Delayed gratification

Before I delve too far into this week’s ComicList, I have a self-serving question. Has the third volume of The Kurosagi Corpse Delivery Service (Dark Horse) shown up at anyone’s comic shop? I think it was due out a couple of weeks ago, and I know I have it on reserve, but there’s still no sign of it here in the mountains. I’m wondering if I should start nagging.

While the list offers plenty of great stuff, the common trait seems to be that none of them are showing up here. I’m going to attribute this to the vagaries of regional shipping instead of a conspiracy to deny me the comics I want. For now.

Del Rey offers the eighth volume of Kio Shimoku’s hilarious, sharply-observed, yet still emotionally generous Genshiken.

DramaQueen delivers the first volume of Kye Young Chong’s Audition, which is pleasant enough reading about the search for the ultimate boy band, though I prefer the creator’s other DQ license, the funny, touching, odd DVD.

The fourth volume of Satosumi Takaguchi’s Shout Out Loud! (Blu) promises more romantic and familial complications, and unless things have changed drastically, they’ll be executed with wit, intelligence and warmth.

Viz is unloading a vast quantity of Shonen Jump books, and if I had to choose only one, it would be the ninth volume of Yumi Hotta and Takeshi Obata’s Hikaru No Go.

And Self Made Hero gets its Bard on with the release of two Manga Shakespeare books: Hamlet, adapted by Emma Vieceli, and Romeo and Juliet, adapted by Sonia Leong. Spoiler warning: In these issues, just about everyone dies!

Steals, sales and solicitations

So the big story of the day is unquestionably the… what should I call it? … apparent difference of opinion between Central Park Media and Japanese boys’-love publisher Libre, uncovered by the watchful folks of MangaCast. MangaCast Master of Ceremonies Ed Chavez and Dirk Deppey are on the trail, and unless I miss my guess, Simon Jones will have interesting things to say on the subject sooner or later. (No pressure, though.) (Update: Ask and you shall receive, though as always, the blog is probably not safe for work.)

On a less controversial front, MangaBlog’s Brigid looks through the Diamond graphic novel bestsellers for February and pulls out the top ten manga placers. Further down the list, I’m delighted to see the second volume of The Kurosagi Corpse Delivery Service (Dark Horse) crack the top 100.

At Sporadic Sequential, John Jakala digs up an interview with the gifted, under-licensed Usamaru Furuya on the intersection of art, commerce and editorial influence.

Moving back into the present, it’s a pretty solid week at ComicList, including the third volume of Diamond bestseller Kurosagi. (I love typing that!) Also from Dark Horse is It Rhymes With Lust, one of the earliest graphic novels. Written by Arnold Drake and Leslie Waller and drawn by Matt Baker, the book was printed in a fairly recent issue of The Comics Journal, and fans of sexy pulp and noir would be doing themselves a favor in picking it up. If you’ve ever thrilled to Joan Crawford or Barbara Stanwyck stringing small-town suckers along for their own merciless gain, you’ll probably enjoy Rust’s amoral antics as well.

It seems like each week brings another volume of the works of Fumi Yoshinaga to the shelves, and this is all to the good. This time around, it’s Solfege from Juné. For those unfamiliar with Yoshinaga who might wonder what all the love is about, check out these overviews at Yaoi Suki and Guns, Guys and Yaoi.

Seven Seas was kind enough to send me a complimentary copy of the second volume of Kashimashi: Girl Meets Girl, though I would have bought it anyways, because this series is such a pleasant surprise – funny, thoughtful, romantic, and often surprising.

And if you’re wondering what next month’s best-selling manga title might be, Viz rolls out the 12th volume of Fullmetal Alchemist, which makes for one of those happy intersections of quality entertainment and commercial success.

Manga chic

Manga Month may still be down the road a ways, but it seems like it’s Boutique Week on the ComicList, with welcome arrivals from smaller publishers.

Take the pick of the week, Fumiyo Kouno’s Town of Evening Calm, Country of Cherry Blossoms from Last Gasp. The U.S. publisher of Keiji Nakazawa’s legendary Barefoot Gen offers another perspective at Japan after the atomic bomb, and I’ve heard nothing but enthusiastic responses from people who’ve read it in scanlation or Japanese.

Fresh on the heels of MangaBlog’s interview with Stephen Robson, Fanfare/Ponent Mon releases the third volume of Times of Botchan, scripted by Natsuo Sekikawa and conceived and drawn by the superb Jiro (The Walking Man) Taniguchi, and re-offers Yukiko’s Spinach, written by Frédéric Boilet and drawn by the fabulous Kan (Kinderbook) Takahama.

Gullywasher offers Danica Novgorodoff’s Isotope Award-winning mini-comic, A Late Freeze, which I really enjoyed.

Okay, CMX is an arm of DC, so it’s not really boutique-y, but Kaoru Mori’s Emma feels boutique-y, and I’m holding on to this theme with my fingernails. The third volume ships on Wednesday, and it’s lovely.

And Blu offers Hirotaka Kisaragi’s Innocent Bird, which I bought over the weekend because it seemed like it would be enthusiastically tawdry but turned out to be sort of interesting and thoughtful instead. I liked it, but I can’t say I’m not a little bit disappointed by the smut shortage. Stupid plastic wrap.

The shipping news

It promises to be another crowded Wednesday of comics arrivals.

The second issue of Jeff Smith’s Shazam: The Monster Society of Evil arrives from DC, as does the fifth issue of the second volume of Linda Medley’s Castle Waiting from Fantagraphics. Part of me feels like both of these would read better in collection, but that part is shouted down by the heftier portion that doesn’t want to wait.

I enjoyed reading the back and forth between comics retailer Alex Cox and Tom Spurgeon over at The Comics Reporter on the Shazam book’s appeal to young attendees of the New York Comic Con, and young readers in general, as it touches on a lot of questions that have been floating through my head. The first involved whether or not the per-issue cost of the series would be prohibitive for younger readers. The second centered on what quantity of casual readers made it into NYCC given the fact that tickets for some days sold out before the event began. (It’s probably incorrect, but I tend to place kids in the category of casual readers, in spite of how obsessed I was with comics from about age six and up. Maybe I just hope I was abnormal at that age and that other people have a healthier range of interests.)

Anyway, back to the ComicList.

The second-to-last volume of Chigusa Kawai’s subtle and surprising La Esperança ships via Juné. Maybe someone will hold hands with someone else in a non-platonic fashion this time around? It probably won’t matter to me if they don’t.

Viz has tons of stuff set to arrive. The battle of the stylists continues in the third volume of Beauty Pop. Suspense among obsessive sales figure watchers mounts as both vol. 10 of Death Note and vol. 13 of Naruto arrive on the same day. Which will emerge victorious in Diamond’s graphic novel sales for March? The first volume of The Gentlemen’s Alliance ┼ brings one of the weirdest casts I’ve ever seen in a shôjo manga set in a high school, which I find to be an unquestionably good thing.

Last and perhaps least from Viz is the fourth volume of Yakitate!! Japan. Don’t get me wrong. I like it in the way I like most quirky, young-men-with-a-dream shônen that has perhaps a bit more fan service than I like. But I’m starting to wonder if the bread-baking is making me overlook the fact that it’s… kind of average. (For those of you who’d like a shot at securing all four volumes in one easy shot, ChunHyang has thrown them all into an auction lot, along with some other tempting combinations.)

Shipping, shopping

There’s ample interesting reading arriving via Diamond this week, from classics to award-winners to fresh installments of favorites.

I got Aya (Drawn & Quarterly) last week and reviewed it here. It’s got charm to spare, and I’m glad to hear (via Jog) that a sequel has already been published in France.

Vertical unleashes the first volume of its translation of Keiko Takemiya’s science-fiction classic To Terra… I’ve really enjoyed what I’ve read so far, and I can’t wait to see the finished product.

New volumes of two of my favorite Del Rey series arrive: the fifth of quirky romantic comedy Love Roma and the fourth of intelligent, character-driven sci-fi ES: Eternal Sabbath.

The demented scholars at Evil Twin keep coming up with great names for installments in their Action Philosophers series. Number eight answers to Senseless Violence Spectacular.

And The Comics Journal delivers its “Best of 2006” edition, which is always worth a look.

World travel Wednesday

I don’t know why Drawn & Quarterly’s Aya is showing up in West Virginia today when it doesn’t seem to be on Diamond’s shipping list for this week. All I know is that it was listed in the local shop’s “What’s due Wednesday” e-mail, and that this makes me very happy.

This book alone would make the week a memorable one, but there’s also the debut of Hope Larson’s Tulip Tree Press via Rebecca Kratz’s House of Sugar, a thoughtful and funny collection of strips.

Fantagraphics unveils its repackaged Love and Rockets books, Heartbreak Soup and Maggie the Mechanic. I’ll probably add them into my next Amazon order instead of picking them up at the shop, but I’m glad that the publisher has provided a clear, affordable, portable entry point for the material.

I no longer know what from Viz is arriving when in my neck of the woods. The fifth volume of Nana still hasn’t shown up, and I’m starting to twitch. I did get a review copy of The Drifting Classroom vol. 4 from the publisher. JUMP! JUMP! JUMP!

Skating by

Okay, the terror of freezing rain followed by sleet followed by snow has renewed my interest in this week’s comics, perhaps because weather might keep them from arriving. I’m fickle and, though it seems contradictory, a creature of habit. Sue me.

Praise from virtually all quarters has rendered the Nextwave: Agents of Hate trade paperback (Marvel) irresistible. I surrender.

The week basically belongs to Viz, though, with new volumes of The Drifting Classroom, Monster, Train Man: Densha Otoko, and the debut of Inubaka: Crazy for Dogs, for anyone who’s still riding a cute-dog buzz from Westminster. (I can’t believe there isn’t a show-dog name generator somewhere out there on the web.)

And while Del Rey doesn’t have any releases on the schedule, there’s a sprightly round of recommendations in comments on this MangaBlog entry. It was the final kick in the pants I needed to order a copy of Mushishi.

Grab bag

Stop it, manga! I haven’t received my tax refund yet! And you, western comics publishers… you’re not helping! At all!

Tons of the stuff that was due out last week is actually arriving this week, along with a bunch of other stuff that I want. It’s going to be a bloodbath.

The first culprit is Dark Horse, which unleashes new volumes of Eden: It’s an Endless World!, Mail, and The Kurosagi Corpse Delivery Service, any one of which could vie for “pick of the week” status. I’m also very curious about the first volume of Red String by Gina Biggs, the first volume of a collection of a shôjo-influenced webcomic.

I can’t remember the last time I was really excited by the prospect of a monthly from DC, but I’m really looking forward to Shazam: The Monster Society of Evil. My interest in the character probably peaked with the live-action Saturday-morning show that ran when I was about eight (and even then I preferred Isis), but it’s Jeff Smith doing a comic that doesn’t apparently require consumption of an anti-depressant to get through it. It sounds like exactly the kind of friendly-to-a-wider-audience treatment of an iconic character that some bloggers have been wanting.

And Dark Horse doesn’t own the helping-the-dead manga category this week. CMX has a new volume of Omukae Desu.

I remember reviewing the first two volumes of Category: Freaks (DrMaster) about a year ago, and the third volume is just coming out now? I’ll have to put it on the “check it out when time and disposable income permit” list.

Escape from “Special” by Miss Lasko-Gross (Fantagraphics) will also go on that list. It sounds intriguing, and who can resist exuberant, demographically sensitive solicitation text like this: “Miss Lasko-Gross, who has the sensibility of a love child of Linda Barry and David B. midwifed by Judy Blume, has created a graphic novel that should appeal not only to the growing readers of graphic novels, but to teens grappling with similar unresolved questions.” Not me, that’s for sure.

Oni releases the second issue of the very appealing Maintenance, a workplace comedy about custodians at a mad-scientist think tank.

Viz delivers the Shojo Beat titles that were initially scheduled for release last week, along with the final volume of Train Man: Densha Otoko, my favorite of the competing manga adaptations of the story.

Shôjoverload

I thought Dark Horse was supposed to be continuing its crusade to make me love them this week with new volumes of The Kurosagi Corpse Delivery Service and Mail, but it doesn’t look like that’s meant to be. I can wait, because the rest of the manga publishing industry is wooing me with a vengeance this week.

I’ve already read a preview of the second volume of Penguin Revolution (CMX) and found it as solidly funny and adorable as the first, so that’s a lock.

Del Rey delivers the eighth volume of Nodame Cantabile, which always manages to charm me in spite of what I realize is very little in the way of overarching narrative movement. Kitchen Princess offers the twin inducements of cute shôjo and culinary content, and I have very little resistance to either.

Didn’t Go! Comi just release the fifth volumes of their first four series? It feels like they did, but new installments of Cantarella and Tenshi Ja Nai!! are always welcome.

There’s been considerable enthusiasm over at Tokyopop for Wild Adapter, and while you’d expect a publisher to be enthusiastic about its books, this endorsement comes from Lillian Diaz-Przybyl. Books that Diaz-Przybyl really, really likes (like 12 Days and Shout Out Loud) tend to be books I really, really like.

I’m not quite up to volume 17 of Bleach (Viz) yet, so I’ll have to content myself with the fifth volume of Nana, which is more than adequate compensation.

And it’s not manga, but I found Marvel’s Defenders mini-series (by Keith Giffen, J.M. DeMatteis and Kevin Maguire) to be really entertaining. I can’t seem to find a page on Marvel’s site for the Indefensible trade paperback, but here’s one for the first issue of the floppy version.

(Quick housekeeping question: Is it useful to throw these posts into the various publisher categories, or is it just kind of irritating to have a laundry list of categories at the top of them? I can’t decide.)

I nag because I love

It’s a breezy trip through this week’s ComicList, with only two entries really catching my eye, but what entries they are.

David Petersen’s surprise hit Mouse Guard (Archaia) concludes with its sixth issue. It’s been a lot of fun watching this beautifully drawn adventure story earn critical praise and go into multiple printings, because it absolutely deserves both. And I notice on the Archaia page that a hardcover collection is in the works, which should be gorgeous and make librarians very, very happy.

Hiroki Endo has been wowing me with the complex science fiction of Eden: It’s an Endless World! (Dark Horse), so I’m really looking forward to his collection of shorter pieces, Tanpenshu. I’ve heard nothing but good things about this book from people like Christopher Butcher, so even if I wasn’t already Endo-inclined, I would be giving it a serious look.

Speaking of the Torontonian retailer, Chris does a much better job than I did of highlighting the licensed Japanese goodness on display in this year’s Angoulême short list, including this comment about Daisuke Igarashi’s Sorcières, which I can only second:

“Absolutely beautiful, and I could totally see Dark Horse picking this up and fitting it seamlessly into their current slate of releases. YOU HEAR ME, CARL?”

Dark Horse has been doing a great job of delivering manga that I really, really like (Eden, The Kurosagi Corpse Delivery Service, Mail). Maybe I should start nagging them about launching a josei line.

(Edited due to a spelling flame-out.)