Upcoming 4/13/2011

My Manga Bookshelf Pick of the Week should surprise no one, but it’s hardly the only item of interest on the current ComicList, which is jam-packed.

It’s always worth noting when Drawn & Quarterly publishes a Japanese comic. This time, it’s the English-language debut of Shigeru (GeGeGe no Kitaro) Mizuki in the form of his semi-autobiographical Onward Towards Our Noble Deaths, a tale of “the desperate final weeks of a Japanese infantry unit at the end of World War II.” I would note that this doesn’t sound like it’s in my usual wheelhouse, but Drawn & Quarterly manga seldom does, and I almost always end up being glad I read it or even liking it a great deal. I’m really, really looking forward to Mizuki’s Non Non Bâ, so this will be a nice warm-up.

In an almost certainly, possibly immeasurably lighter vein is the fourth book in Matthew Loux’s Salt Water Taffy series, Caldera’s Revenge. If you aren’t familiar with these quirky, funny comics, they feature a pair of brothers who spend a memorable summer in the surprisingly mysterious seaside town of Chowder Bay, where they encounter giant lobsters, restless spirits, and legendary eagles who steal hats. Just the kind of thing you would have wanted to distract you when you were stuck in the sticks with no television.

Tokyopop is kind enough to release new volumes of two of my favorite shôjo series: the sixth (and final) volume of Julietta Suzuki’s Karakuri Odette, and the 12th volume of Banri Hidaka’s V.B. Rose.

In other, non-Cross Game and, for that reason, lesser Viz news, there’s the second volume of Yuuki Iinuma’s Itsuwaribito, which seems like a series that could go somewhere interesting, though this volume didn’t particularly impress me.

What looks good to you?

Upcoming 4/6/2011

This week’s installment of Bookshelf Briefs covers a number of imminent manga arrivals from Viz. My Pick of the Week is also from Viz, Kazue Kato’s Blue Exorcist, which I reviewed here. And if you’re wondering about the slate of boys’-love titles coming out this week, look no farther than the latest BL Bookrack for guidance. So what does that leave on the ComicList? Not a ton, to be honest.

I like the sound of one of Tokyopop’s debuts for the week, Yu Aikawa’s Butterfly. Melinda Beasi offered the following verdict:

As weird as this series is, it’s also really interesting. The characters are all filled with dark little nooks and crannies they’re struggling to hide from everyone else. And the story behind Ginji’s brother’s death is more than spooky. Even Ginji’s odd James Spader-type best friend has some kind of mystery lurking beneath. It’s just the strangest little story, but I really can’t wait to read more.

Hey, it’s about psychics, fake ghost busters, and emotional dysfunction. What more could you want? This five-volume series originally ran in Gentosha’s Comic Birz.

In another corner of the comic shop, there’s the fifth issue of Avengers: The Children’s Crusade from Marvel. It’s about a group of young super-heroes who are trying to find and rescue the mother of two of them. Mom is a disgraced, mentally unstable super-heroine in her own right. (A writer decided to give her a bad case of baby rabies, which of course leads the average person to kill several of her friends.) As with many of my favorite super-hero comics, this one spins on an axis of soap opera. The kids are almost certainly the product of Soap Opera Rapid Aging Syndrome, though they have demonic intervention working in their favor rather than a stint at a boarding school in a pocket dimension where one year apparently passes in the span of one month our time. There’s a lot of romantic geometry, including a totally adorable pair of gay teen super-heroes. And there’s the strong whiff of one writer (Allan Heinberg) creating an entire mini-series to correct and hopefully undo an ill-advised narrative decision by another writer (Brian Bendis).

Of course, it’s got a Ph.D.-level quantity of back story in play, and at least a dozen characters seem to spontaneously arrive in each issue, so I don’t know if I’d actually recommend anyone pick this up at random. For example, do you have any idea who the glowing guy on the cover might be? I know, and I know why he’s annoyed and apparently crisping up the rest of the cast, but I’m weird that way. The comic makes me happy, though.

What looks good to you?

 

Upcoming 3/30/2011

The Manga Bookshelf crew took a slightly different approach to the current Pick of the Week, so go take a look. While you’re there, take a look at our new feature, Bookshelf Briefs, capsule reviews of current volumes with some wild cards thrown in from time to time. Now, on to this week’s ComicList!

Several books from Yen Press have already arrived via other suppliers, but Diamond catches up on Wednesday with some very appealing books. First and foremost is the third volume of Yumi Unita’s excellent Bunny Drop, the tale of a bachelor who takes his grandfather’s illegitimate daughter into his home and learns the ins and outs of parenting. Here’s my review of the first volume, and here’s a look at some other works by Unita that have yet to be licensed.

There’s also the second volume of Kakifly’s very popular, four-panel look at a high-school music club, K-On. I liked the first volume well enough, though it didn’t change my life or anything.

I’m ashamed to admit that I’m a bit behind on Time and Again, an alluring supernatural series from JiUn Yun. The fifth volume arrives Wednesday, which gives me added incentive to catch up.

Marvel’s Secret Avengers still hasn’t given me the Valkyrie story arc that I so desperately desire, but I’m enjoying the series in spite of this glaring deficiency and will pick up the 11th issue. It begins a two-issue arc that provides back story about characters I don’t know who aren’t Valkyrie, so I’m not promising any deep investment on my part, but I have yet to feel like I need to buy other comics for reference.

What looks good to you?

 

Upcoming 3/23/2011

My Pick of the Week doesn’t actually ship through Diamond Wednesday, but there’s neat stuff on the ComicList all the same.

First up is another of NBM’s Louvre comics, produced in partnership with the legendary museum. This one’s called The Sky over the Louvre, written by Bernard Yslaire and illustrated by Jean-Claude Carriere. This time around, readers are taken “back to the very origins of the Louvre as a museum: the tumultuous years of the French revolution.” Other books in this series include Glacial Period, On the Odd Hours, and The Museum Vaults: Excerpts from the Journal of an Expert.

Oni Press delivers a hardcover collection of the first story arc of the excellent private detective thriller Stumptown, written by Greg Rucka and illustrated by Matthew Southworth. It’s about an out-of-luck PI trying to pay off a gambling debt by tracking down a casino owner’s granddaughter.

And if you missed Jason Shiga’s Bookhunter (Sparkplug) the first time around, it’s been offered again and seems to be due for arrival on Wednesday. I’m the only one who missed it the first time around, aren’t I?

Upcoming 3/9/2011

Pick of the Week: done! ComicList rundown: go!

Viz sent out a dedicated press release on the debut of Izumi Tsubaki’s Oresama Teacher, and I’m never quite sure how they pick which titles get this treatment. There isn’t a readily evident pattern, as near as I can tell. I’m not sure how Tsubaki’s other Viz title, The Magic Touch, sold, because I couldn’t be bothered to read any of it beyond the first volume.

I’m happy to report that I liked Oresama Teacher more than The Magic Touch. That wouldn’t have in difficult, but Tsubaki seems to have improved measurably over the course of her earlier title. Oresama is about a fight-prone girl who gets sent to a private school with a lenient admissions policy regarding problem kids. Mafuyu wants to change her ways, but circumstances keep intervening, and she doesn’t really know how to behave like her image of an average schoolgirl. When she sees someone being bullied or ganged up on, she has to intervene.

Unfortunately, her first blow for justice is struck on behalf of her creepy, conniving homeroom teacher, Saeki. Saeki seems to take an unseemly delight in messing with Mafuyu’s head, which isn’t any more difficult than me liking Oresama Teacher more than The Magic Touch. When she isn’t trying to evade her teacher’s random acts of weirdness, Mafuyu is trying to win the friendship of a classmate, Hayasaka. No stranger to combat, Hayasaka reads Mafuyu’s intensity as aggression, which results in some genuinely funny bits.

It’s not immediately evident where all this is going, but it doesn’t seem like Tsubaki is making it up as she goes along. Oresama Teacher is a much more assured bit of shôjo than I expected. It’s not exceptional by any means, but it seems like it could turn into something very good.

(Comments based on a review copy provided by the publisher.)

Of course, if your budget only allows you the purchase of one volume of Viz shôjo this week, I’d have to recommend you pick the second volume of Julietta Suzuki’s Kamisama Kiss. The relationship between inadvertent shrine priestess Nanami and grumpy demon boy Tomoe inches along in the face of adversity, and it’s clear that Suzuki likes to develop these things carefully. While she throws some fairly conventional obstacles in the pair’s path, the pacing is always interesting, and the protagonists’ responses are always interesting and specific. Basically, all the strengths of the first volume are in place, and some new supporting characters add spice and humor to the proceedings. It’s a charmer.

On the “I haven’t read these yet, but I certainly will” front is the sixth volume of Kou Yaginuma’s excellent coming-of-age tale of student astronauts, Twin Spica (Vertical), and the sixth volume of Yuki Yoshihara’s gleefully tasteless, shouldn’t-really-work-but-does Butterflies Flowers (Viz).

What looks good to you?

 

Upcoming 3/2/2011

This week’s ComicList isn’t as loaded as the Midtown Comics version, the source of my current Pick of the Week. Thankfully, Vertical finds a way to make the trip to the comic shop worthwhile.

Redemption comes in the form of the fifth volume of Konami Kanata’s excellent Chi’s Sweet Home (Vertical). In this volume, Chi discovers that she doesn’t need to leave the house to have an adventure. Along the way, she also grasps the importance of being able to feign innocence. Anyone who’s ever lived with a cat will nod in rueful recognition at this development.

Of course, Chi also manages to spend some time in the great, suburban outdoors, making a new friend and relying on some old ones when she wanders well beyond her familiar boundaries. Fun as Chi’s adventures are, and lovely as it is to think about a protective community keeping her safe, I’m very much a partisan of the indoor-only feline experience. It makes me reflexively uncomfortable to see a kitten given that much liberty, no matter how charming the fictional results. Of course, this is why I would be a terrible parent to a human child; they’d never know a moment’s unsupervised peace.

As is usual, Kanata sneaks in some extremely moving moments where hints of Chi’s past life intrude on the way she lives now. These interludes really balance out the sweet charm of the more antic, observational sequences, and they make the book work better than it might have without them. In slice-of-life storytelling like this, a variety of experiences and emotions are always welcome, even for a kitten.

(Remarks are based on a review copy provided by the publisher.)

What looks good to you?

 

Upcoming 2/23/2011

We’re back to a more substantial ComicList this week. You can click here for my Pick of the Week.

As for this week’s arrivals, there’s the third volume of 7 Billion Needles (Vertical), Nobuaki Tadano’s manga homage to Hal Clement’s novel, Needle. I’ve been enjoying the series for its balance of character development and monster mayhem, but the proportions seem a bit off in this installment.

Our sulky heroine Hikaru now finds herself host to not one but two powerful entities. Seeing as those beings have been acting in opposition forever, I was hoping for some focus on the new arrangement. Unfortunately, the triad is forced to adapt almost instantaneously, as outside forces demand their attention. Benevolent Horizon and malignant Maelstrom seem to have spun off and are causing evolutionary mayhem. This invites the intervention of a third powerful entity and drives our heroine and her tagalongs to try and set things right before the world is changed forever.

In short, there’s too much mayhem and not enough moping. I was enjoying Hikaru’s emotional progress, and it felt like that was shoved into the background in favor of incursions of instant monsters. It’s not devoid of emotional moments, but they tend to be drowned out in favor of the more visceral events. I’m hoping the fourth and final volume strikes a better balance, but, even if it doesn’t, this will have amounted to a very appealing series overall. And, if your reaction to either of the earlier volumes was that there wasn’t enough mayhem, this is a good opportunity to reintroduce yourself to the series.

(Comments are based on a review copy provided by the publisher.)

Other highlights for the week include:

What looks good to you?

Lean week linkblogging

The ComicList is sufficiently lean that I don’t really have anything to add beyond what was covered in the Pick of the Week over at Manga Bookshelf. If you’re still hankering for something new to try, why not check out the Manga Monday hashtag over on Twitter?

If you’d like to focus your attention on a single title, keep your eyes on the link archive for the current Manga Moveable Feast, featuring Keiji Nakazawa’s Barefoot Gen (Last Gasp). It’s being hosted by Sam (A Life in Panels) Kusek.

And if you feel like throwing your favorite titles some love, you’ve got plenty of time to vote in the 2011 About.com Manga Readers’ Choice Awards. Genial host Deb Aoki provides a breakdown of the nominees.

And if you just feel like reading comics instead of reading about them, there’s always Viz’s SigIKKI site with new chapters of a wide range of titles. The most recent chapter of Seimu Yoshizaki’s Kingyo Used Books is all about a series that also inspired a license request.

Update: Just missed this one, but I always enjoy Erica (Okazu) Friedman’s looks at various Japanese magazines for MangaCast. This time around, she considers Shogakukan’s Big Comic and its confidently mature pursuits.

Upcoming 2/9/2011

It’s a huge week for Viz via Diamond, though some books have already shipped through other venues. (See my pick of last week and my pick of this week, and bask in the bafflement!) If you buy your manga shopping via Diamond-dependent comic shops, you have many, many choices, at least according to the ComicList.

Had Viz not sent me a review copy of the second volume of The Story of Saiunkoku, adapted from Sai Yukino’s light novels by Kairi Yura, I probably would have camped out at the local bookstore and repeatedly mispronounced the title as I asked if it had arrived yet. Such was the force of my reaction to the first volume. But does the second hold up? Yes, it certainly does. While not the same kind of revelation, I still ran to my computer to make sure there are more volumes to come. (There are.)

This was a concern, since the first two volumes form what must be an adaptation of Yukino’s first novel in the series. Having established the leads, seemingly feckless emperor Ryuki and his frugal, forceful tutor, Shurei, Yura and Yukino put them in danger in the form of palace intrigue. To be entirely honest, the details of the scheme are much less interesting than Ryuki and Shurei’s individual and collective responses to it. But their shifting but well-balanced relationship is still a complete treat, and the prospect of reading about their next encounter is pure, happy anticipation.

If you like stories about smart, feisty girls sparring with deeper-than-they-seem boys, this series can be injected directly into a vein for that sweet, sweet rush of shôjo romance between the very different but equally matched.

In other Viz news, there’s the seventh volume of the always welcome Kimi ni Todoke: From Me to You, written and illustrated by Karuho Shiina. This one promises lots of holiday activity, which is always fun.

There’s also the less welcome but still potentially intriguing second volume of Genkaku Picasso, written and illustrated by Usumaru Furuya. I wasn’t especially impressed with the first volume, but I find Furuya kind of fascinating, so I’ll probably succumb at some point.

What looks good to you?

Upcoming 2/2/2011

No one should be surprised by my Pick of the Week, should they? With that out of the way, I thought I’d take a look at two of the titles on this week’s crowded ComicList. (Okay, they aren’t confirmed on the list, but they’re probably already available through sources other than Diamond.)

I’ve had a pretty good track record with comics about yokai, diverse supernatural creatures of varying degrees of menace. It’s a fairly popular genre, though, so you’re bound to come across a mediocrity from time to time. This week, the middling yokai are brought by Hiroshi Shiibashi’s Nura: Rise of the Yokai Clan (Viz). It’s about a dull boy whose one-quarter yokai heritage puts him in line to be the big boss of a motley group of minor demons. He’s surrounded by fabulously rendered, energetic creatures who spend too much time in the background in favor of his stereotypical human classmates.

Rikuo wants to emphasize his human heritage rather than his yokai legacy. He objects to the anti-human meanness of his prospective subjects, and he struggles to conceal his weird home life when he’s at school. Dangerous circumstances occasionally draw the yokai part of Rikuo to the forefront, and he becomes an assertive butt-kicker who bears at least a passing resemblance to InuYasha. This only serves to remind you that there’s better folklore-based manga out there for your perusal.

Even with a sprawling cast of frequently charming monsters at his disposal, Shiibashi can’t seem to devote much attention to them. He’s more interested in Rikuo’s secret-identity shenanigans, his generically flinty female friend, and the idiot rival who develops a boy-crush on Rikuo’s forceful alter ego. They’re a predictable group, as are their escapades. I’d much rather see what was happening at Rikuo’s yokai-packed family manse than follow this shônen-ready Marilyn Munster around.

On a happier, though still decidedly gothic note, I like the second volume of Kaori Yuki’s Grand Guignol Orcheastra (Viz) better than I did the first. It inches closer to becoming a Yuki title that I can fully embrace, balancing melodrama, a dizzying aesthetic, and weird spikes of both humor and gore.

For those who have forgotten, it’s about a traveling group of magicians who battle the zombies that have overrun their sort-of period, kind-of European country. Their leader and vocalist, a guy named Lucille, has dark secrets and likes to dress in drag. Their pianist, a girl named Eles, has a tragic past and disguises herself as a boy. Their companions are seedy, and the government line on their efforts is ambivalent on the best days.

In the second volume, Yuki seems to find both a more assured narrative rhythm and more underlying heft to her story. The back story she reveals about Lucille adds necessary layers to the character without undermining his essential ridiculousness. It also provides a strong, underlying subplot to fuel future stories.

Yuki’s penchant for the absurd and just slightly perverse is still on unapologetic display. Our protagonists go undercover in a convent, looking for a sacred relic and investigating the grisly murders of young nuns. This mini-arc is shaping up to be both creepy and very funny, provided you find secretive nuns committing and subjected to unexpected violence funny, which, I assure you, I do.

Grand Guignol Orchestra is still a bit on the bubble for me, but it’s sliding off of it and onto firmer ground. It’s not a singular kind of story, but Yuki’s work is as coherent as I’ve seen it while still displaying the quirkiness that’s made her a sort of superstar.

(Comments are based on review copies provided by the publisher. Nura is currently running in Shueisha’s Weekly Shônen Jump, and it’s up to about 14 volumes, so maybe it gets better. Grand Guignol Orchestra ran for five volumes in Hakusensha’s Bessatsu Hana to Yume.)

As for books that will be available through Diamond, the highlight has to be the 13th volume of Osamu Tezuka’s medical melodrama, Black Jack (Vertical). In the perfectly understandable excitement over Vertical’s announcement of the licensing of Tezuka’s Princess Knight, we shouldn’t forget this often gruesome, frequently moving, creepily funny classic.

Another excellent arrival is the 22nd volume of Hikaru no Go (Viz), written by Yumi Hotta and illustrated by Takeshi (Death Note, Bakuman) Obata. This marvelous series about a young man who dreams of becoming a great Go player ends with volume 23, I think, but it’s worth starting from the beginning if you haven’t yet done so.

I haven’t read the first volume yet, but various enthusiastic reviews have persuaded me that I need to catch up with Yuuki Fujimoto’s The Stellar Six of Gingacho (Tokyopop), second volume due Wednesday, about a group of kids, all children of local shopkeepers, who try and reestablish their waning friendship. In my defense, Tokyopop’s marketing is often confusing to me, and I’m never sure if I’m going to get The Secret Notes of Lady Kanoko or KimiKiss.