Previews review Dec. 2007

It’s time again for a quick tour through the latest Previews catalog.

In Andi Watson’s Princess at Midnight (page 140), a sheltered, home-schooled girl becomes a capricious, adorable despot when the lights go out. The story was one of the highlights of the first Mammoth Book of Best New Manga, and now Image is publishing a stand-alone version. I’m half-heartedly debating whether ten new pages merit buying it again, but I think I will for two reasons. One, if sales are strong, Watson might be more inclined to do a follow-up, and two, it seems like a reasonable enough way to thank Image for publishing Glister. (I’d thank them even more wholeheartedly if I could ever find anything on their website.)

I try and resist mentioning new volumes of ongoing series when I do these things, but when the series is as good as Kiyohiko Azuma’s Yotsuba&! (volume six on page 191, ADV), I weaken.

The same flexible ethics apply to Fuyumi Soryo’s ES (volume 8 on page 250, Del Rey). This is great, character-driven science fiction. (Does anyone know if this is the last volume in the series?)

Sometimes a premise sounds so delightfully idiotic and tacky that I’m unable to resist. That’s the case with Kei Azumaya’s All Nippon Airline (Juné, page 265):

“ANAL – All Nippon Air Lines – is a unique airline company. All of its employees are beautiful gay men. On top of that, relationships between employees, or even between passengers and employees, are highly encouraged!”

I’m not proud.

It’s been running in Shojo Beat, and now the first collection of Chica Umino’s sweet, hilarious Honey and Clover (Viz, page 357) will be available for people who pass on the magazine.

The premise sounds really familiar (Wild Adapter Junior, maybe), but the full-page ad for Saki Otoh and Nakamura Tomomi’s Switch (Viz, page 359) is really eye-catching and clever.

Okay, and since I’m indulging in mentions for ongoing series, I’ll note that the second volume of Keiko Tobe’s With the Light: Raising an Autistic Child (Yen Press, page 363) is due. It’s a really admirable series, executed well, and it’s unlike pretty much anything else in the manga category, though I wish it weren’t.

Quick comic comments: Road reading

There’s always plenty to do in Las Vegas, not least of which is compensating for the feeling of complicity in propping up a fundamentally unsustainable and wasteful human settlement. But a trip to Alternate Reality Comics always helps me forget the guilt, at least briefly, because it’s an awesome shop. It has a really great selection, and the staff is always helpful. And since it’s located between the airport and our hotel of choice, I was totally justified in stopping there before we checked in.

I haven’t read all of my haul yet, and I have to admit that I was a bit disappointed with what I’ve read so far.

First were two second volumes of Fumi Yoshinaga series: Ichigenme… The First Class Is Civil Law (801) and The Moon and the Sandals (Juné). It’s Yoshinaga, so neither is anywhere close to bad, but it seems like she concentrated all of the heavy lifting in terms of character and nuance in the first volumes so she could concentrate on the hot couple action in the second rounds. And hey, at least she did that initial heavy lifting at all, which gives the action some welcome depth.

Then there was Girl Genius: Agatha Heterodyne and the Golden Trilobite (Airship). Don’t get me wrong: I really enjoy this series and would strongly recommend it. It’s just that this volume focused more on the narrative spine of the series than its heart. In other words, Agatha got pushed to the sidelines, which served to escalate the tension in the story but left me disappointed. I like the supporting cast, many of whom were pressed into service to rescue Agatha, and it was nice to believe that a bunch of people would run around risking their lives for the lead. A lot of times, creators will try and pass their lead off as beloved without doing any of the set-up needed to make it credible. Phil and Kaja Foglio have earned this kind of development, though.

Of course, it just reminds you that Agatha is terrific and plucky and smart and that you aren’t seeing very much of her in action. Which was a downer.

In threes

Digital Manga is having kind of an interesting week.

First of all, their Pop Travel Service gets a quick profile in the travel section of The New York Times.

Then they announce a contest to encourage sign-ups for their mail order catalog, though I’m not entirely sure what that catalog will offer. Seriously, is it for manga? Merchandise? Cosplay accessories? All of the above?

And this week’s ComicList notes the arrival of Yuno Ogami’s L’Etoile Solitaire, which the publisher describes as “its first original manga.” (It’s about romance in the hospitality industry.) The Juné blog partially answers a question before I can ask it, and points to Ogami’s English-language blog. I’m assuming the eventual plan is to “untranslate” the book and sell it in Japan, right?

Upcoming 7/18

I’m not going to lie to you. There’s plenty of good stuff arriving at the comic shop this week, but the bulk of my anticipatory energy is reserved for the final book in the Harry Potter series. I’m not going to dress up as a Death Eater and head to the bookstore at midnight, and I’m not going to hunt down purported spoilers on-line, but I’m a big nerd all the same.

(I haven’t seen the fifth movie yet, because I’m waiting for the crowds to die down. I am really happy to hear from various reviews that the actor who plays Luna is spot-on. I love Luna. That probably means she’s going to die in the last book, doesn’t it? No! I can’t let myself believe that!)

Okay, now that that nerd-splosion is out of the way, on to the ComicList for Wednesday. And really, there are some delightful books on offer. Since the site itself seems to have exceeded its bandwidth, I’ll point you straight to Diamond instead.

Jeff Smith’s Shazam and the Monster Society of Evil (DC) has been a real pleasure to read, and it concludes today with the fourth issue. It’s been an extremely clean, purposeful book, and by “clean” I don’t mean “family friendly,” though it’s that, too. I just mean that all of the elements of Smith’s work are neatly and effectively in synch. (For those of you who passed on the individual issues, DC already has information up on the deluxe hardcover, due in October.)

I’m still looking forward to Byun Byung Ju’s Run, Bong-Gu Run! (NBM), which is set to arrive at the local comic shop today.

It’s a good week for fans of Fumi Yoshinaga, who has two books arriving: Don’t Say Any More, Darling (Juné) and the third volume of The Flower of Life (Digital Manga Publishing). I don’t really know much about the former, but it’s hard to go too wrong with this particular manga-ka.

Of course, I’ve been posting about the latter ad nauseum, because it’s awesome. It’s like the high school down the block from Bakery Antique, with Yoshinaga operating on all cylinders and creating a lovely, funny world of exuberantly odd youth. No one quite occupies the same narrative turf as Yoshinaga, gently intersecting young and old, wise and foolish, and funny and sad. It’s just exquisite.

Previews review

It’s time for a look through the latest Diamond Previews catalog! (Only slightly related, but it’s also time for a lot of publishers to updated their web pages!)

Sometimes all it takes is a gorgeous illustration to make me want a book, and that’s certainly the case with Mi-Kyung Yun’s Bride of the Water God (Dark Horse, page 44). In my defense, the plot sounds interesting too, with a human sacrifice getting even more than she bargained for.

Sample pages (and great-looking art) go a long way towards piquing my interest in Mike and Louise Carey and Aaron Alexovich’s Confessions of a Blabbermouth (DC – Minx, pages 118-120). The fact that it’s about a blogger probably doesn’t hurt either.

For those of you who passed on Andi Watson and Simon Gane’s Paris (Amaze Ink/SLG, page 218) in single issues, it’s being released in collected form. The story is okay – two very different girls meet and fall in love in the City of Light – but the art is truly wonderful.

I snickered at part of the solicitation for Hoyuta Fujiyama’s Ordinary Crush (DMP – Juné, page 286) – “in an all boys school where 90% of the students are gay” – until I remembered the rumors about some of the parochial schools in the area where I grew up.

Well, lots of people have been wondering about the health of Ice Kunion, given shifting shipping dates and an unresponsive web site, but they’ve got listings in this month’s catalog (page 309). Take that for whatever it’s worth, which might be nothing.

My adorability sensors have been triggered by Mizuo Shinonome’s Chibimono (Infinity Studios, page 319). It’s about a guardian spirit for household items with some serious memory problems.

Bryan Lee O’Maley’s Scott Pilgrim Gets it Together (Oni Press, page 330) is almost here. That is all.

Vertical offers more classic stuff from Keiko (To Terra…) Takemia with Andromeda Stories (page 368), the first of a three-volume science fiction story.

There’s no cover image to lure me, but I’ll give anything in Viz’s Signature line a look. The latest addition is Taiyo Matsumoto’s TEKKONKINKREET: Black and White. (Okay, so it’s just a repackaging of a series that Viz has published previously. It’s still nice that they’re giving older, weirder books from their catalog another shot at an audience.)

From the stack: Solfège

Given the amount of praise I’ve heaped on the manga of Fumi Yoshinaga over the years, it seems only fair to note when she doesn’t entirely deliver. And while the concept of “mediocre Yoshinaga manga” still suggests a higher general level of quality than many mangaka could muster, I still found Solfège (Juné) disappointingly average.

In it, a pompous but talented music teacher, Kugayama, takes an interest in a dim but promising young singer, Tanaka. Given his lack of academic promise and musical ability, Tanaka has set his sights on admission to music school. Kugayama overcomes his natural apathy to tutor Tanaka in music theory and arranges voice lessons for the boy with a friend. When Tanaka’s troubled family life threatens to derail his ambitions, Kugayama takes Tanaka into his home.

Of course, their relationship turns sexual, and complications ensue. Surprisingly, they’re the kind of complications you’d expect to emerge from an illicit-by-definition student-teacher liaison. Not so surprisingly, Kugayama feels the loss of their separation more keenly than he would have expected, which leads to some rather dire consequences.

If that all sounds rather linear for a Yoshinaga outing, it is, which is one of the disappointments. There are none of Yoshinaga’s usual narrative meanderings, and the plot ticks along with craft but without much surprise.

Another shortcoming is in the area of characterization. I’m used to Yoshinaga’s creations leaping off the page, and while the portraits here are solid and serviceable, there isn’t much leaping in evidence. Since the cast lacks specificity and quirkiness, the opportunities for character-driven comedy are minimized.

It’s just so straightforward – perfectly competent in execution, but never really coming to life. Anyone expecting a visit to the warmly weird, richly rendered world Yoshinaga usually composes is in for something of a letdown.

Awards watch

It looks like there are some new additions to the current roster of nominations for the list of Great Graphic Novels for Teens, assembled by the American Library Association’s Young Adult Library Services Association (YALSA). (I say “looks like,” because my memory is far from perfect, so apologies if the books I’ve pegged as new nominations have been there for a while.)

DC’s Minx line seems to be making a favorable impression on nominators, with Re-Gifters joining The Plain Janes. The current edition of Sequential Tart has the first part of an interesting insider’s view of the Minx line from Mariah Huehner, including this assessment of some of the imprint’s early sound bytes:

“Its times like this I really wish marketing a product based solely on its own merits, of which the titles in MINX have a lot, was the preferred method. Putting down other kinds of books aimed at the same demographic doesn’t do much to elevate the medium. And anyway, wouldn’t it be better if teen girls were readings more of everyone’s titles? I don’t think it’s a choice between Manga and MINX. I think you’ll find a lot of crossover.”

The first volume of Fumi Yoshinaga’s The Moon and Sandals (Juné) is an interesting choice, partly because Digital Manga has given it an age rating of 18+. It follows two couples, one adult and one teen-aged, and the older pair does reach a sexual milestone, though I’m blanking on how explicit that encounter was at the moment. I thought the book kind of dawdled in a perfectly likeable way, but it does end with an emotional gut-punch worthy of Natsuki Takaya at her most ruthlessly tear-jerking.

The successful partnership between Tokyopop and HarperCollins (just look at the sales figures for Warriors) hasn’t stopped HC from publishing graphic novels on its own, and Mark Crilley’s Miki Falls books earn two slots on the YALSA list.

As usual, the list also serves as a handy collection of recommended reading for me, with intriguing-sounding titles like Stuck in the Middle: 17 Comics from an Unpleasant Age from Penguin/Viking:

“A very unscientific poll recently revealed that 99.9% of all people who attended middle school hated it.”

Yay! I’m in the majority! (Though 7th and 8th grades were classified as “junior high” back when I endured them, right around the popularization of the internal combustion engine.)

And while it’s only kind of tangentially related, there’s a great interview with this year’s Eisner judges over at Bookslut, one of whom is Robin Brenner, one of the librarians who assemble the YALSA list. Some of my favorite quotes:

“The shift from the collector market to the reader market has been incredibly significant, in terms of just where one can find comics and graphic novels today but also in terms of signifying the growing diversity of what’s out there and what people want to read. I feel the industry can only benefit from a concentration on attracting readers rather than collectors — so the story and artistry of the title is the most important thing.” (Brenner.)

“The industry’s attempt to force-start another speculator glut, is, fortunately, somewhat of a miserable failure.” (Comics writer Chris Reilley.)

“I would like to see a few less comics about zombies; they’re really overstaying their welcome in my opinion.” (Reilly, again.)

Well, zombies do move rather slowly.

Suddenly next fall

When I do these trawls through Diamond’s Previews catalog, I generally try and limit my focus to new series and graphic novels. Sometimes, that’s just impossible.

After over a year and a half in limbo, ADV will release a new volume of Kiyohiko Azuma’s delightful Yotsuba&! I could stop right there and be perfectly happy. (Page 217.) I won’t, obviously.

A new collection of Phil and Kaja Foglio’s funny fantasy adventure, Girl Genius (Airship), is always good news. The sixth trade paperback is listed on page 221, and I’ve reviewed previous volumes here, here and here.

David Petersen’s beautiful Mouse Guard (Archaia) was one of the surprise hits of last year, which leads me to suppose that the sequel, Winter 1152, will also be a hit, but not a surprising one. (Page 230.)

Aurora enters the Previews fray with two listings: Makoto Tateno’s Hate to Love You, described as “Romeo and Romeo,” and Chihiro Tamaki’s Walkin’ Butterfly, a shôjo series about an aspiring model. (Page 238.)

I had expected more of a wait for the second volume of Adam Warren’s sweetly subversive, cheerfully shameless piece of cheesecake, Empowered. Apparently not, which is certainly good news. I reviewed the first volume here. (Page 45.)

Dark Horse dabbles in shôjo with Kazuhiro Okamoto’s Translucent, about a girl who’s starting to turn invisible. My teen-angst metaphor sensors are pinging, but in a good way. (Page 47.)

If Tokyopop’s Dragon Head and Viz’s The Drifting Classroom aren’t adequately feeding your need for student survivalist drama, Del Rey launches Tadashi Kawashima’s Alive. There goes that metaphor sensor again! (Page 272.)

I must have been experiencing a shortage of serotonin last weekend, because I ordered a big box of Fumi Yoshinaga manga from Amazon. I read it all in a sitting, and I think my aura transformed from a dingy gray to a cloud of flowers that were sparkling in a slightly ironic fashion. I really recommend it, and manga publishers like Blu, 801 and Juné seem determined to keep these mood-elevating supplements in ample supply. Juné launches Don’t Say Anymore Darling (page 289) and releases the third volume of Flower of Life (page 290). I don’t know why DMP is publishing it in the Juné imprint [Edited to note that they actually aren’t, and I’m just blurring things in my feeble brain], because there doesn’t seem to be any ai among the shônen, but I don’t really care, because I love the series to a positively embarrassing extent.

Fantagraphics releases the second volume of Gilbert Hernandez’s marvelous Palomar stories in Human Diastrophism. (Page 302.) I reviewed the first volume here.

Go! Comi adds more shônen to its line up with the first volume of Yu Yagami’s Hikkatsu. (Page 308.) In it, the protagonist can use martial arts to repair appliances. Since the ice maker in my refrigerator has been on the fritz for weeks, this concept appeals to me.

While the concept of Oni’s The Apocalipstix doesn’t really speak to me – post-apocalyptic rocker girls! – I’m crazy about Cameron Stewart’s art, and he’s teamed up with writer Ray Fawkes for this original graphic novel. (Page 335.)

Back on Yoshinaga patrol, Tokyopop’s Blu imprint offers Truly Kindly, a collection of shorts from the mangaka. Let’s see… I love Yoshinaga, and I love manga shorts. We’ll mark that down as a “yes.” (Page 365.)

Coming up

Some highlights from this week’s ComicList:

If zombies were the new pirates, and princesses were the new zombies, are vampires the new princesses? Or do vampires have sufficient cultural currency that they’re exempt from the fad cycle? I have no idea, but CMX is headed to the blood bank with the release of Chika Shiomi’s Canon, the tale of a heroic teen bloodsucker looking to avenge her entire high-school class. I think it gets off to a solid start.

Readers who loved Fumi Yoshinaga’s Antique Bakery (DMP) might want to take a look at The Flower of Life (Juné). Once again, Yoshinaga looks at a satisfying array of interpersonal relationships with warmth, intelligence, humor and her trademark quirkiness. The second volume ships Wednesday. I reviewed the first volume here.

I mention the comic-shop arrival of Avril Lavigne’s Make 5 Wishes (Del Rey) only because it came up in this conversation at Comics Worth Reading, and I can use it as an opportunity to mention Nicolas De Crécy’s superb Glacial Period (NBM) again. I generally agree that sell-out announcements aren’t really news, but I’m going to side with commenter Joe Williams in this instance:

“The fact that NBM will sell out of a 4000 print run for a foreign release where the author, as far as I know, has yet to be published in America and a book that deals with a French cultural institution is pretty impressive in my book.”

Mine, too.

Speaking of shouting from the rooftops (or any available setting, really), it’s time for the fifth volume of Kazuo Umezu’s The Drifting Classroom (Viz Signature). As always, things get worse for the stranded elementary school students. You wouldn’t think it would be possible, but they do.

Steals, sales and solicitations

So the big story of the day is unquestionably the… what should I call it? … apparent difference of opinion between Central Park Media and Japanese boys’-love publisher Libre, uncovered by the watchful folks of MangaCast. MangaCast Master of Ceremonies Ed Chavez and Dirk Deppey are on the trail, and unless I miss my guess, Simon Jones will have interesting things to say on the subject sooner or later. (No pressure, though.) (Update: Ask and you shall receive, though as always, the blog is probably not safe for work.)

On a less controversial front, MangaBlog’s Brigid looks through the Diamond graphic novel bestsellers for February and pulls out the top ten manga placers. Further down the list, I’m delighted to see the second volume of The Kurosagi Corpse Delivery Service (Dark Horse) crack the top 100.

At Sporadic Sequential, John Jakala digs up an interview with the gifted, under-licensed Usamaru Furuya on the intersection of art, commerce and editorial influence.

Moving back into the present, it’s a pretty solid week at ComicList, including the third volume of Diamond bestseller Kurosagi. (I love typing that!) Also from Dark Horse is It Rhymes With Lust, one of the earliest graphic novels. Written by Arnold Drake and Leslie Waller and drawn by Matt Baker, the book was printed in a fairly recent issue of The Comics Journal, and fans of sexy pulp and noir would be doing themselves a favor in picking it up. If you’ve ever thrilled to Joan Crawford or Barbara Stanwyck stringing small-town suckers along for their own merciless gain, you’ll probably enjoy Rust’s amoral antics as well.

It seems like each week brings another volume of the works of Fumi Yoshinaga to the shelves, and this is all to the good. This time around, it’s Solfege from Juné. For those unfamiliar with Yoshinaga who might wonder what all the love is about, check out these overviews at Yaoi Suki and Guns, Guys and Yaoi.

Seven Seas was kind enough to send me a complimentary copy of the second volume of Kashimashi: Girl Meets Girl, though I would have bought it anyways, because this series is such a pleasant surprise – funny, thoughtful, romantic, and often surprising.

And if you’re wondering what next month’s best-selling manga title might be, Viz rolls out the 12th volume of Fullmetal Alchemist, which makes for one of those happy intersections of quality entertainment and commercial success.