One Piece MMF: Day One Links

ABCBTom upped the game with five parts of “a paper on One Piece for the Graphic Engagement seminar on the politics of comics at Purdue University.” Here they are, with more to come:

  • Why One Piece?
  • What is shounen?
  • The Shounen Formula
  • One Piece‘s Formula
  • East Blue Arc
  • Sean (A Case Suitable for Treatment) Gaffney looked at the stories within the stories, the mini-arcs Oda sometimes creates in the chapter title pages:

  • MMF: One Piece
  • Sam (A Life in Panels) Kusek takes a fusion approach, crossing the streams of Viz and DC:

  • One Piece MMF: Introduction Piece, so you know what I’m up to…
  • In Brightest Day, In Blackest Night (Luffy D. Monkey’s Green Lantern)
  • Rob (Panel Patter) McMonigal learns a universal truth: “If I hadn’t been sold on the series by then, clown pirates hooked me.”

  • One Piece Volume 1
  • And last but not least, Khursten (Otaku Champloo) Santos takes a lovely look at the hurdles and rewards of getting into a 50+ volume series:

  • #10 One Piece by Eiichiro Oda
  • Mangoulême 2011

    It doesn’t feel like there are as many Japanese titles nominated as usual in the various categories for the upcoming Festival International de la Bande Dessinée in Angoulême, but it’s always worth a look:

    Sélection Officielle:

  • Pluto, by Naoki Urasawa, inspired by Osamu Tezuka, published by Kana
  • La Chenille, by Suehiro Mauro and Edogawa Rampo, published by Le Lezard Noir
  • Sélection Patrimoine:

  • Sabu & Ichi, by Shotaro Ishinomori, published by Kana
  • La fille du bureau de tabac et autres nouvelles, by Masahiko Matsumoto, published by Cambourakis
  • Ashita no Joe, by Asao Takamori and Tetsuya Chiba, published by Glénat
  • Sélection Jeunesse:

  • Naruto, by Masashi Kishimoto, published by Kana
  • Détective Conan, by Gosho Aoyama, published by Kana
  • (Links courtesy of The Comics Reporter, found via Deb Aoki, who just posted her own Best Manga of 2010 list.)

    Upcoming 11/17/2010

    I read the second volume of Hisae Iwaaka’s Saturn Apartments (Viz) last night, confirming my feeling that this is one of the best new series of the year. (I feel that way about several titles in Viz’s SigIKKI program, but which one of them I like best depends on which one I’ve read most recently.) For those who need a refresher, this is slice-of-life science fiction about the people who wash windows on a satellite habitat orbiting an environmentally devastated Earth.

    Though episodic in a lot of ways, it does follow a single protagonist, Mitsu, who is following in his late father’s footsteps in a perilous, under-appreciated profession. Mitsu spends a significant portion of this volume considering his father’s legacy, or perhaps trying to construct what that legacy might look like. He talks to his father’s co-workers, now his co-workers, about how his father approached his work and, less directly, how he might have felt about it. As a neophyte, he’s also asking about the specifics of a dangerous job he still hasn’t mastered, so there’s an extra layer of intention in the question-and-answer sessions.

    I enjoy series that have a strong grounding in a particular profession, whether that profession is realistic or fanciful. The grubby-fantastic quality that Iwaaka gives to her cast’s working world is very appealing to me, and I like the ways she resists canonizing her characters as salt-of-the-earth types. While she draws them in an innocent, vulnerable style, she writes them with a bit more frankness. The get cranky, hold grudges, drink too much, work too hard, get careless… they behave credibly and recognizably, in other words.

    Other noteworthy items on this week’s ComicList include the 9th volume of Takehiko Inoue’s extraordinarily good Real (Viz). Melinda (Manga Bookshelf) Beasi named it her Pick of the Week, because she has excellent taste that way.

    The other highlight of the week has to be the second collection of Linda Medley’s Castle Waiting (Fantagraphics). The publisher describes the comics as “witty and sublimely drawn fantasy [that] eases into a relaxed comedy of manners,” which is perfectly true. It’s really a treat of a series, one that I bought in pamphlet form and will buy in its collected state, which almost never happens.

    What looks good to you?

    The buried lead

    Over on Twitter, Scott Green triggered a tweet-storm when he pointed to this press release from Viz on new licenses. Fabulous news for Tenjo Tenge fans, particularly those still bitter about CMX’s editing choices, but read deeper into that piece, and you will find the source of my giddy, giddy joy:

    LA QUINTA CAMERA • Rated ‘T’ for Teens • VIZ Signature • MSRP: $12.99 US / $14.99 CAN • Available July 19, 2011

    A charming suite of linked stories from the acclaimed author of not simple and House of Five Leaves, set in an apartment in Italy. In four of the rooms live four single men with singular personalities. Into this peculiar ménage steps an exchange student, the new tenant of the fifth room. Brought together by chance, friends by choice, they pursue their dreams together as the days drift gently by.

    It originally ran in Penguin Shoubou’s Comic Seed! Odd that they didn’t mention it’s also by the creator of Ristorante Paradiso and Gente, what with the “bunch of guys in Italy” thing going on. Still… new Ono!

    Prix Asie, belatedly

    I was completely obsessed with this awards program last year, and I completely overlooked the 2010 finalists for the Prix Asie of the Association des Critique et Journalistes de Bande Dessinée (ACBD), in spite of the fact that Tom (The Comics Reporter) Spurgeon posted the list months ago. Here they are:

  • Deux expressos de Kan Takahama, Casterman
  • Folles passions de Kazuo Kamimura, Kana
  • L’Île Panorama de Maruo Suehiro d’après Edogawa Rampo, Casterman
  • Le Juge Bao de Chongrui Nie et Patrick Marty, Fei
  • Pluto de Naoki Urasawa d’après Osamu Tezuka, Kana
  • ACBD has also posted a list of what you might call runners-up, other worthy work from the period under consideration. You can find it on this page if you scroll down a bit.

    Random weekend question: guilt trips

    Melinda (Manga Bookshelf) asked folks to confess to their guilty graphic pleasures, so I thought I’d approach the question from the other direction. What comics or graphic novels, if any, do you feel guilty about having not read? Are there any much-loved classics or high-tone titles that you just can’t be bothered to read?

    Open portal thread

    Brigid (MangaBlog) Alverson points to this report at Anime News Network, announcing that “37 Japanese publishers are collaborating to set up a joint portal site” for their manga. It seems like the kind of thing that could be so monumental as to drive me to use otherwise loathed phrases like “game changer” and “paradigm shift.”

    So instead of the usual Friday license request, I thought I’d throw open a discussion of what kinds of comics you’d like to see included in the initiative, which publishers you’re most eager to see participate, and whatever other responses you have to this news.

    Quick context

    In case you’re wondering about the context of that quote in today’s Journalista, it came in response to a tweeted question from Ed Sizemore (Manga Worth Reading, Manga Out Loud), which led to a lively discussion on the difference between a reviewer and a critic. A number of folks offered their thoughts on the subject, as did Dirk Deppey, so that’s where that was spawned. (Sometimes you don’t know you need a hash-tag until it’s too late to use one.) For the record, I don’t find I value either criticism or review over the other as a reader, though I do tend to enjoy writing reviews more.

    And speaking of reviewers, Melinda (Manga Bookshelf) Beasi lists some of those she finds most reliable, and I’m flattered to be among them.

    Announcing the next Manga Moveable Feast

    Anime News Network notes that the 60th volume of Eiichiro Oda’s One Piece (published by Shueisha in Japan, Viz in the United States) has sold over 2,000,000 copies in four days. This seems like as good a reason as any to announce that the next installment of the Manga Moveable Feast will focus on Oda’s blockbuster pirate adventure. This edition of the Feast will run from Sunday, Nov. 28, to Saturday, Dec. 4.

    Anyone needing a refresher on what the Manga Moveable Feast is all about can take a look at Matt (Rocket Bomber) Blind’s handy introduction to the project. If you’d like to participate but don’t have a blog or don’t think the subject is right for the blog you already have, I’d be happy to host guest pieces during the Feast. Just email me at davidpwelsh at yahoo dot com.

    Here are links to the Feasts that have taken place thus far:

  • After School Nightmare (Go! Comi), hosted by Sean (A Case Suitable for Treatment) Gaffney
  • Paradise Kiss (Tokyopop), hosted by Michelle (Soliloquy in Blue) Smith
  • The Color Trilogy (First Second), hosted by Melinda (Manga Bookshelf) Beasi
  • To Terra… (Vertical), hosted by Kate (The Manga Critic) Dacey
  • Mushishi (Del Rey), hosted by Ed (Manga Worth Reading) Sizemore
  • Emma (CMX), hosted by Matt (Rocket Bomber) Blind
  • Sexy Voice and Robo (Viz), hosted by me
  • One Piece is serialized in Viz’s Shonen Jump magazine here in the United States. Deb (About.Com) Aoki just happens to have an interview with editor Joel Enos on recent and upcoming changes to the long-running periodical.

    Upcoming 11/10/2010

    It’s one of those neat ComicList weeks where all kinds of interesting comics from throughout the space-time continuum are due to land.

    Sean (A Case Suitable for Treatment) Gaffney tweeted about this book, and it has a definite allure for me as a person who read a lot of Archie comics in the back seat of the station wagon on long drives to various vacation destinations during his childhood. It’s Dark Horse’s Archie Firsts collection, which promises “first issues, first appearances, and other milestones, collected for the first time in one hardcover volume!”

    I was a huge fan of Scott Chantler’s Northwest Passage (Oni Press), so it would stand to reason that I should pick up a copy of his Two Generals (McClelland and Stewart), which promises “poignant graphic memoir that tells the story of World War II from an Everyman’s perspective.” I’m not a history buff, per se, but Chantler is phenomenally talented.

    The first volume of Lars Martinson’s Tōnoharu (Top Shelf) was very intriguing, so I’m looking forward to Martinson’s second look at a fish out of water teaching English in rural Japan.

    Erica (Okazu) Friedman is crazy about Hayate X Blade (Seven Seas), written and illustrated by Shizuru Hayashiya, and that’s reason enough to seriously consider the purchase of the first omnibus collection of the series.

    And I am crazy about Kou Yaginuma’s Twin Spica (Vertical), and I would never consider delaying in the purchase of the fourth volume. This is easily one of the great series debuts of 2010.

    What looks good to you?