Upcoming 9/1/2010

It’s an interesting week in ComicList terms. Let’s go right to the pick of the week, shall we?

That would be Moto Hagio’s A Drunken Dream and Other Stories, the first result of the Fantagraphics-Shogakukan team-up that’s being curated by Matt Thorn. It’s a deeply glorious book that brims with Hagio’s psychological and emotional insights. I plan on posting a review on Thursday. You can order a signed copy from the publisher.

If that doesn’t slake your appetite for classic manga, Vertical is kind enough to offer Osamu Tezuka’s Apollo’s Song in two paperback volumes. It’s an example of deeply crazy Tezuka, with the added bonus of lots and lots of sex. If you can resist that description, you’re stronger than I am.

One of last year’s big books is now available in paperback. David Small’s Stitches (W.W. Norton) offers a beautifully rendered and stunningly bleak look at a miserable childhood. It’s a really great graphic novel.

There are also new issues of three very different and very entertaining pamphlet comics. First is the second issue of Avengers: The Children’s Crusade, following the Young Avengers as they search for the Scarlet Witch to the dismay of most of the rest of the residents of the Marvel universe, who seem happy to assume that the longtime heroine is evil and crazy. Next is the penultimate (I think) issue of Brandon Graham’s King City from Image, whose website is so terrible that I won’t even bother trying to find a link to additional information on the comic. And last is the fourth issue of Stumptown, a smart tale of a down-on-her-luck private investigator from Oni.

What looks good to you?

Updated: I forgot one big pamphlet offering, the arrival of Veronica 202 (Archie Comics) and Riverdale’s first openly gay resident, Kevin Keller. I hope I can find a copy so I can be appropriately derisive when conservative groups condemn the comic.

Upcoming 7/21/2010

Some of the books I thought were coming out last week are actually coming out this week, but they’re still worth a look, so hop in the wayback machine to double-check. I’ll note that there have been a lot of fun-looking events around the release of Scott Pilgrim’s Finest Hour, so go look at Kevin Melrose’s round-up at Robot 6. I can’t wait to read this book, and I’m grateful to everyone who’s resisted posting spoilers to those of us who don’t live near a shop that felt it could host a release party.

Not counting stuff that I mentioned a week early, this Wednesday’s highlight is the fifth volume of Moomin: The Complete Tove Jansson Comic Strip from Drawn & Quarterly, which “features the final strips drawn by Tove Jansson and written by her brother Lars for the London Evening News, before Lars took over both the art and the writing.”

The manga highlight of the week is the 23rd volume of Hiromu Arakawa’s excellent Fullmetal Alchemist from Viz. This one wraps up in the 25th 27th volume, and I’m really going to miss it. It’s one of the best action-fantasy series I’ve ever read.

Upcoming 7/14/2010

It’s a momentous, manga-influenced week for the ComicList! Let’s take a look.

I can’t do any better than Oni in describing the sixth and final volume of Bryan Lee O’Malley’s wonderful Scott Pilgrim Series, Scott Pilgrim’s Finest Hour:

“It’s finally here! Six years and almost one-thousand pages have all led to this epic finale! With six of Ramona’s seven evil exes dispatched, it should be time for Scott Pilgrim to face Gideon Graves, the biggest and baddest of her former beaus. But didn’t Ramona take off at the end of Book 5? Shouldn’t that let Scott off the hook? Maybe it should, maybe it shouldn’t, but one thing is for certain — all of this has been building to Scott Pilgrim’s Finest Hour!”

O’Malley could be said to embody one version of the dream of creators who list manga among their influences. He’s got a hugely successful series, critically and commercially, with a major movie adaptation about to hit theatres. Another enviable outcome went to Felipe Smith, who first saw print as one of Tokyopop’s Original English Language manga creators with MBQ. He then went on to secure a spot in Kodansha’s Morning Two line-up with Peepo Choo. The three-volume series is now being released in English by Vertical, and the first volume arrives in comic shops tomorrow.

I read a review copy from the publisher, and I wish I liked the book’s narrative as much as I like the story behind the comic. It falls into the category of comics that aren’t really for me. It’s about a young American otaku who wins a dream trip to Japan. The kid has romanticized Japan beyond all proportion, picturing it as an Eden of manga- and anime-loving cosplayers who can all get along by virtue of their shared love for a particular character. Little does the kid know that he’s going to be mixed up with vicious gangsters, assassins, brutal teen starlets, and the far-less-idyllic reality of indigenous otaku.

Smith shows terrific energy as a creator, and I appreciate his satirical intent, but Peepo Choo is a little coarse for my tastes. I know that’s weird to say, given how much I love Detroit Metal City and Little Fluffy Gigolo Pelu, but Peepo Choo doesn’t quite have the precision with which those books use their gross-out material. The vulgarity doesn’t say as much as it could, and the satire is a little too broad to be as effective as I’d like. Still, this book should have no trouble finding an audience of comic fans who like to see their hobby tweaked and their fandoms punked, and it’s amazing that Smith has been published in a highly regarded manga magazine by a major Japanese publisher.

Over at the Manga Bookshelf, Melinda Beasi is running a mid-season poll on the year’s best new manhwa so far. I’m hoping that I can include Youngran Lee’s There’s Something About Sunyool (Netcomics) on this list, as it looks really promising. Here’s what Melinda had to say:

“Born the illegitimate child of a big-time politician, Sunyool has been accepted officially into her father’s household as an adult and thrown straight into negotiations for arranged marriage. While the premise seems rife with cliché, the execution (so far) is anything but. What could easily be a typical rags-to-riches or fish-out-of-water story actually appears more likely to be a thoughtful, wry look at two young people from vastly different backgrounds learning to make a life together within the cold world of politics. Sunyool’s smart (occasionally cruel) sense of humor and self-awareness make her a very appealing female lead, while her pragmatic young husband is still a bit of a mystery.”

I also might have to pick up a copy of the Young Avengers Ultimate Collection (Marvel), written by Alan Heinberg and penciled by various people, mostly Jimmy Cheung, just so I can have all those stories in one convenient package. I really enjoyed the first issue of Avengers: The Children’s Crusade that came out last week, mostly for the adorable gay super-hero boyfriends being adorable with each other, and also because a Marvel character finally suggested that there might be more to the Scarlet Witch’s behavior than her just having a bad case of babies rabies and not being able to handle her powers because, well, chicks. Also, no one suggested killing the Scarlet Witch, though her fair weather friend Ms. Marvel seems like she’d be more than happy to do so. Shut up, Ms. Marvel.

Previews review May 2010

There aren’t very many debuting titles in the May 2010 edition of the Previews catalog, but there are lots of new volumes of slow-to-arrive titles that are worth noting.

First up would have to be the omnibus collection of Yuki Urushibara’s Mushishi (Del Rey), offering volumes eight through ten. (It seems appropriate, since this is the title’s week in the Manga Moveable Feast spotlight.) These volumes were fairly meaty individually, and getting three in one for $24.99 seems like a really good value. (Page 292.) Edit: The tenth volume is the final one of the series, so this will conclude Mushishi in English.

Also on the “good manga for relatively cheap” front is the third volume of Kaoru Tada’s Itazura Na Kiss (Digital Manga). What mishaps will befall our dumb heroine Kotoko in pursuit of the smart boy of her dreams? (Page 295.)

I’m just going to come out and say that A Distant Neighborhood was my second favorite Jiro Taniguchi title of 2009. Topping that category was The Summit of the Gods, written by Yumemakura Baku. The second volume is due from Fanfare/Ponent Mon. (Page 304.)

A new volume of Adam Warren’s super-smart, addictive satire, Empowered (Dark Horse), is always good news. It seems like Warren gets around to dealing with the rather loose definition of mortality among the spandex set, and I’d much rather read his take than something like Blackest Night. (Page 35.)

Is it ungrateful of me to be really eager to see what Bryan Lee O’Malley does next? It’s not that I’m indifferent to the conclusion of the Scott Pilgrim saga (which arrives in the form of the sixth volume, Scott Pilgrim’s Finest Hour from Oni Press), which I’m sure I’ll love as much as the previous five. But O’Malley’s been working on Scott for a long time. (Page 233.)

Before we jump fully into the “all-new stuff” department, I’ll bypass quickly to Dark Horse’s release of an omnibus edition of CLAMP’s Magic Knight Rayearth. You can get all three volumes of this magic-girl shôjo classic from the manga superstars. (Page 53.)

CMX publishes a lot of excellent shôjo from Hakusensha, but they branch out this month with Rika Suzuki’s Tableau Gate. It originally ran in Akita Shoten’s Princess Gold, and it’s about a guy who must help a girl capture some escaped tarot cards. I’m sort of a sucker for comics with tarot imagery, and I trust CMX’s taste in shôjo. (Page 129.)

I’m always game for a new graphic novel drawn by Faith Erin Hicks, and First Second is kind enough to provide one. It’s called Brain Camp, and it’s about oddballs dealing with mysterious forces, which is right in Hicks’s wheelhouse. The script is by Susan Kim and Laurence Klavan. (Page 305.)

It’s coming! It’s coming! Top Shelf’s 400-page collection of alternative manga, AX, finally hits the solicitation phase, and it should be very exciting to see. (Page 342.)

Vertical continues to branch out of classic manga mode with the English-language debut of Felibe Smith’s Peepo Choo. For those who’ve forgotten, Smith has been creating the series for Kodansha’s Morning Two magazine. It’s about a kid from Chicago who gets mixed up with a model from Tokyo and a lot of underworld mayhem. (Page 346.)

I don’t get a particularly good vibe off of Kaneyoshi Izumi’s Seiho Boys’ High School!, due out from Viz. It’s about the student body of an isolated, all-boys’ high school. Anyone who’s read more than one boys’-love title would know how these lads could deal with their isolation, but Izumi apparently decided to take a different approach. The series originally ran in Shogakukan’s Betsucomi.

Upcoming 4/28/2010

It’s always handy when a theme emerges in the items that catch my eye from the current ComicList. And it’s nice that this week’s theme centers on great female protagonists.

Okay, so it’s not so nice that there’s such a long wait between new issues of Stumptown (Oni Press), written by Greg Rucka, illustrated by Matthew Southworth, and colored by Rico Renzi. It’s about a hard-living Portland private investigator trying to figure out why the daughter of a casino owner disappeared, and trying to stay alive until she finds the answer. The third issue arrives Wednesday.

If you like suspense but prefer your protagonists a little less seedy, I’d recommend the fourth volume of Fire Investigator Nanase (CMX), written by Izo Hashimoto and illustrated by Tomoshige Ichikawa. Nanase is a plucky arson investigator who shares a complex relationship with the Firebug, whose name says it all. It’s a fun procedural with likeable leads.

Moving to the awesome shôjo front, we’ll start with the eighth volume of V.B. Rose (Tokyopop), written and illustrated by Banri Hidaka. Heroine Ageha is a budding handbag designer who goes to work for a bridal shop, then falls in love with the shop’s lead designer. Ageha is impulsive and talented, and Arisaka is bristly and businesslike. They have great chemistry, and the bridal-shop sparkle is undeniably eye-catching.

There’s also the fourth volume of Kimi Ni Todoke (Viz), written and illustrated by Karuho Shiina. Good-hearted, socially inept Sawako continues her campaign to win friends and influence people after years of being dismissed and avoided as the class creepy girl. This time around, she throws down with a romantic rival, though it’s entirely likely that Sawako won’t realize that she’s throwing down.

Those two titles alone make this one of the best shôjo Wednesdays imaginable. If a new volume of Itazura Na Kiss came out, I would burst into a cloud of sparkly chrysanthemum petals.

Upcoming 3/10/2010

Let me just clear a little paperwork out of the way before we delve into this week’s ComicList. I’m keeping a running list of reactions and coverage of yesterday’s grand and glorious news from Fantagraphics, so feel free to drop me a line if you’ve shared some thoughts that I might have missed. Also, the second iteration of the Manga Moveable Feast is in full swing, with Matt (Rocket Bomber) Blind keeping track of everyone’s thoughts on Kaoru Mori’s Emma (CMX), which was originally serialized in Enterbrain’s Comic Beam, the same magazine that hosted Shimura Takako’s Wandering Son. It all comes together.

Back to the ComicList and sticking with CMX, DC’s manga imprint has some fine comics shipping on Wednesday. I posted a review of the first volume of Mayu Fujikata’s My Darling! Miss Bancho last week, and Kate (The Manga Critic) Dacey rounds up some other early word of mouth in her look at this week’s arrivals.

But, as exuberant pitch persons remind us, that’s not all! There’s also the second (and final) volume of Asuka Izumi’s adorable The Lizard Prince. And in a timely arrival, CMX reminds us that they’ve been putting out classic shôjo for ages. This week’s reminder comes in the form of the 15th volume of Yasuko Aoike’s From Eroica with Love.

If for some inexplicable reason you missed Scott Chantler’s Northwest Passage in its original, three-volume form or in its hardcover annotated version, Oni Press gives you yet another opportunity to enjoy this terrific period action yarn in the form of a softcover edition of the annotated collection. Chantler does an amazing job combining history and adventure, so treat yourself.

As with Miss Bancho, I’ve already reviewed the first volume of Yuu Watase’s Arata: The Legend (Viz), and so has Danielle (Comics Should Be Good) Leigh. I’ll quote Danielle so as not to bore you by repeating myself:

“In the end, the categorization of ‘shonen’ really only tells us that this was published in a shonen magazine and I suppose that makes it useful in some ways. What is more important, though, is the name of the creator attached to the work and in this instance, that name is a tried and trusted ‘brand’ in the world of fantasy manga aimed at a teen audience. Yet in spite of the Watase brand, I want to stress that nothing feels formulaic or stale here — somehow this work feels fresh and energetic and I’m quite looking forward to seeing how the two Aratas’ journeys progress in upcoming volumes.”

In a very different corner of the Viz catalog, there’s the fourth volume of Kiminori Wakasugi’s Detroit Metal City, a distasteful and hilarious tale of an acoustic kind of guy thrust into the death metal limelight. It’s in the middle of its first multi-part epic, so you might want to pick up the third volume before you read this one. Of course, you probably already own all of the available volumes, right?

And this is less a recommendation than an inquiry: I remember thinking the first volume of naked ape’s switch was kind of pallid Wild Adapter fan fiction, but I recently got a random later volume in a batch of review copies, and at some point it seems to have become very readable Wild Adapter fan fiction. So my question is this: when did that happen, and is it worth rounding up the previous volumes? Or was the 12th volume just an aberrant quality spike?

Oh, and in case you were wondering what would top the next Graphic Book Best Seller List at The New York Times, Yen Press is releasing the first volume of the graphic-novel version of Stephenie Meyers’ Twilight, adapted by Young Kim. The only question is whether it will topple Crumb in the hardcover section or Akamatsu in the manga list. I’m sure I’ll read it eventually. I don’t see any reason to rush, though.

Birthday book: Lost at Sea

It’s Bryan Lee O’Malley’s birthday. I can always happily recommend his Scott Pilgrim books, which Kate (The Manga Critic) Dacey puts in the number one slot of her list of ten great global manga. (That’s a great list, by the way. I can’t think of a thing I’d add.) But chances are good you’ve already read all of the Scott Pilgrim books at least once.

Fortunately, there’s a pre-Pilgrim book I can recommend without reservation, Lost at Sea (Oni). Here’s the publisher’s description:

“Raleigh doesn’t have a soul. A cat stole it – or at least that’s what she tells people – or at least that’s what she would tell people if she told people anything. But that would mean talking to people, and the mere thought of social interaction is terrifying. How did such a shy teenage girl end up in a car with three of her hooligan classmates on a cross-country road trip? Being forced to interact with kids her own age is a new and alarming proposition for Raleigh, but maybe it’s just what she needs – or maybe it can help her find what she needs – or maybe it can help her to realize that what she needs has been with her all along.”

And here’s a bit from my review of the book:

“It’s a fairly universal state of mind, but O’Malley portrays it [in] articulate, sensitive ways that are entirely specific to his protagonist. He gives Raleigh a barbed, revealing stream-of-consciousness narration that never becomes tiresome. It’s not some dreary poetry journal; it’s the often jumbled thinking of a smart young woman who doesn’t know if she’s actually in crisis or is really just like everyone else, or which of those states would be less comforting.”

If you haven’t read Lost at Sea, celebrate O’Malley’s birthday by picking up a copy. I think you’ll really enjoy it.

Upcoming 2/3/2010

I was surprised to discover that Tsutomu Nihei’s Biomega (Viz) isn’t an adaptation of an existing video game. Its set-up and execution are exactly like a good first-person shooter, with a well-armed guy on a tricked-out motorcycle entering hostile territory with a mission and a subset of shifting objectives. There’s melee combat with a horde of shambling zombies, timed vehicle rescues, and malicious opponents in the form of a shadowy government conspiracy. There’s even a holographic wrangler providing useful information and reminding the protagonist of pending tasks. A more suggestible person might try and turn the book’s pages with their Xbox controller. (It doesn’t work.)

With its fast pace and progressively escalating stakes, Biomega actually does a better job capturing the experience of playing a video game than comics that are actually adaptations of existing franchises. As a result of that, the characters are thin and serviceable and their consequence is a distant second to event and spectacle, but there’s rarely a shortage of either of those ingredients. It’s also drawn extremely well, with clear, kinetic staging and some inventive bits of design (but not too many, because if you stare at how neat things are, the zombies will get you). There’s also a talking bear with a rifle for reasons that are probably no more complex than “just because,” but he’s welcome, as he keeps things from being entirely functional.

Biomega isn’t a book that inspires any contemplation, and it only takes itself as seriously as it absolutely must. There’s nothing wrong with that, though, any more than there is spending a few hours shooting digital zombies in the head and making a last-minute motorcycle jump from a burning building. It’s a time-waster executed with style and craft. (Review based on a complimentary copy provided by the publisher.)

Now, let’s move on to the rest of this week’s ComicList, which offers a bounty of potentially appealing books for young adults:

I picked up Raina Telgemeier’s mini-comics at a Small Press Expo a few years ago and really liked them a lot. It was no surprise that publishers asked her to work on adaptations franchise properties like Ann M. Martin’s The Baby-Sitters Club (Graphix) and X-Men: Misfits (Del Rey). But it’s especially nice to see that Graphix is giving her original work such lovely treatment with Wednesday’s release of Smile. It heightens the average obstacles of life in middle school with a big bout of dental drama.

I expressed my enthusiasm for Chris Schweizer’s Crogan’s March (Oni) over the weekend, so I won’t repeat myself.

Collections of Jimmy Gownley’s terrific Amelia Rules! have been available for a while now, but they’ve found a new home at Simon & Schuster. One of those trade paperbacks, Superheroes, is due out Wednesday, and if you haven’t sampled the series yet, this is a perfectly good opportunity.

It’s also time for Viz’s monthly mangalanche, and the emphasis is on titles from their Shojo Beat and Shonen Jump lines. There’s lots of good stuff on the way, but I find myself unproductively fixated on the first volume of Ultimo, a collaboration between Stan Lee and Hiroyuki (Shaman King) Takei, with assists from inker Daigo and painter Bob. With that many credits, it’s easy to suspect that Lee has already been a bad influence. To be honest, I’m not quite ready to issue a verdict on the book, but please do go read thoughtful reviews from Erica (Okazu) Friedman and Kate (The Manga Critic) Dacey. In the meantime, I’ll continue my fruitless stare-fight with the book as I try and figure out what it is about it that irritates me so.

Upcoming 1/13/2010

This week’s ComicList gives us all an opportunity to dig out from under last week’s avalanche. There are still items of note, of course.

“David,” you may ask, “just how many comics about people who see dead people or other supernatural beings can one actually read?” My answer is, “All of the ones that sound any good at all.” Your answer may be different, obviously. This week’s entry into the crowded, often awesome genre is Lola: A Ghost Story (Oni) by J. Torres and Elbert Or. Bask with me in the enticing familiarity of the blurb text:

“Jesse sees dead people, monsters, demons, and lots of other things that go bump in the night that no one else can see. No one except his ailing grandmother — a woman who used her visions to help those living in her small town. The same rural community in all the scary stories Jesse’s heard as a child. Man-eating ogres in trees. Farmhouses haunted by wraiths. Even pigs possessed by the devil. Upon his grandmother’s passing, Jesse has no choice but to face his demons and whatever else might be awaiting him at grandma’s house.”

I’ve reached the point that I would inject Banri Hidaka’s V.B. Rose (Tokyopop) directly into a vein if such a thing was possible, but I’ve been a little slow in exploring her other licensed work. For instance, Tears of a Lamb (CMX) reaches its conclusion with the seventh volume. This just means that I can order the whole thing in one massive, presumably discounted order and spend an entire weekend reading it. A plot that features both eating disorders and amnesia sounds like a really good week on All My Children in its long-ago prime, and that’s always a selling point for me.

Upcoming 1/6/2010

2010 hits the ground running, at least in ComicList terms. I hope you got cash for Christmas or are fit enough to supplement your income by shoveling the driveways of neighbors.

It’s been available in English for a few years, but that doesn’t stop me from making the hardcover collector’s edition of Fumiyo Kouno’s glorious Town of Evening Calm, Country of Cherry Blossoms (Last Gasp) my pick of the week. In my opinion, this is still one of the finest comics from Japan ever to be licensed. Don’t believe me? Check out reviews from Lorena (i ♥ manga) Nava Ruggero and Kate (The Manga Critic) Dacey.

I only know what Drawn & Quarterly tells me about Imiri Sakabashira’s The Box Man, but I do know that they’ve got excellent taste in comics from Japan (and everywhere else). What does the publisher promise? An “absurdist tale in a seamless tapestry constructed of elements as seemingly disparate as Japanese folklore, pop culture, and surrealism. Within these panels, it becomes difficult to distinguish between the animate and the inanimate, the real and the imagined, a tension that adds a layer of complexity to this near-wordless psychedelic travelogue.”

Quick, something a little more undemanding! CMX to the likely rescue! They debut The World I Create, written and illustrated by Ayami Kazama. It’s about students with the ability to create virtual realities, and it looks kind of charming.

I was crazy about godly pantheons as a kid, particularly the Greek. It never translated into a particular love for comics versions of characters like Hercules, but I was always fascinated, probably because the mythology was so much like a soap opera with extra smiting. As I really admired George O’Connor’s abilities as a cartoonist in Journey into Mohawk Country as well, I’ll definitely give First Second’s Zeus: King of the Gods a good long look.

I’m apparently not supposed to call them “pamphlets” any more, though I thought that was the preferred term over “floppies.” “Flimsies” it is. There are two such publications out this week that show much promise: the fourth issue of Brandon Graham’s King City (Image) and the second issue of Stumptown (Oni), written by Greg Rucka, illustrated by Matthew Southworth, and colored by Lee Loughridge. Thanks again for making my browser crash, Image.

Now, for the costliest portion of our program: the new shôjo, which I will simply list in alphabetical order because there’s so much of it:

  • Happy Café vol. 1, written and illustrated by Kou Matsuzuki, Tokyopop: I love romantic comedies set in restaurants, so I’ll certainly pick this up at some point.
  • Nana vol. 20, written and illustrated by Ai Yazawa, Viz: More awesome rock-and-roll drama.
  • Natsume’s Book of Friends vol. 1, written and illustrated by Yuki Midorikawa: I thought this supernatural series got off to a strong start.
  • Sand Chronicles vol. 7, written and illustrated by Hinako Akihara: Oh, the beautiful ache of growing up.
  • V.B. Rose vol. 7, written and illustrated by Banri Hidaka, Tokyopop: Awesome stuff about wedding dress designers and their impulsive apprentice.
  • So what looks good to you?

    Update: I forgot to mention this one, but Marvel does a really quick turnaround on producing a trade paperback of its Marvel Divas mini-series, written by Roberto Aguirre-Sacasa and illustrated by Tonci Zonjic. I enjoyed it very much in flimsy form, though I’m sad to see that they apparently use that hideous J. Scott Campbell cover for the collection. You’ll understand if I don’t illustrate this paragraph with a thumbnail, won’t you?