick Geary’s work on the Treasury of Victorian Murder series (see below) with a bit of Rebecca Kraatz’s House of Sugar (Tulip Tree) thrown into the mix. Tonally, it’s somewhere near Renee French territory, but bleaker and more caustic. It’s going to take a few more readings before I can pin down exactly how I feel about it, but it’s certainly interesting, unsettling, and great looking.

    King of Thorn, by Yuji Iwahara (Tokyopop): You’re probably sick of me mentioning how much I loved Chikyu Misaki (CMX), but that’s the reason I’m so excited about this series. Iwahara demonstrated a great blend of complex plotting, thoughtful characterization, and stylish visuals, and I’m hoping those qualities recur in this series.

    Shojo Beat (Viz): I love a lot of the series in the Shojo Beat roster, but I generally don’t bother to pick up the magazine since I’d rather buy the ones I like in digest form. But this issue features and excerpt from Osamu Tezuka’s groundbreaking shôjo series, Princess Knight, so it’s a must-buy.

    Re-Gifters, by Mike Carey, Sonny Liew and Mark Hempel (DC-Minx): Interest in the Minx initiative aside, I loved My Faith in Frankie (DC-Vertigo), also from this creative team. I’m glad to see them reunited.

    Treasury of Victorian Murder Vol. 9: The Bloody Benders, by Rick Geary (NBM): I’m cheap, so I generally wait for these to come out in paperback, but I’m a huge fan of Geary’s retellings of twisted crimes from days gone by. I’m completely unfamiliar with the featured case this time around, so this installment should let me increase my stores of grisly trivia.

    And here’s the daunting list of new volumes of manga series I enjoy:

  • The Drifting Classroom Vol. 6, by Kazuo Umezi (Viz – Signature)
  • Emma Vol. 4, by Kaoru Mori, (CMX)
  • Inubaka: Crazy for Dogs Vol. 3, by Yukiya Sakuragi (Viz)
  • Naoki Urasawa’s Monster Vol. 8 (Viz – Signature)
  • Sgt. Frog Vol. 13, by Mine Yoshizaki (Tokyopop)
  • Wild Adapter Vol. 2, by Kazuya Minekura (Tokyopop)