The Manga Curmudgeon

Spending too much on comics, then talking too much about them

You are here: Home / Archives for Yen Press

From the stack: Nightschool vol. 2

by

Yen Press has been doing well in terms of series that sell well and by catching attention with adaptations of popular properties. For my money, they also made one of their smartest choices was hiring Svetlana Chmakova to create a new series, Nightschool, for their magazine, Yen Plus. It’s as poised a supernatural adventure as you’re likely to find on the manga shelves.

What immediately strikes me about the series is how sure-footed it is. Chmakova has assembled a crowded cast and a host of subplots, but nothing feels extraneous or self-indulgent. It’s indicative of just how memorable her characters are that I never felt the need to flip back through the first volume and remind myself of any particular details or developments while reading the second. She doesn’t burden the book with exposition or reminders, and things move at a clip, but Chmakova doesn’t leave readers behind in the process.

In spite of the crowd and the bustle, Chmakova has also managed to keep her protagonist front and center, at least in terms of reader perception. Alex, a young witch searching for her missing sister, is just right. She’s smart, resourceful and funny, and she’s also a little frightening. The second volume doesn’t go much further to revealing what her dark secret might be, but it reinforces just how formidable Alex is. As a nice bonus, Alex is such a force to reckon with because she’s worked hard to become so.

She’s not so formidable that she doesn’t seem at risk, though. Chmakova has arrayed a variety of forces in opposition to Alex, from snotty, secretive classmates to rival supernatural clans to self-appointed anti-monster vigilantes. Add that to the search for her missing sister and you have a young woman with a very full plate. Alex’s agenda doesn’t keep her from engaging with the world around her, though; there are some terrific, revealing scenes of Alex’s enrollment in the school where her sister taught that are sprinkled with comedy and menace, along with the introduction of even more new characters.

It’s just a very entertaining book, certainly for its skillful execution and partly for the pleasure of watching Chamkova juggle. Nightschool is drawn very well, and the dialogue is snappy, but the spectacle of Chamkova piling on this and that without ever letting things crush under the weight is as engaging as the story and presentation.

For your Eisner consideration

by

‘Tis the season for lists of the best comics and graphic novels of 2009, an event I always enjoy more as a spectator than as a provider. I would feel comfortable listing my favorite comics of the year, but some pocket of insecurity blocks me from using the word “best.” Fortunately, ‘tis also the season to nominate titles for the 2010 Will Eisner Comics Industry Awards.

As you might recall, there was some disgruntlement over the rather narrow field of manga nominees in last year’s Eisner slate. This came on after a couple of years where there was a healthy sprinkling of comics and creators from Japan throughout the roster. While complaining afterwards is always fun (it’s the peak pleasure of “Best of” season, after all), I thought it certainly couldn’t hurt to throw out some suggestions for various Eisner categories while it might still make a difference.

Just looking at the aforementioned “Best of” lists, we can be reasonably certain that at least two titles are locks for some form of Eisner nomination: Naoki Urasawa’s Pluto: Urasawa x Tezuka (Viz) and Yoshihiro Tatsumi’s A Drifting Life (Drawn & Quarterly). They’re the two comics from Japan that have appeared most frequently on lists of the best comics and graphic novels of 2009. They’re fine choices and among my favorite new works from 2009, but their respective inevitability makes me disinclined to dwell on them too much, except to recommend that A Drifting Life be nominated in the Best Reality-Based Work category.

I make that suggestion because 2009 saw a whole lot of extraordinary comics from Japan, so the real estate in the Best U.S. Edition of Foreign Material – Japanese category will be costly indeed. To start, there’s Urasawa’s other series in current release, 20th Century Boys, which I actually prefer to Pluto. I’m not saying it’s a better comic point by point, but I enjoy reading it more. It may lack Pluto’s seriousness of purpose and craftsmanship, but it’s compulsively readable and friendlier. Perhaps the solution is to nominate Urasawa in the Best Writer/Artist – Drama category or to nominate Pluto in the Best New Series slate. Urasawa has popped up in a variety of categories in the past, and I see no reason for that trend to stop now.

Of course, I would hope that there’s room in the Best Writer/Artist roster for Takehiko Inoue, who has three series currently in English release, all from Viz: samurai epic Vagabond, available in regular and VizBig editions; shônen hoops classic Slam Dunk; and the achingly good, criminally underappreciated Real, which examines the lives of wheelchair basketball players. If the judges can’t bring themselves to give Inoue a Writer/Artist slot, I urge them in the strongest possible terms to save a space in Best U.S. Edition of Foreign Material – Japanese or Best Continuing Series for Real, because it’s one of the finest comics currently in release, magnificently drawn and faultlessly written.

On the subject of magnificently drawn and beautifully written manga, this will be judges’ final opportunity to recognize Kaoru Mori’s breathtaking period drama, Emma (CMX). The tenth and final volume came out earlier this winter, offering a satisfying conclusion to the driving storyline and a sentimental farewell to the rich cast of supporting characters that made this series so rewarding. Intelligent, meticulously researched, emotionally resonant, and all-around glorious, a lot of people are going to miss this book terribly.

In a rather different vein, one devoid of delicacy or refinement but brimming with genius, please don’t forget Junko Mizuno’s subversive Little Fluffy Gigolo Pelu (Last Gasp). Mizuno is a household name, assuming that household name counts a hardcore comics omnivore among its residents. She should be more famous, with her inimitable aesthetic and subversive sensibilities, and Pelu could be the book that pushes her over the top. It’s a profane, hilarious look at the intersection of sex, love and obsession from the perspective of a sentient space ovary. It’s the comic equivalent of a hallucinogen mixed with an amphetamine, and it’s my favorite new manga of 2009. But I would also hope that there’s room for Daisuke Igarashi’s Children of the Sea (Viz), the first release in that publisher’s tremendously promising SigIKKI imprint of alternative manga. It’s a contemporary environmental fable with absolutely immersive artwork and subdued storytelling all around.

Speaking of the SigIKKI iprint, I see nothing that would prevent anyone from nominating the SigIKKI site in the Best Anthology category. One of the great pleasures of 2009 has been the ability to read new chapters of around a dozen exciting, alternative manga titles each Thursday. Beyond the extraordinary quality of some of the comics in rotation (many of which will be likely Eisner candidates when they see print), the whole thing strikes me as a very forward-looking initiative, a smart and generous loss leader to build an audience for books with perhaps marginal commercial potential.

Back on the subject of taking your last chance to recognize worthy work, judges might also do something really nervy and give a slot in the Best U.S. Edition of Foreign Material – Japanese to Natsuki Takaya’s Fruits Basket (Tokyopop). Commercial success has never been a barrier to nomination in the past, and Fruits Basket is so much more than the piles and piles of money it made. It was a wrenching and lovely series throughout, and it ended with all of the grace and emotion its fans had every reason to expect. The Eisners haven’t nominated a shôjo title in this category since Fumi Yoshinaga’s Antique Bakery in 2007. (And while it’s not shôjo, nor is it explicitly for teens, keep an eye on Yoshinaga’s Ôoku from Viz for 2011. It’s off to a promising start, but I suspect it will hit its full stride next year.)

Of course, it wouldn’t be the worst thing in the world if Fruits Basket was nominated in the Best Publication for Teens category, which manga could handily pack from top to bottom and still have partisans crying out at the injustice of some exclusion or another. I’ll limit myself to one suggestion for this category, Karuho Shiina’s Kimi ni Todoke: From Me to You (Viz). It’s a hilarious romantic comedy about an outwardly creepy but inwardly sparkly girl trying to make friends on her own terms. It seesaws smartly between laughter and tears and speaks to the odd kid out.

Moving down the age scale, someone really should recognize Yen Press for rescuing Kiyohiko Azuma’s Yotsuba&! from publishing limbo. It was nominated in 2008 in the Best Publication for Kids category (or whatever it was called back then), and another nomination is in order. It’s still one of the funniest, freshest comics around, following a green-haired girl as she experiences the world’s many wonders, from riding a bike to running errands. Of course, it wasn’t conceived for kids, but who cares? And if you, like me, don’t read as many comics for kids as you feel you should, you can always check out this marvelous list of the year’s best from Good Comics for Kids.

Given that it’s so damned funny, Yotsuba&! might also sit comfortably in the Best Humor Publication category, but I have other plans there. The first involves a nomination for Kiminori Wakasugi’s hilariously distasteful Detroit Metal City (Viz), about a would-be emo-pop crooner forced to moonlight as a vile, death-metal front man. The second involves a nomination for Koji Kumeta’s dense satire, Sayonara, Zetsubou-Sensei: The Power of Negative Thinking (Del Rey). Beyond being a master class in the art and science of translation, this is a very funny book.

Jiro Taniguchi is a good writer, and he’s a positively magnificent illustrator, so I would recommend he be nominated as Best Penciller for his work on The Summit of the Gods (Fanfare/Ponent Mon), written by Baku Yumemakura. For reinforcement, Taniguchi sturdily wrote and gorgeously drew A Distant Neighborhood (Fanfare/Ponent Mon).

I can’t quite bring myself to recommend Inio Asano’s What a Wonderful World! (Viz) for a major category; there’s some outstanding work contained in these two volumes of short stories, but a goodly portion is merely very good. I’d have no reservations about suggesting “A Town of Many Hills” from the first volume for the Best Short Story prize, as it shows Asano at the peak of his considerable powers.

I’m not really worried that Taiyo Matsumoto’s GoGo Monster (Viz) will be neglected. It’s just too good. The only question is in which categories it will be nominated. To my thinking, it’s eligible for Best U.S. Edition of Foreign Material – Japanese, Best Graphic Album – Reprint Material, and Best Publication Design. Judges may want to limit that last possibility to new designs rather than stateside reproductions, but the packaging is extraordinary.

None of the Eisner categories will be easy to limit, but I suspect that Best Archival Collection will be particularly difficult. I’m not going to make it any easier. A year without a nomination for a work by Osamu Tezuka would just seem odd, and Vertical has been providing a valuable service (and really entertaining comics) by releasing a steady stream of Tezuka’s excellent medical melodrama Black Jack. At least some of the material in culinary classic Oishinbo (Viz), written by Tetsu Kariya and illustrated by Akira Hanasaki, is 20 years old, and all of it is lively, informative, and enriches the scope of Japanese comics available in translation and available comics in general. If it doesn’t qualify for the archival award, put it in the Best Edition of Foreign Material – Japanese. Just put it somewhere. Beyond being very, very good on strictly qualitative terms, Susumu Katsumata’s Red Snow (Drawn and Quarterly) gives readers a glimpse of a different kind of gekiaga, a category of dramatic comics for grown-ups previously defined by the aforementioned Tatsumi.

Entries for Eisner consideration are due March 8. Publishers, get cracking. Judges, get reading.

Upcoming 12/09/2009

by

Time for a look at this week’s ComicList:

Digital Manga brings us a little of that old-school shôjo charm in the form of Itazura na Kiss, written and illustrated by Kaoru Tada. The book has already received warm welcomes from the likes of Danielle Leigh, Johanna Draper Carlson and Kate Dacey, which is a very promising sign indeed.

Viz unleashes the third volume of one of my favorite new series of 2009, Detroit Metal City, written and illustrated by Kiminori Wakasugi. Viz’s solicitation text is on the oblique side, as always (“Death metal screams the despair of dying heathens! What the hell kind of song would you sing?!”), but I feel safe in promising hilariously distasteful mistaken identity satire.

There’s a lot of other stuff apparently on the way from Viz, much of it wonderful, but it’s all got the disclaimer, “release not confirmed by Diamond Distribution.” Chances are it’s already in bookstores but won’t be in comic shops for a week or so.

Yen Press will make fans of funny manga very happy this week with two by Kiyohiko Azuma. They’ve taken a crack at an omnibus collection of Azuma’s hilarious comic strip, Azumanga Daioh, featuring the highs and lows of a group of high-school girls. ADV published something similar a couple of years back, but Yen is promising a fresh translation. I’m undecided as to whether or not to buy it over again.

Also from Azuma is the seventh volume of the charming and witty Yotsuba&!, which Yen also rescued from ADV limbo. If there was a comics industry award for good karma, Yen would be the frontrunner.

2009 Great Manga Gift Guide

by

With Black Friday just around the corner, you may be trying to think up gift ideas for greed season, and some people on your list may be open to receiving the gift of manga. Here are some possibilities for your consideration. I stress that friends don’t give friends comics unless that friend has expressed an interest in receiving them. If friends insist on doing that, they at least keep the receipt.

For the House fan in your life: Osamu Tezuka’s Black Jack (Vertical). Decades before Hugh Laurie’s fictional physician was saving lives and alienating people, Tezuka’s outlaw surgeon was wrestling with bizarre maladies and guaranteeing that just about nobody liked him any better for it. You can pick up any volume of this series and not worry about being lost, since it’s all largely episodic. If you know someone with a taste for the medically gruesome and interpersonally abrasive, look no further.

For the foodie in your life: Oishinbo (Viz), written by Tetsu Kariya and illustrated by Hanasaki Akira. Aside from its microscopic attention to Japanese food and drink, this series lets you subdivide the recipient’s interests even further. Do they tipple? Try the Sake volume. Do they hold forth on buying locally and sustainably grown produce? There’s a volume for that. When you ask what they want for lunch, is their answer always “Sushi”? Do they blanch at the idea of a low-carbohydrate diet? Voila! As with Black Jack, there’s no real order to any of these volumes, so you can pick at random.

For the comic strip fan in your life: Kiyohiko Azuma’s Azumanga Daioh (Yen Press). I think I recommended this in a previous gift guide, but it’s still awesome, and Yen Press is coming out with a freshened translation and production in December, so I think I’m allowed to repeat myself. This massive tome collects Azuma’s very funny strips about a group of classmates making their way through high school, and it’s a great mix of the recognizable and the absurd.

For the autobiography buff/young artist/cultural historian in your life: Yoshihiro Tatsumi’s A Drifting Life (Drawn & Quarterly). Tatsumi was one of the progenitors of gritty, grown-up comics in Japan, and the story of his evolution as an artist (and the associated evolution of comics publishing in Japan) is fascinating. For bonus points, Tatsumi opens a window on the economic and cultural evolution of postwar Japan as a whole.

For the fan of films in limited release in your life: Jiro Taniguchi’s A Distant Neighborhood (Fanfare/Ponent Mon). So you’re thinking of buying a graphic novel for someone you know who likes to read but isn’t entirely familiar with the whole “words and pictures” category. You know that Asterios Polyp is brilliant, but it’s so dense with visual reference that the recipient might not make it past the title page. Stitches is great, but it’s non-fiction and a big downer. But you’re determined. So why not try this beautifully drawn, undemanding tale of a middle-aged guy who gets the chance to relive his adolescence? It’s flipped, so there’s no barrier there, and the story should be very familiar from a number of similar examples. It’s smart but not too literary, it’s only two volumes long but still hefty enough to count as a decent gift, and the publisher deserves your money.

For the freak in your life: Junko Mizuno’s Little Fluffy Gigolo Pelu (Last Gasp). Do you have a friend who’s forlornly waiting for the next installment of Prison Pit? Do you want to help them pass the time? Then really, anything by Mizuno qualifies for recommendation, but Pelu is her newest available-in-English work. I don’t know if this book is remotely appropriate for anyone not wholly conversant in alternative comics, but man, how could such people not love it? I certainly do. I think it’s my favorite comic of 2009.

For the Death Note fan in your life: Motoro Mase’s Ikigami: The Ultimate Limit (Viz). In her review of the series, Johanna Draper Carlson astutely noted the crossover potential between this series and the shônen mega-hit. Death Note has been over for a while, and many members of its audience may have reached the recommended age for this largely winning tale of government-sponsored murder. Try and keep it out of the hands of Glenn Beck fans, though, as they’ll turn it into a book of prophecy.

For the environmentalist in your life: Daisuke Igarashi’s Children of the Sea (Viz). Have you ever noticed how some pro-nature stories can be really preachy and shrill and have next to no attractive drawings in them? Do you know of someone who enjoys tales with this kind of message and want to support them in their interests, but you’re still scarred by Captain Planet and don’t know where to turn? Look no further than Igarashi’s gorgeous, seaside fable.

For the young fan of romantic fantasy in your life: Natsune Kawase’s The Lapis Lazuli Crown (CMX). If I had a teen-aged daughter (or son), I’d absolutely support them in just about whatever they chose to read. I’d probably voice my opinion about Black Bird, but I wouldn’t stop them from reading it. And my expression of that opinion might possibly spoil their fun in reading Black Bird, but I certainly couldn’t be held responsible for their overreaction to harmless, well-intended remarks that are entirely within my rights to state. And while they could spend their allowance on anything they wanted, they’d find this two-volume charmer in their stockings.

For the hardcore Japanophile in your life: Koji Kumeta’s Sayonara, Zetsubou-Sensei (Del Rey).This is one of the densest licensed comics from Japan you’re likely to find on a bookstore shelf. It’s packed with cultural references, scrupulously annotated in extensive end notes. It’s also very, very funny. I only get about a third of the jokes, and I still think it’s hilarious. Plus, I enjoy reading the annotations, so it’s really like getting two books in one. If you know someone who loves, loves, loves Japan and is still willing to giggle at its foibles, this is the gift for them.

Over at Okazu, Erica Friedman is tracking the various gift guides that will be unleashed upon an unsuspecting world over the next week or so.

Quick comic comments

by

I had a fruitful trip to the bookstore the other day, so I thought I’d celebrate by cranking out a couple of quick reviews:

Cat Paradise volume 2, written and illustrated by Yuji Iwahara, Yen Press: After a fairly straightforward introductory volume, I was a bit surprised at how meta things got this time around. As the student council and their loyal cats continue to protect the world from demonic forces, Iwahara focuses on council member Tsukasa, who is a creepy little dork. He likes girls a lot, but he likes them in a patronizing way. This allows that thing where a creator can sort of mock a character that leers and condescends and teases while still featuring the leering and condescension and teasing. The criticism of the character, if that’s actually the intent instead of just giving part of the demographic a gateway character, is pretty thickly veiled. So the fan service is at a higher level than it was the first time around, and there’s also an increase in what might be called irrevocable violence. (Soft-hearted cat lovers beware.) I’m also of two minds on heroine Yumi. On one hand, it’s believable that she’s not a warrior by inclination and that she’d find these dangerous situations terrifying. (And I like that her milder nature leads her to question the council’s decisions and methodology.) On the other, she has a tendency to simper that can be a little grating. Still, there’s a lot to like in the series, particularly Iwahara’s concept of napping as a super-power.

V.B. Rose volume 4, written and illustrated by Banri Hidaka, Tokyopop: After three volumes told largely from heroine Ageha’s perspective, it’s nice to spend one getting the point of view of her love interest, wunderkind gown designer Yukari. In a lot of romantic fiction, you only get the protagonist’s point of view, and the feelings of the object of that character’s desire are left opaque. That’s a perfectly fair approach, as it allows the creator to increase reader identification with the protagonist. After all, that’s how we all approach romantic entanglements, wondering if our feelings are reciprocated until the moment when we find out for good or ill. While Ageha, with her exuberance and excitability, is more than character enough to carry the romantic tension, it’s nice to see Hidaka reveal that Yukari is almost as complicated and not just a love object. (I say “almost” because Ageha has enjoyed three volumes of focus, and it’s unfair to expect Yukari to catch up so quickly.) For bonus points, Hidaka gives us more scenes with Ageha’s frighteningly poised friend Mamoru and her deceptively adorable brother. This sibling dynamic isn’t anything new, but I always enjoy it. And nice as it is to have a well-developed central couple, it’s even better to have them in the middle of an engaging crowd of friends and family.

Upcoming 11/11/2009

by

In her look at this week’s comics, Kate Dacey delivers a succinct takedown of the latest example of that just-won’t-die-or-evolve artifact, the list of recommendations to help comics fans convince the ladies in their lives to share their hobby. I don’t really have anything to add, but I will just note that most of the women I know online who read manga are omnivores. They greet new romantic shôjo and new blood-and-guts seinen with equal enthusiasm. To my way of thinking, this makes the frequent exclusion of manga from these chick-bait graphic novel guides even more baffling.

Anyway, here’s what looks good to me on the latest ComicList:

I read a review copy of Tamio Baba’s Deka Kyoshi (CMX), about a detective going undercover as a teacher, joining forces with a mildly psychic student, and helping kids with their often dangerous problems. My reaction to the book tracks pretty much exactly with Brigid Alverson’s: “The stories are nice little self-contained dramas, but they never veer far from the predictable.”

UltimateVenus5It seems to be a week where publishers who’ve had something of a low profile lately deliver some new goods. There are new volumes from DrMaster, Seven Seas, and Go! Comi. I’m most enthusiastic about the Go! Comi offering, the fifth volume of Takako Shigematsu’s Ultimate Venus. It’s about an orphan who learns that she’s the granddaughter of a very wealthy, very formidable woman, and must prove her worth to inherit the family fortune. I can’t say I yet love it in the way that I loved Shigematsu’s Tenshi Ja Nai!!, but I loved that series a lot and heartily recommend it to people who like wacky, mean-spirited romantic comedy. Ultimate Venus is a bit tamer, but it’s still very enjoyable.

Viz finally rolls out a VizBig version of Rumiko Takahashi’s long-running, much-loved InuYasha, which is a welcome development for people who might enjoy the anime but be a bit daunted by the 42 existing volumes of the manga.

ikigami3Of more specific interest to me is the third volume of Motoro Mase’s Ikigami: The Ultimate Limit, from Viz’s Signature line. Though I’m ambivalent about the series overall, I’ve liked it enough to review the first and second volumes of this series about a draconian government program that targets random people for death to help the remainder of the citizenry better appreciate life. A government functionary must notify these unlucky learning tools of their fate, and readers get to watch the victims flip out during their last hours. I still feel like it needs to go somewhere beyond episodic individual drama, but I’m intrigued enough to stick around. And the third volume has an awesome tag line: “Sometimes people do shoot the messenger.”

What if you could bring your cat to school? What if you and your cat were given amazing powers, and all you had to do in exchange was keep horrible demons at bay? These are the central questions addressed by Yuji Iwahara’s Cat Paradise (Yen Press). The second volume is due out on Wednesday and promises more mystery and adventure at a purportedly feline-friendly institute of learning.

catparadise2

Upcoming 10/21/2009

by

Last Wednesday’s lean times are over, so check under your sofa cushions and empty the ash tray in your car, because it’s time for a look at the current ComicList:

real6It’s tough to pick a book of the week, as there’s interesting material in varied formats, but I ultimately have to settle on the sixth volume of Takehiko Inoue’s Real from Viz Signature. This excellent drama looks at the lives of wheelchair basketball players so vividly and with such specificity that you don’t need to have the slightest interest in sports to become engrossed. I certainly don’t have any interest in sports, and I think the book is terrific and deeply underappreciated. So please give it a try.

whatawonderfulworld1Now, don’t get me wrong. I’m a fan of the books in Viz’s Signature line and an admirer of the imprint in general. I honestly can’t think of one I don’t at least enjoy. That said I do question the wisdom of unleashing quite this much product on the market at once. In addition to the aforementioned volume of Real, there’s the fifth volume of Naoki Urasawa’s 20th Century Boys, the fifth omnibus installment of Inoue’s Vagabond, and both volumes of Inio (solanin) Asano’s What a Wonderful World! That’s $71.95 worth of comics, retail before taxes. It’s a lot. But perhaps strong sales of books like the first volume of Rumiko Takahashi’s RIN-NE (which arrives Wednesday) will help carry Viz’s less commercial titles. And RIN-NE is a lot of fun, as you would expect from Takahashi. Kate Dacey has an enthsuiastic review of the first volume at The Manga Critic, and you can sample the title at The RumicWorld.

Noted just for the novelty of it, Del Rey launches its floppy comics line this week with The Talisman: The Road of Trials, based on a Stephen King/Peter Straub property, written by Robin Furth and illustrated by Tony Shasteen. Del Rey Comics doesn’t seem to have a web site yet, but you can see a preview at Entertainment Weekly’s site.

bookaboutmoominThe New York Times ran a Reuters story pondering the potential international appeal of Tove Jansson’s Moomin properties without ever mentioning the fact that Drawn & Quarterly has been releasing beautiful hardcover collections of Jansson’s comic strips for a few years now. Whether Reuters notices or not, Drawn & Quarterly continues to earn excellent karma by releasing Jansson’s The Book About Moomin, Mymble and Little My. (Scroll down on to the bottom of this page for more details and a preview.)

underground2I enjoyed the first issue of Jeff Parker and Steve Lieber’s Underground (Image), a five-part mini-series about socioeconomic machinations and spelunking peril in a mountain town in Kentucky. I fully expect to enjoy the second issue as well.

I also enjoyed the first volume of Svetlana Chmakova’s Nightschool (Yen Press), collected after serialization in Yen Plus. It’s a complicated supernatural adventure about various factions of night creatures and the humans who oppose them. It’s got terrific art and a promisingly chunky plot. The second volume arrives Wednesday.

Previews review October 2009

by

The October issue of Diamond’s Previews catalog offers lots of promising material from all over the place. Let’s get down to it.

EmpoweredComicI’m always happy to see more of Adam Warren’s brilliant Empowered. This time around, Warren and Dark Horse take a different approach, offering the struggling super-heroine in “traditional comic-book format.” It’s 32 black and white pages for $3.99 featuring two stories – a desperate battle in a secret, super-hero mausoleum and the always-alliterative musings of the Caged Demonwolf. (Page 26-27.)

StolenHearts1It’s always wise to keep an eye on CMX’s shôjo offerings, as they’re usually pretty charming. New this month is Stolen Hearts, written and illustrated by Miku Sakamoto. It’s about a girl who befriends “the most intimidating guy at school” and becomes involved in his family’s kimono shop. I’m always looking for underrepresented careers in manga, and kimono model certainly qualifies. It was originally serialized in Hakusensha’s Hana to Yume. (Page 120.)

AfrodisiacA few years back, the big blogosphere hit was Jim Rugg and Brian Marucca’s Street Angel from SLG. A much-loved supporting character from that book gets a shot at solo stardom in Afrodisiac from AdHouse Books. It’s written by Maruca and drawn by Rugg and promises “cats, gats, spats, and feathered hats.” (Page 188.)

KingofRPGs1You may know Jason Thompson as the author/editor of the invaluable Manga: The Complete Guide, but he’s also a creator of comics. He’s authored King of RPGs, illustrated by Victor Hao, for Del Rey. It’s a “send-up of manga, gaming and geek culture,” which is subject matter well within Thompson’s sphere of experience. Thompson is also updating the guide and giving away manga over at suvudu.com. (Page 242.)

Talk about long-awaited! I can’t remember the first time I heard about Fanfare/Ponent Mon’s Korea as Viewed by 12 Creators, but it appears at long last in the pages of Previews (page 250, to be precise). I can’t find any information on Fanfare’s site, but if Korea is half as good as Japan as Viewed by 17 Creators, it will be a must-buy.

TreasuryFamousPlayersI’m crazy about Rick Geary’s Treasury books, but I’m cheap so I wait for the paperback versions. Happily, NBM slates the soft-cover version Geary’s A Treasury of 20th Century Murder: Famous Players for publication. It examines the murder of early Hollywood director William Desmond Taylor. (Page 271.)

I loved Crogan’s Vengeance, Chris Schweizer’s first look at the long saga of the Crogan family and its cross-century adventures. The second volume, Crogan’s March, is due from Oni Press, looking at life in the French Foreign Legion. (Page 274-275).

MercuryThe gifted Hope Larson delivers her next work, Mercury from Simon and Schuster. It looks to be a mystery surrounding a magnificent mansion in Nova Scotia. But really, it’s Larson, and that’s pretty much all you need to know. (Page 285.)

Even with setbacks, the last few months might be pinpointed as the beginning of Tokyopop’s comeback tour. They announced a bunch of titles in August, and one appealed to me in particular. It’s Kou Matsuzuki’s Happy Café, a romantic comedy set in a restaurant. I find it very hard to resist romantic comedies set in restaurants, even if they feature that old warhorse, the clumsy shôjo heroine. It was originally published in Hakusensha’s Hana to Yume. (Page 289.)

notsimplePage 301 promises more goodness from Viz Signature. My poor, poor wallet, how you will weep. New to the imprint are Natsume Ono’s not simple. Ono is the creator of House of Five Leaves, and I’ve become very intrigued by her work. not simple is told backwards and follows a young man as he travels the world in search of his sister. It was originally published in Penguin Shobou’s Comic Seed! and was later picked up by Shogakukan.

AllMyDarlingDaughters1And, of course, Viz triggers squeals across the internet by offering more manga from Fumi Yoshinaga. It’s All My Darling Daughters featuring an adult woman who still lives with her mother until mom’s new boyfriend drives a wedge into the family. It was originally published in Hakusensha’s Melody.

Last, and certainly not least, Yen Press continues to rack up manga karma by rescuing Kiyohiko Azuma’s Azumanga Daioh Collected Edition from limbo. This makes me so happy that I will simply run the solicitation in its entirety: “The classic returns! This four-panel comedy chronicles the everyday lives of six very quirky high school girls. Meet the child prodigy Chiyo, the animal-loving Sakaki, the spacey out-of-towner Osaka, the straight-laced Yomi and her best friend Tomo, and the sports-loving Kagura throughout their high school lives. As the first four-panel comic to gain popularity in the U.S., Yen Press is proud to present the complete fan-favorite in a single volume, complete with all the original color pages and an updated translation so new and old readers can enjoy the best, most authentic Azumanga available!” (Page 306.)

Upcoming 9/10/2009

by

yotsuba6

Looking through this week’s ComicList, it’s fairly obvious which book gets my strongest recommendation. Heck, if I had the programming skills and no aesthetic conscience, I’d make the cover image above spin and fire sparkly rainbows. Yes, the long-awaited sixth volume of Kiyohiko Azuma’s exercise in pure delight, Yotsuba&! (Yen Press). Yen rescued the much-loved title from ADV, and Yen is also republishing the first five volumes, also due out this week. I briefly contemplated re-buying those first five as a show of appreciation to Yen, but someone wisely suggested I dabble in as-yet-untried Yen titles instead, which is an excellent idea. I think I’ll start with Hyouta Fujiyama’s Tale of the Waning Moon, which seems to promise funny boys’-love fantasy.

modelsinc1I have to admit that I have been unable to resist the lure of Marvel’s recent spate of quirky, off-brand titles featuring Patsy Walker, also known as Hellcat. This week’s example is Models, Inc., written by Marc Sumerac and Paul Tobin and illustrated by Jorge Molina and Vincent Villagrasa, along with assistance from three inkers and five colorists. Dave Sharpe shoulders the lettering duties all on his own. Anyway, it’s Marvel’s model characters gathered to solve a murder during Fashion Week. For bonus irresistibility, it’s got a back-up story featuring the dapper, saintly, and adorable Tim Gunn. And neither of the promised covers look like sexist nightmares.

Oh, and just as a reminder, the new chapters keep coming at Viz’s SIGIKKI site. I think that Kumiko Suekane’s Afterschool Charisma, a loopy tale of teen-aged clones of famous historical figures, is emerging as one of the year’s great guilty pleasures. I could read a hundred pages of Clone Freud maliciously working the word “daddy” into every conversation.

Previews review Sept. 2009

by

There’s a fair amount of interesting new stuff in the September 2009 edition of Diamond’s Previews catalog, along with a positively crippling number of new volumes of ongoing series that I simply must have. Let’s go in page order, shall we?

chobitsDark Horse continues its CLAMP collection project with the Chobits Omnibus Edition, a 720-page trade paperback priced at $24.95 (page 44).

It’s always unnerving when I read a quote from myself in something like this or on a book cover, because I sound even dorkier excerpted than I do in context, but I’m always happy to sing the praises of The Kurosagi Corpse Delivery Service, written by Eiji Otsuka and illustrated by Jousui Yamazaki (page 50). The tenth volume solicitation seems to hint at the participation of zombies, but you should all buy it anyway. It’s not like it’s vampires.

CMX should have put some kind of sad-face emoticon after “Final Volume!” in their solicitation for the tenth volume of Kaoru Mori’s Emma. It’s back to focusing on the leads for the big finish (page 123).

I really liked the first volume of Nina Matsumoto’s Yokaiden (Del Rey), so I’m glad to see the listing for the second installment (page 248).

Digital Manga Publishing busts out the old-school shôjo with the first volume of Kaoru Tada’s Itazura Na Kiss (page 251). As the heroine seems to be something of an academic underachiever, I’d put good money on there being a scene where she’s late for school and runs out the door with a piece of toast hanging out of her mouth. That is not a criticism.

yellowI’ve been meaning to read Makoto Tateno’s Yellow for ages, as it sometimes shows up on those lists of yaoi titles gay guys might like. DMP offers the first volume of an omnibus version of the series, just in time for the arrival of the first volume of Yellow 2 (page 253).

If I didn’t already own all of the single issues, I would probably buy The More Than Complete Action Philosophers trade paperback from Evil Twin, written by Fred Van Lente and illustrated by Ryan Dunlavey. Actually, I’ll probably buy it anyway, because those comics are great, and I’d love to have them all bundled up (page 257).

yourandmysecret5Oh, glorious day! Tokyopop finally releases the fifth volume of Ai Morinaga’s pointed and hilarious Your and My Secret. The body-switching, pansexual love quadrangle continues (page 292).

Vertical gets in on the act with the eighth volume of Osamu Tezuka’s addictive Black Jack (page 300). I want a “Pinoko’s Most Unnerving Moments” edition. Though honestly, that would be all of them.

childrenofthesea2Viz has been inching me towards financial ruin for ages now, but they really give it their best effort this time around. There are the second volumes of Fumi Yoshinaga’s Ôoku: The Inner Chambers and Daisuke Igarashi’s Children of the Sea, the third volume of Kiminori Wakasugi’s Detroit Metal City, and the sixth volume of Naoki Urasawa’s 20th Century Boys, all on page 305.

Last, but certainly not least, Yen Press delivers the second volume of Yuji Iwahara’s Cat Paradise (page 310). For those of you who skipped the first installment, it’s about a school that lets you bring your cat. Charming as that sounds, many of the cats and their owners pursue extracurricular activities that involve fighting big, horrible demons. Fun stuff.