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Upcoming 10/15/2008

October 14, 2008 by

This week’s ComicList has me wondering if there’s a comics equivalent of the movie industry’s Oscar Bait Season. Maybe a Ten Best List Season? Because there are a lot of potentially intriguing books coming out tomorrow.

Rutu Mordan’s Exit Wounds (Drawn & Quarterly) was easily one of the most warmly received books of 2007. I thought that book was really solid, though I wasn’t transported by it to the degree that a lot of other readers were. Anyway, Mordan’s follow-up, Jamilti and Other Stories, arrives tomorrow via D&Q.

I like Stephen Sondheim’s Into the Woods a lot, but I tend to be generally fond of reconfigured fairy tales. (Though oddly enough, the very idea of a musical version of Gregory Maguire’s Wicked makes me cringe, Kristin Chenoweth or no Kristin Chenoweth.) So I’m inclined to take a look at There’s a Wolf at the Door (First Second) written by Zoey Alley and beautifully illustrated by R.W. Alley. You know all those wolves in popular fairy tales? This book posits that all those stories happened to the same wolf.

NBM has become one of those publishers where I’m automatically inclined to pay attention to their releases, what with Rick Geary’s books and Glacial Period and Run, Bong-Gu, Run! This week’s eye-catcher is Dirk Schwieger’s Moresukine, which is based on Schwieger’s blog. “Assignment: Pod Hotel” is probably enough to get me to track it down, because the prospect of sleeping in a tube triggers all of my claustrophobic nightmares.

I was e-mailing back and forth with an editor at Viz about something entirely unrelated, and he made a point of talking up Asano Inio’s Solanin. It features a recent college graduate who “struggles with the feeling that she’s just not cut out to be a part of the real world.” (I hate to break it to her, but that feeling doesn’t go away with time.) A done-in-one josei series in a big fat package? Why yes, thank you, I’d love one.

Filed under: ComicList, Drawn & Quarterly, First Second, NBM, Viz 2 Comments

Upcoming 10/1/2008

October 1, 2008 by

A theme has emerged: this seems to be “Legitimately Charming Whimsy Day.”

First of all, there’s the return of Pushing Daisies tonight at 8 p.m. Plot about people who can talk to dead people? Check. Awesome Broadway divas in the cast? Check. Fabulous, witty scripts that still manage to create genuine sentiment? Check.

(For counterpoint, the 9 p.m. hour offers “Colossally Irritating Whimsy Day” in the form of Kenley on Project Runway. I first few garments seemed cute to me, but now they’re just obstinately redundant, and her attitude is as off-putting as her bangs. I fervently hope she gets aufed.)

On the comics front, Drawn & Quarterly shows everyone how whimsy should be done with two new arrivals.

First up is the third volume of Tove Jansson’s Moomin strips, which are international treasures. It’s just that simple.

Second is the follow-up to Aya, Aya of Yop City, by Marguerite Abouet and Clément Oubrerie. It picks up with the lives of Abouet’s endearing cast of young people from the Ivory Coast of the 1970s, and I can’t wait to get my hands on it.

I can’t even bring myself to pay too much attention to the rest of the list. There are already two books that I’ll happily buy in hard cover, and that seems like bounty enough for one week.

Filed under: ComicList, Drawn & Quarterly, TV Leave a Comment

Neat trick!

July 10, 2008 by

In his very smart piece on recent discourse on manga, John Jakala includes this:

“My favorite book from last year (something I never got around to blogging) was Drawn & Quarterly’s Aya, and the year before that my pick was First Second’s Klezmer. So even if manga isn’t scratching my older reader’s itch, I know there are plenty of other places I can look for comic book relief.”

Then this morning Tom Spurgeon posts this:

“AYA OF YOP CITY, MARGUERITE ABOUET AND CLEMENT OUBRERIE, HARDCOVER, 9781894937900, SEPTEMBER, $19.95.”

So where’s the announcement of the second volume of Klezmer?

Filed under: Drawn & Quarterly, First Second, Linkblogging 1 Comment

Upcoming 7/2/2008

July 1, 2008 by

If it doesn’t stop raining soon, I’m going to have to lease my back yard out for pasture. I will be reducing my dependence on fossil fuels and supporting sustainable production, and I will give all of the cows names and compost their manure.

And now, on to this week’s ComicList. You know what’s weird? I’m excited about a Marvel comic, and I am going to buy it, if the local shop orders any shelf copies. That comic would be Patsy Walker: Hellcat #1, written by Kathryn Immonen and drawn and inked by David LaFuente Garcia. Hellcat is one of those characters that I’ve always loved in spite of the fact that she’s been ill-used for the vast majority of her costumed career. So basically my attachment to the character is pure, masochistic sentiment, but Matthew Brady says it’s got “a fun, jaunty tone,” and it’s just so nice to see Hellcat claw her way out of the refrigerator and into a solo series that I feel strangely obligated to support the book.

Hm… it’s shaping up to be Women I Really Like Week, now that I delve deeper into Wednesday’s releases. I very much loved Kaoru Mori’s elegant, heartfelt Emma, so I can’t wait to read Mori’s Shirley (both books from CMX), which leaves the Victorians behind to explore the world of Edwardian maids. The uniforms may show more ankle, but I’m betting the meticulous angst will be just as plentiful.

It had its pleasures, but I didn’t enjoy the first volume of Gabrielle Bell’s Lucky (Drawn and Quarterly) as much as I did When I’m Old and Other Stories (Alternative Comics), but I’m sure I’ll pick up the second installment at some point.

I haven’t really thought too carefully about exactly which Tokyopop titles survive the coming purge, but I do know that I hope that Mari Ohazaki’s Suppli comes out on the other side. I don’t think any of us need to worry about Natsuki Takaya’s Fruits Basket, which is as heartbreaking as it is popular.

Viz keeps the estrogen flowing with new volumes of Ai Yazawa’s Nana and Kazune Kawahara’s High School Debut. You all know how I feel about Yazawa’s work by this point, so let me just say how much I love High School Debut. I’m not going to say it’s as good as Hinako Ashihara’s Sand Chronicles, but it shares a lot of that book’s positive qualities: great characters, nicely developed relationships, carefully observed emotional moments, and very attractive art.

And now, for the token shônen book of the week. Okay, that’s not really fair, because it would be a meritorious entry on any Wednesday, even when the comics industry wasn’t trying to drown me in tears. Like just about everyone else, I enjoyed the first two volumes of Hiro Mashima’s Fairy Tail (released simultaneously by Del Rey), about a whacked-out guild of magicians. The third installment arrives Wednesday.

Filed under: CMX, ComicList, Del Rey, Drawn & Quarterly, Marvel, Tokyopop, Viz 5 Comments

Bumper crop

June 17, 2008 by

Enough with the shadowy portents for a bit. Let’s see what lurks in the current Diamond Previews catalog, shall we?

Dark Horse offers the fourth volume of Adam Warren’s brilliant Empowered about the ups and downs of a good-hearted super-heroine with a singularly unreliable costume and a loyal band of friends. The third volume got a little dark for my tastes, but it was hardly enough to keep me from reading more. (Page 30 and 31.)

Do I owe it to myself to see if any of the plot points so irritatingly left dangling in The Plain Janes (Minx) are addressed in the sequel, Janes in Love? Cecil Castellucci and Jim Rugg revisit their group of art guerillas and promise that the teens “discover that in art and love, the normal rules don’t always apply.” I thought they already knew that. (Page 113.)

Someday I’ll get around to writing about Rutu Mordan’s Exit Wounds (Drawn & Quarterly), which I thought was very good. (I don’t know if I would have put it on my “Best of 2007” list, whatever that might have looked like, but I’d certainly recommend it.) D&Q is following up with a collection of Mordan’s short works, Jamilti and Other Stories, and I’m looking forward to it. I love short stories, and I’m eager to see what Mordan does with that kind of flexibility. (Page 288.)

Many people, myself included, have written nice things about Hideo Azuma’s Disappearance Diary, due from Fanfare. Anything from this publisher is worth a look, and this book offers an intriguing if slippery look at the low points in the life of the manga-ka. (Page 297.)

I’ve been having a hard time finding a copy of Jason Shiga’s widely acclaimed Bookhunter (Sparkplug Comic Books) in my retail wanderings, so I’m glad to see it being offered again. (Page 349.)

Weirdness alert: people are tracking the fates of Tokyopop’s various global titles, and here’s one more to add to the tally. The publisher is offering a prestige collection of one, Boys of Summer: The Complete Season. The solicitation of the Chuck Austen/Hiroki Otsuka baseball comic indicates that the unpublished third volume will appear for the first time here, along with the first two. I’m not recommending, because I’ve read too many comics by Austen as it is, but I thought it was interesting to note. (Page 353.)

I thought Top Shelf had already solicited Ulf K.’s Heironymus B, but maybe it got delayed. I’ve heard good things about it, so I’ll just gently remind the local shop owner that I’d like a copy. (Page 362.)

Takehiko Inoue’s much-loved basketball manga Slam Dunk gets another bite at the apple courtesy of Viz in its $7.99 Shonen Jump line. (Page 384.) The publisher is maximizing its Death Note profits with a new series of collector’s editions that offer “color art… premium packaging… new cover art on the dust jacket” and other bonuses. (Page 386.) I’m not quite certain about the plot of Ayumi Komura’s Mixed Vegetables, which seems to be about using marriage to further professional ambitions, but I can’t turn my back on shôjo cooking manga. (Page 387.)

I swear this had a cooler name when it was first announced, but the first issue of Yen’s anthology magazine, Yen Plus, arrives in August. It features a mix of original and licensed work, and if you ever wondered what hack thriller author James Patterson would do with sequential art, this is your moment. It’s also got Svetlana Chmakova’s follow-up to Dramacon (Tokyopop), Nightschool, so that’s certainly a point in its favor. (Page 390.)

Filed under: Dark Horse, Drawn & Quarterly, Fanfare/Ponent Mon, Minx, Previews, Tokyopop, Top Shelf, Viz, Yen Press 2 Comments

Upcoming 3/26/2008

March 25, 2008 by

Some picks from the ComicList for Wednesday, March 26, 2008:

Do you need anyone else to tell you that Hiro Mashima’s Fairy Tail (Del Rey) is a very entertaining fantasy adventure? Probably not, but I’ll chime in with my agreement anyways. Mashima isn’t aiming exceptionally high here, offering unapologetically mainstream entertainment about quirky wizards and their comic quests. It’s a very good example of an increasingly crowded field of comics that offer storytelling that’s as amiable as it is accomplished. The characters are lively, the art is eye-catching, and the stories are fast-paced and varied.

I think it’s smart of Del Rey to introduce the series by releasing two volumes at once. Endearing as it is, it’s also fairly lightweight, so doubling the quantity available should help to cement it in readers’ affections to a degree that a single volume couldn’t, at the same time drawing more critical interest than the series might have enjoyed otherwise. As I said, there’s a lot of competition in the field of amiable, accomplished, mainstream entertainment, especially on the manga shelves.

So yes, there’s nothing wrong with a comic that only wants to entertain. Allow me to contradict that assertion by wondering if Eiji Otsuka and Sho-u Tajima’s MPD-Psycho (Dark Horse) has enough on its mind. Part of the reason I’m so fond of Otsuka’s The Kurosagi Corpse Delivery Service is the writer’s ability to fold deeper issues into superficially engaging stories. Imaginative gore and varied psychoses aside, MPD-Psycho seems to be vamping along, and I’ve got the feeling that it’s really going to need some larger purpose to keep me from losing patience. Up to this point, it’s read like a collection of creepy grace notes (like barcodes on people’s eyeballs) in place of a driving, meaningful narrative.

Along with Charles Berberian, Philippe Dupuy has created the wonderfully entertaining Mr. Jean, star of Get a Life (Drawn & Quarterly), and Maybe Later, a nicely modulated look at their creative process. Drawn & Quarterly offers a solo work from Dupuy, Haunted, which sounds a lot less down-to-earth but very intriguing.

Villard offers a handsome paperback collection of David Petersen’s first Mouse Guard mini-series. In addition to the beautifully rendered, smartly told story of courageous rodents, there are plenty of extras that make the $17.95 price tag very reasonable.

Filed under: ComicList, Dark Horse, Del Rey, Drawn & Quarterly, Quick Comic Comments, Villard 4 Comments

Or as I like to call it, "Poverty Month"

March 2, 2008 by

It’s Manga Month again in Diamond’s Previews catalog, and there’s quite a mix of stuff for varied tastes. Oddly enough, there’s isn’t a Manga Month spread at the front pointing to items of particular interest or even any indication of the occasion on the cover, but why dwell?

Dark Horse has been making some interesting choices lately, stretching further and further out of its seinen mold. This month, they’re offering four books from Akiko Ikeda’s Dayan Collection series of children’s books featuring “the mischievous cat… and his woodland friends.” The illustrations look gorgeous. Dark Horse has a bunch of preview pages up at its site. (Pages 30 and 31.)

Del Rey really gets on the Manga Month bus. I’m most interested in the first volume of Faust, “a fiction magazine showcasing innovative short works by young authors. Deb Aoki interviewed Faust editor Katsushi Ota over at About.com not too long ago which really whetted my interest. (Page 256.)

In addition to new volumes of lots of series I love, there’s also the debut of the Odd Thomas graphic novel, In Odd We Trust, by Dean Koontz and Queenie (The Dreaming) Chan. I haven’t read Koontz’s Odd Thomas novels, but it’s about a guy who talks to the dead, and it’s drawn by Chan, so I’m almost sure to like it. (Page 256.)

Drawn & Quarterly’s third collection of the works of Yoshihiro Tatsumi, Good-Bye (Page 283), will undoubtedly get lots of well-deserved attention, but I’m more drawn to the possibilities of Seichi Hayashi’s Red Colored Elegy. It follows “the quietly melancholic lives of a young couple struggling to make ends meet” during “a politically turbulent and culturally vibrant decade that promised but failed to delivery new possibilities.” (Page 284.)

I’m only going by what Go! Comi’s solicitation tells me, but I like the concept behind Shino Taira and Yuki Ichiju’s Bogle, promising a contemporary teen-girl Robin Hood. (Page 293.)

Netcomics offers another title with a josei vibe, Wann’s Talking About. “Three lonely women in search of “happily ever after” in one modern city filled to the brim with difficult men.” (Page 316.)

That sound you just heard was probably Kate Dacey’s head exploding. Viz is offering a second edition of Rumiko Takahashi’s One-Pound Gospel, forbidden romance between a budding boxer and a beautiful nun. (Page 375.)

General head explosion will probably result from the announcement of two fat collections of Kazuo (The Drifting Classroom) Umezu’s Cat Eyed Boy. Horror fans will undoubtedly want to take note, as Umezu is an insanely gifted practitioner in this genre. Here’s some early, illustrated enthusiasm from Same Hat! Same Hat! The softcover books offer about 500 pages a piece for $24.99, but you can hack about a third off of that price if you pre-order at Amazon. (Page 377.)

In addition to a fair number of former Ice Kunion titles, Yen Press deliver’s the first volume of a manga that instantly hooks me with its title: Shoulder-a-Coffin, Kuro! by Satoko Kiyuduki. I don’t even care what it’s about. (Page 379.)

In the realm of comics not from Japan, there’s still plenty of interest. Phil and Kaja Foglio and Cheyenne Wright offer the seventh volume of Girl Genius: Agatha and the Voice of the Castle. I really enjoy this funny adventure series, which is also available online. (Page 203.)

Based on the strength of La Perdida, I’ll read just about anything by Jessica Abel, even if it’s about underemployed hipster vampires. Abel collaborates with Gabe Soria and Warren Pleece on Life Sucks from First Second. (Page 289.)

I really need to read Matthew Loux’s Sidescrollers (Oni Press), which has gotten tons of praise. Loux has a new book coming from Oni called Salt Water Taffy. The new quarterly series follows a bizarre family vacation to a small fishing port in Maine, and it looks like it will be a lot of fun. (Page 317.)

New comics from Hope Larson always make me happy. Her latest is Chiggers from Simon and Schuster, which promises friendship crises at summer camp. Larson is one of the most imaginative visual storytellers around, so it should offer an intriguing on familiar-sounding material. (Page 337.)

Filed under: Airship, Dark Horse, Del Rey, Drawn & Quarterly, First Second, Go! Comi, Netcomics, Oni, Previews, Simon and Schuster, Viz, Yen Press 2 Comments

Honorable mentions

January 17, 2008 by

Okay, back on the subject of the Young Adult Library Services Association’s 2008 choices of Great Graphic Novels for Teens: It’s been too long since I was a part of the teen demographic for me to pretend to know what they might like, but I think it’s a really good list of recommended reading for adults, so it makes me happy.

Instead of picking through the list of selections, I thought I would look back at the nominations and see what didn’t make the cut. I was kind of startled to find some of my very favorite books in that category (because I’m egotistical), so I thought I’d put together a runners-up list of books that I think are well worth a read:

  • Abouet, Marguerite, Clement Oubrerie. Aya. Drawn and Quarterly. My review here.
  • Chantler, Scott. The Annotated Northwest Passage. Oni Press. My reviews of the paperback installments of the series here, here and here.
  • Morinaga, Ai. My Heavenly Hockey Club. Del Rey. My review of the first volume here.
  • Sfar, Joann. The Professor’s Daughter. Roaring Brook Press / First Second. My short review of the book here.
  • Tanaka, Masashi. Gon. DC Comics, CMX. My review here, and a much more persuasive critique here.
  • Vining, James. First in Space. Oni Press. My review here. (Honestly, I can see how there was only room for one “innocent animal shot into space” story on the list, and I’m sure Laika is brilliant, but it looks like the kind of book that would depress me for weeks.)

    • And a couple of books that I haven’t read yet, but really should:

  • Lat. Town Boy. Roaring Brook Press / First Second.
  • Shiga, Jason. Bookhunter. Sparkplug Comics.

    • I think I’m taking the Lat books for granted, knowing that I can almost always swing by a Barnes & Noble and pick one up. As for Bookhunter, I’m hoping an upcoming trip to a city with a good comics shop will allow me to correct that particular lapse. I’m sure I’ll be able to snag a copy of Sidescrollers, too, which did make the 2008 cut.

    Filed under: Awards and lists, CMX, Comics in libraries, Del Rey, Drawn & Quarterly, First Second, Oni 4 Comments

    Random Thursday thoughts

    January 10, 2008 by

    I’m in one of those phases where reading comics and writing about them seem to have overtaken me a bit. There are three or four reviews I’ve got drafted in my head, two or three column ideas bouncing around up there, and feedback overload from all of the good “best of 2007” lists floating around. The best thing to do would be to just sit down with these various books and get to writing (after I read Rutu Mordan’s Exit Wounds again, because critical consensus has me feeling like I’m missing brilliance and just seeing general excellence), but I keep getting distracted by new comics that show up.

    As expected, Nextwave: I Kick Your Face (Marvel) was very, very funny, and I’d love to see more of it (collected in paperback). There was one sequence that was kind of jarring, featuring some perhaps-too-astute parodies of the kinds of spandex stylings that normally exhaust me. I recovered, obviously.

    I’m still not quite sure what to think of the preview copy of Hell Girl that Del Rey sent me. It’s shôjo comeuppance theater by Miyuki Eto where terrible things happen to horrible people after good people prone to immediate gratification consign their tormentors to hell with the help of an urban legend with a web site. I think I need to read more of this before I render any kind of verdict, but there are some really discordant things going on here.

    And a whole bunch of Viz books I really like have come out lately. I like Naoki Urasawa’s Monster so much better when it doesn’t focus on plaster saint Tenma, and I’m constantly and pleasantly surprised by Urasawa’s ability to structure a thriller in surprising but entirely coherent ways. I sense a whole lot of Tenma on the immediate horizon, but the book’s pleasures will definitely outweigh the dullness of its protagonist. More Nana more often makes me happy, even when the story itself makes me very, very sad. I love how Ai Yazawa is playing with and rebalancing the naïve/worldly dynamic between her two leads. And the handy thing about having the kind of large, well-crafted cast that has assembled in Fullmetal Alchemist is that you can do an entire volume where one lead barely appears and the other doesn’t show up at all and it will still be riveting.

    And now, some links:

  • Christopher Butcher takes a very thoughtful, well-informed, in-depth look at some of the items from my 2007 manga news round-up.
  • Johanna Draper Carlson rounds up some recent manga news items and offers her own thoughts. (Pop quiz: Does Dark Horse actually publish any shôjo, or just manga titles from other categories that people who like shôjo might enjoy?)
  • The Occasional Superheroine looks at Newsweek’s discovery of women who write comics and finds it wanting. (When I read the piece at Newsweek’s site, there was this horrible sidebar ad about some wrinkle cream showing a woman who had been retouched to look like something just this side of moldering, because physical representations of life experience are apparently to be fought with all the vigor science can muster. It seems to have been taken out of the page’s ad rotation, and while the replacements are surprisingly low-rent for an outfit like Newsweek, none seem to be actively thematically opposed to the page’s main content. Yay?)
    • Filed under: Dark Horse, Del Rey, Drawn & Quarterly, Linkblogging, Marvel, Media, Quick Comic Comments, Viz 1 Comment

    The year in fun (2007)

    January 1, 2008 by

    From a fun comics standpoint, 2007 was absolutely awesome. You know how I know? I had a hard time keeping the list below to 26 items. Okay, it’s an arbitrary number, and I could have just listed everything, but I thought I would make a stab at some pretense of discernment.

    I’m not saying these are the best comics of 2007, though I’d put several in that category. I’m never entirely comfortable with that label, because I haven’t read everything and worry that my tastes are too narrow to make a reasonable stab at such a project anyways. But I have no trouble telling which comics I had a lot of fun reading, so here they are.

    (Doesn’t the jump create a breathtaking level of suspense? Well, doesn’t it?)

    (Updated because I can’t keep my years straight.)

  • 10, 20, and 30, by Morim Kang (Netcomics): Korean josei, basically, following three women of different ages and temperaments as they manage romance (or the lack of it), work (or the lack of it) and family (or an excess of it).
  • Aya, by Marguerite Abouet and Clément Oubrerie (Drawn & Quarterly): In my defense, this came out really early in 2007, so I must have been confused and thought it was on last year’s version of this list. Because seriously, it’s one of the best graphic novels of the year and delightfully fun to boot. A sensible, ambitious young woman in the prosperous Ivory Coast of late 1970s keeps her head as the people around her leap into amusing, romantic misalliances.
  • Azumanga Daioh Omnibus, by Kyohiko Azuma (ADV): It’s tough to pick which delights me more: the resumption of publication of Azuma’s Yotsuba&!, or this big fat bargain collection of his very funny comic strips about a group of high-school girls and their eccentric teachers.
  • Black Metal, by Rick Spears and Chuck BB (Oni): Antisocial metal-heads discover their secret destiny while playing old vinyl backwards. Very funny, with appropriately and appealingly crude visuals.
  • Bloody Benders, The, by Rick Geary (NBM): I should probably feel some kind of regret that Geary will never run out of gruesome tales to fuel his Treasury of Victorian Murder series. I don’t, because they’re consistently brilliant, informative, insightful, and unsettling. For the high-minded voyeur in all of us.
  • Empowered, by Adam Warren (Dark Horse): Warren is amazingly skilled at walking a thin, frayed tightrope between lurid spandex cheesecake and a witty repudiation of the same. Terrific characters and genuinely funny, imaginative takes on potentially repetitive scenarios make all the difference.
  • Flower of Life, by Fumi Yoshinaga (Digital Manga): When people bemoan the fact that so many manga titles center on the trials and tribulations of high school students, they can’t be talking about this one, can they? I’m just going to come right out and say it: it’s every bit as good as Antique Bakery, which means it’s absolutely great.
  • Gin Tama, by Hideaki Sorachi (Viz): This one’s all about attitude: coarse, goofy, hyperactive attitude. A fallen samurai takes odd jobs in a world that’s handed the keys to alien invaders. There’s enough canny satire to balance out the low-brow antics, making this book a very pleasant surprise.
  • Glister, by Andi Watson (Image): A really delightful combination of fantasy, manor-house comedy, and singularly British sensibility. This book manages to have a warm heart and a tounge planted firmly in its cheek.
  • Honey and Clover, by Chica Umino (Viz): Okay, so this goofy, romantic tale of students at an art college is still being serialized in Shojo Beat and hasn’t come out in individual volumes yet. It’s hilarious.
  • Johnny Hiro, by Fred Chao (AdHouse): In a year that offered more genre mash-up comics than I can count, this was probably my favorite for the underlying realism of the young couple at its center. Giant monsters and ninja sous-chefs are just part of the challenges urban life presents to Johnny and Mayumi.
  • Moomin: The Complete Tove Jansson Comic Strip Book Two, by Tove Jansson (Drawn & Quarterly): Everyone knows these strips are timeless, international treasures, right? And that Drawn & Quarterly deserves some kind of cultural prize for getting them back in print? Okay, just checking.
  • My Heavenly Hockey Club, by Ai Morinaga (Del Rey): Under the flimsiest pretext of sports manga lurks a goofy love letter to two of my favorite deadly sins, sloth and gluttony. Easily the best screwball comedy that came out last year.
  • Northwest Passage: The Annotated Collection, by Scott Chantler (Oni): A handsomely produced collection of one of my favorite comics of 2006, featuring treachery and adventure in colonial Canada.
  • Parasyte, by Hitoshi Iwaaki (Del Rey): Okay, so the art is dated and, well, frankly just plain bad in a lot of ways. (Many of the high-school girls in the cast look like they’re pushing 40.) But there’s just something about a boy and the shape-shifting parasite that’s taken over his hand that warms my heart.
  • The Professor’s Daughter, by Joann Sfar and Emmanuel Guibert (First Second): There are certainly better, beefier works by Sfar, but this is still charming, beautiful stuff, with Sfar’s endearingly cranky voice getting a lovely rendering from Guibert.
  • Re-Gifters, by Mike Carey, Sonny Liew and Marc Hempel (Minx): A snazzy little story of romance, martial arts and self-esteem that avoids every single Afterschool Special pitfall through solid characterization, tight storytelling and spiffy art.
  • Ride Home, The, by Joey Weiser (AdHouse): I have yet to find a gnome living in my car, but maybe it just knows I’m on to it thanks to this charming, all-ages adventure about embracing change.
  • Scott Pilgrim Gets It Together, by Bryan Lee O’Malley (Oni): This series of a young slacker in love just gets better and better, which hardly seems possible. Great characters, a spot-on kind of magical realism, and plenty of twists and turns to keep things fresh and moving.
  • Shazam! The Monster Society of Evil, by Jeff Smith (DC): The Mary Marvel sequences are enough to put this on a Decade in Fun list, but Smith’s re-imagining of the origin of Captain Marvel is delightful from top to bottom.
  • Shortcomings, by Adrian Tomine (Drawn & Quarterly): Not all comics about whiny losers who are unable to sustain interpersonal relationships are intolerable. Some, like this one, are absolutely delightful and have what may be the year’s best dialogue.
  • Suppli, by Mari Okazaki (Tokyopop): Damnation, how did this one slip under my radar for so long? In this beautifully drawn josei title, an advertising executive throws herself into work after the end of her seven-year relationship. It’s exactly the kind of book tons of people have been begging for: funny, intelligent, moving and grown up.
  • Umbrella Academy, The: Apocalypse Suite, by Gerard Way and Gabriel Bá (Dark Horse): It’s hardly the first comic to portray the super-team as a dysfunctional family, or maybe even the 50th, but it’s a clever, fast-paced, wonderfully illustrated example all the same.
  • Venus in Love, by Yuki Nakaji (CMX): Aside from the novelty of its college setting (as opposed to the shôjo standard, high school), this book has ample low-key charm. A straight girl and a gay guy become friendly rivals when they realize they have a crush on the same classmate.
  • Welcome to the N.H.K., by Tatsuhiko Takimoto (Tokyopop): I can take or leave the manga this novel inspired, but the source material is tremendously appealing reading. It’s like if David Sedaris wrote a novel about straight, dysfunctional Japanese people.
  • Wild Adapter, by Kazuya Minekura (Tokyopop): Charismatic, emotionally damaged boys pose their way through the stations of the noir cross. Mostly style, but what style, and a reasonable amount of substance to keep you from feeling entirely frivolous. (If frivolity isn’t a worry, you can easily ignore the substance.)
    • Filed under: AdHouse, ADV, Awards and lists, CMX, Dark Horse, DC, Del Rey, DMP, Drawn & Quarterly, First Second, Image, Minx, NBM, Netcomics, Quick Comic Comments, Tokyopop, Viz 2 Comments
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