Previews review October 2009

The October issue of Diamond’s Previews catalog offers lots of promising material from all over the place. Let’s get down to it.

EmpoweredComicI’m always happy to see more of Adam Warren’s brilliant Empowered. This time around, Warren and Dark Horse take a different approach, offering the struggling super-heroine in “traditional comic-book format.” It’s 32 black and white pages for $3.99 featuring two stories – a desperate battle in a secret, super-hero mausoleum and the always-alliterative musings of the Caged Demonwolf. (Page 26-27.)

StolenHearts1It’s always wise to keep an eye on CMX’s shôjo offerings, as they’re usually pretty charming. New this month is Stolen Hearts, written and illustrated by Miku Sakamoto. It’s about a girl who befriends “the most intimidating guy at school” and becomes involved in his family’s kimono shop. I’m always looking for underrepresented careers in manga, and kimono model certainly qualifies. It was originally serialized in Hakusensha’s Hana to Yume. (Page 120.)

AfrodisiacA few years back, the big blogosphere hit was Jim Rugg and Brian Marucca’s Street Angel from SLG. A much-loved supporting character from that book gets a shot at solo stardom in Afrodisiac from AdHouse Books. It’s written by Maruca and drawn by Rugg and promises “cats, gats, spats, and feathered hats.” (Page 188.)

KingofRPGs1You may know Jason Thompson as the author/editor of the invaluable Manga: The Complete Guide, but he’s also a creator of comics. He’s authored King of RPGs, illustrated by Victor Hao, for Del Rey. It’s a “send-up of manga, gaming and geek culture,” which is subject matter well within Thompson’s sphere of experience. Thompson is also updating the guide and giving away manga over at suvudu.com. (Page 242.)

Talk about long-awaited! I can’t remember the first time I heard about Fanfare/Ponent Mon’s Korea as Viewed by 12 Creators, but it appears at long last in the pages of Previews (page 250, to be precise). I can’t find any information on Fanfare’s site, but if Korea is half as good as Japan as Viewed by 17 Creators, it will be a must-buy.

TreasuryFamousPlayersI’m crazy about Rick Geary’s Treasury books, but I’m cheap so I wait for the paperback versions. Happily, NBM slates the soft-cover version Geary’s A Treasury of 20th Century Murder: Famous Players for publication. It examines the murder of early Hollywood director William Desmond Taylor. (Page 271.)

I loved Crogan’s Vengeance, Chris Schweizer’s first look at the long saga of the Crogan family and its cross-century adventures. The second volume, Crogan’s March, is due from Oni Press, looking at life in the French Foreign Legion. (Page 274-275).

MercuryThe gifted Hope Larson delivers her next work, Mercury from Simon and Schuster. It looks to be a mystery surrounding a magnificent mansion in Nova Scotia. But really, it’s Larson, and that’s pretty much all you need to know. (Page 285.)

Even with setbacks, the last few months might be pinpointed as the beginning of Tokyopop’s comeback tour. They announced a bunch of titles in August, and one appealed to me in particular. It’s Kou Matsuzuki’s Happy Café, a romantic comedy set in a restaurant. I find it very hard to resist romantic comedies set in restaurants, even if they feature that old warhorse, the clumsy shôjo heroine. It was originally published in Hakusensha’s Hana to Yume. (Page 289.)

notsimplePage 301 promises more goodness from Viz Signature. My poor, poor wallet, how you will weep. New to the imprint are Natsume Ono’s not simple. Ono is the creator of House of Five Leaves, and I’ve become very intrigued by her work. not simple is told backwards and follows a young man as he travels the world in search of his sister. It was originally published in Penguin Shobou’s Comic Seed! and was later picked up by Shogakukan.

AllMyDarlingDaughters1And, of course, Viz triggers squeals across the internet by offering more manga from Fumi Yoshinaga. It’s All My Darling Daughters featuring an adult woman who still lives with her mother until mom’s new boyfriend drives a wedge into the family. It was originally published in Hakusensha’s Melody.

Last, and certainly not least, Yen Press continues to rack up manga karma by rescuing Kiyohiko Azuma’s Azumanga Daioh Collected Edition from limbo. This makes me so happy that I will simply run the solicitation in its entirety: “The classic returns! This four-panel comedy chronicles the everyday lives of six very quirky high school girls. Meet the child prodigy Chiyo, the animal-loving Sakaki, the spacey out-of-towner Osaka, the straight-laced Yomi and her best friend Tomo, and the sports-loving Kagura throughout their high school lives. As the first four-panel comic to gain popularity in the U.S., Yen Press is proud to present the complete fan-favorite in a single volume, complete with all the original color pages and an updated translation so new and old readers can enjoy the best, most authentic Azumanga available!” (Page 306.)

Meanwhile, up at Javits

I’ll get into Vertical’s announcements from the New York Anime Festival at a later date (Monday, to be precise), but I did want to highlight some of the other on-deck properties that caught my eye. (Deb Aoki has the full list at About.Com.)

genteI’m finding myself increasingly taken with Natsume Ono’s House of Five Leaves with each new chapter that Viz posts, so Ono’s Gente will definitely be on my radar. I don’t really think older Italian men in aprons, at least of the kind who might appear in manga for grown-ups, need any help looking sexy, but that might just be me. It’s a follow-up to Ono’s Ristorante Paradiso, which Viz has scheduled for release in March 2010. Gente is due in July 2010.

My desire to read about ass-kicking fictional librarians has often left me disappointed, but I remain optimist enough to give Hiro Arikawa and Kiiro Yumi’s Library Wars: Love and War a try. It’s due in June 2010.

On the Del Rey front, I liked Kitchen Princess a lot, but I liked it mostly for Miyuki Kobayashi’s surprisingly moody writing rather than Natsumi Ando’s cute but generic art. That said, I’ll certainly give Arisa a try, even though it’s about identical twins who meet later in life, and I’m still gun-shy on that subject after the clinically insane second volume of Papillon.

Bonus points to Del Rey for publishing the rest of Hiro Mashima’s Rave Master after Kodansha pulled the license from Tokyopop three volumes before the end.

Tokyopop has certainly published an awful lot of Natsuki Takaya’s manga, and that will continue with Songs and Laughter. In spite of (or maybe because of) my love for Fruits Basket, I’ve been hesitant to pick up other translated work by the creator, fearing disappointment. Can anyone recommend a title in this category?

Upcoming 9/23/2009

Time again for a look at this week’s ComicList:

saltwatertaffy3

Summer is over, and school is underway, but if you want to recapture that sense of freedom and possibility, pick up Matthew Loux’s Salt Water Taffy: The Truth About Dr. True (Oni Press). This series about young brothers spending a silly and mysterious summer at the shore has been a real treat so far. Check out the series site, which includes added webcomic adventures, and read this interview with Loux over at Comic Book Resources. The site has also promised a chunky preview of the book sometime today. (Update: It’s here.) Here are my reviews of the first and second volumes of the series.

eden12

Dark Horse rewards the loyal with the 12th volume of Hiroki Endo’s meaty science fiction saga, Eden: It’s an Endless World! There tend to be long gaps between new volumes of this excellent series, but I can be patient as long as they keep coming. Here’s my review of the series over at The Comics Reporter.

vbrose6

I arrived late at this particular party, but I’m still happy to see the sixth volume of Banri Hidaka’s V.B. Rose (Tokyopop). I’ve enjoyed the first three volumes of this story about a promising amateur designer who goes to work for a couture bridal shop. It’s got endearing characters and almost enough sparkle to necessitate protective eyewear.

blackjack7

Vertical delivers more morally ambiguous medical madness with the seventh volume of Osamu Tezuka’s Black Jack.

detroitmetalcity2

I was shocked by how much I liked the first volume of Kiminori Wakasugi’s vulgar, improbable, totally hilarious Detroit Metal City (Viz). The second volume arrives this week at better comic shops and braver bookstores everywhere.

Update: I almost always forget to look at Image’s listings, because they don’t publish a whole lot that seems like it would interest me and because I’m still bitter that they aren’t publishing more of Andi Watson’s Glister. I also find their web site completely impossible to navigate or search, so I won’t even bother linking to it. While I think this is a largely defensible position on my part, it sometimes leads me to miss neat comics like the following.

underground1

Underground, which mercifully has its own, entirely navigable web site, is written by Jeff Parker and illustrated by Steve Lieber. I liked Parker’s Agents of Atlas mini-series a lot (Marvel), and I thought Lieber’s work on Whiteout and Whiteout: Melt (Oni) was great. Also, Me and Edith Head, drawn by Lieber and written by Sara Ryan, is one of my favorite mini-comics ever. So I’m naturally inclined to give the comic a try, even though it’s about a cave, and claustrophobia prevents me from even considering entering one. I couldn’t even finish Nevada Barr’s Blind Descent, and I like Barr’s mystery novels a lot. But it’s Parker and Lieber, so I’ll certainly muster as much courage as possible.

Twists and turns

First, there’s a new Flipped up over at The Comics Reporter. I worked really hard on it, and even I don’t even care any more, because, wow, what’s the opposite of a slow news day? Monday, Aug. 31, 2009, that’s what the opposite is.

Since Marvel and Disney are so 10:18 a.m., I’ll point you towards Brigid Alverson’s scoop that Kodansha is letting its licenses with Tokyopop lapse. I popped over to Wikipedia to see if there was any handy chart or graph that would allow me to compare original publisher and U.S. licensing agent, and voila. It’s incomplete and should probably be taken with whatever quantity of salt you usually apply to that particular resource, but it’s a start, and here are the titles I culled (with an updated pointer to Deb Aoki’s breakdown of which titles are unfinished):

A.I. Love You
Baby Birth
Beck: Mongolian Chop Squad
Blame!
Boys Be…
Cardcaptor Sakura
(due for omnibus treatment from Dark Horse, I think)
Cherry Juice
Chobits
(due for omnibus treatment from Dark Horse)
Clover
(available in new omnibus from Dark Horse)
Confidential Confessions
Culdcept
Cyborg 009
Dead End
Deus Vitae
Dragon Head
Dragon Voice
Dream Saga
Et Cetera
FLCL
Flower of Eden
(licensed but never published)
GetBackers
Girl Got Game
Great Teacher Onizuka
GTO: The Early Years
Harlem BeatRebound
Heat Guy J
Ice Blade
Initial D
Instant Teen: Just Add Nuts
Jing: King of Bandits
Kami Kaze
Kamichama Karin
Kedamono Damono
Kilala Princess
Kindaichi Case Files
Life
Love Hina
Magic Knight Rayearth
Magical Shopping Arcade Abenobashi
Mars
Mink
Miracle Girls
Mobile Fighter G Gundam
Mobile Suit Gundam Side Story: The Blue Destiny
Mobile Suit Gundam Wing
Parasyte
(since published anew by Del Rey)
Peach Girl
and spin-offs
Pixie Pop
Planetes
Le Portrait de Petite Cossette
Psychic Academy
Rave Master
Remote
RG Veda
Rose Hip Rose
Sailor Moon
Saint Tail
Sakura Taisen
Samurai Deeper Kyo
(picked up by Del Rey)
Smuggler
Telepathic Wanderers
Tokyo Mew Mew
and sequel
Tramps Like Us
Voices of a Distant Star
Warriors of Tao
Zodiac P.I.

Feel free to note any I missed in the comments, and I’ll update the list.

Previews review Sept. 2009

There’s a fair amount of interesting new stuff in the September 2009 edition of Diamond’s Previews catalog, along with a positively crippling number of new volumes of ongoing series that I simply must have. Let’s go in page order, shall we?

chobitsDark Horse continues its CLAMP collection project with the Chobits Omnibus Edition, a 720-page trade paperback priced at $24.95 (page 44).

It’s always unnerving when I read a quote from myself in something like this or on a book cover, because I sound even dorkier excerpted than I do in context, but I’m always happy to sing the praises of The Kurosagi Corpse Delivery Service, written by Eiji Otsuka and illustrated by Jousui Yamazaki (page 50). The tenth volume solicitation seems to hint at the participation of zombies, but you should all buy it anyway. It’s not like it’s vampires.

CMX should have put some kind of sad-face emoticon after “Final Volume!” in their solicitation for the tenth volume of Kaoru Mori’s Emma. It’s back to focusing on the leads for the big finish (page 123).

I really liked the first volume of Nina Matsumoto’s Yokaiden (Del Rey), so I’m glad to see the listing for the second installment (page 248).

Digital Manga Publishing busts out the old-school shôjo with the first volume of Kaoru Tada’s Itazura Na Kiss (page 251). As the heroine seems to be something of an academic underachiever, I’d put good money on there being a scene where she’s late for school and runs out the door with a piece of toast hanging out of her mouth. That is not a criticism.

yellowI’ve been meaning to read Makoto Tateno’s Yellow for ages, as it sometimes shows up on those lists of yaoi titles gay guys might like. DMP offers the first volume of an omnibus version of the series, just in time for the arrival of the first volume of Yellow 2 (page 253).

If I didn’t already own all of the single issues, I would probably buy The More Than Complete Action Philosophers trade paperback from Evil Twin, written by Fred Van Lente and illustrated by Ryan Dunlavey. Actually, I’ll probably buy it anyway, because those comics are great, and I’d love to have them all bundled up (page 257).

yourandmysecret5Oh, glorious day! Tokyopop finally releases the fifth volume of Ai Morinaga’s pointed and hilarious Your and My Secret. The body-switching, pansexual love quadrangle continues (page 292).

Vertical gets in on the act with the eighth volume of Osamu Tezuka’s addictive Black Jack (page 300). I want a “Pinoko’s Most Unnerving Moments” edition. Though honestly, that would be all of them.

childrenofthesea2Viz has been inching me towards financial ruin for ages now, but they really give it their best effort this time around. There are the second volumes of Fumi Yoshinaga’s Ôoku: The Inner Chambers and Daisuke Igarashi’s Children of the Sea, the third volume of Kiminori Wakasugi’s Detroit Metal City, and the sixth volume of Naoki Urasawa’s 20th Century Boys, all on page 305.

Last, but certainly not least, Yen Press delivers the second volume of Yuji Iwahara’s Cat Paradise (page 310). For those of you who skipped the first installment, it’s about a school that lets you bring your cat. Charming as that sounds, many of the cats and their owners pursue extracurricular activities that involve fighting big, horrible demons. Fun stuff.

Upcoming 8/26/2009

Time for another quick look at this week’s ComicList:

There are some nice guilty pleasures on the Wednesday agenda. Dark Horse offers the sixth volume of Gantz, Hiroya Oku’s ultra-violent, oversexed action drama. CMX delivers the ninth volume of Yoshito Usui’s ode to kindergarten crudeness, Crayon Shinchan.

sayonara3It’s a hefty week for Del Rey. I’m most eagerly anticipating the fifth volume of Ryotaro Iwanaga’s underrated Pumpkin Scissors, an intriguing blend of wacky action and thoughtful political commentary. I was surprised by how much I liked the first volume of RAN’s Maid War Chronicle, given its fan-service friendly premise, but it’s got an unexpectedly quirky charm, even though I’d very much like the male lead to die horribly. Anyway, the second volume is due out Wednesday. For me, Koji Kumeta’s Sayonara, Zetsubou-Sensei is about 50% impenetrable, culture-specific humor, and 50% really, really funny stuff that requires no supplementary essays. That ratio is balanced enough to put the third volume of the series on my “to buy” list.

Someday I’ll set down and try to compose a reasoned piece on the things that bother me about the Color of… trilogy of books by Kim Dong Hwa (First Second). It doesn’t seem like a project that should be entered into lightly, as lots of people seem to really admire them. The concluding volume, The Color of Heaven, is as laden with gynobotanical metaphor as its predecessors, though it’s beautifully drawn.

Tokyopop unleashes a couple of the new series it announced at its recent webcast. Minari Endou’s Maria Holic generated a fair amount of interest in the previously linked poll, landing in the middle of the pack, while Kazusa Takashima’s Mad Love Chase ranked a bit lower.

License request day: More Ai Yazawa

tenshijankajanaiAmong the things I simply don’t understand about manga is why there aren’t more titles by Ai Yazawa available in English. There are two irrefutable reasons there should be more Yazawa in more places: Paradise Kiss (Tokyopop) and NANA (Viz), the Yazawa titles that have already been licensed and translated. Paradise Kiss is a five-volume treasure about young fashion designers and their gawky, ambivalent muse. NANA is a sprawling soap opera about two young women who share the same name and are in the thick of Tokyo’s music scene. Both series are as emotionally engrossing as they are stylish, and while I’m not sure either has ever topped the sales charts (in fact, the publication of Paradise Kiss actually predated specific attention for manga on such lists), the fondness for Yazawa is palpable. (And she’s a superstar in Japan, where NANA does regularly top the sales charts and has been spun into movies, an animated series, and, unless my memory is failing me, a café.)

tenshioldFor this week’s purposes, I’ll focus on two Yazawa titles. First up is Tenshi Nanka Ja Nai, originally serialized by Shueisha in Ribon. It spans eight standard volumes, though it’s also been collected in four double-sized books. French publisher Delcourt chose the four-volume version when it published the series as Je ne suis pas un ange in its Akata imprint. I prefer the covers of the four-volume version (example above), and I suspect I’d like the heft, so that would also be my format preference. Tenshi (or I Am Not an Angel) is described by Delcourt as Yazawa’s first major commercial success. While the synopsis at Wikipedia sounds fairly conventional – friendship, love, and jealousy in high school – I would love to see how Yazawa executes that familiar formula. (As others have noted, this is not to be confused with Takako Shigematsu’s Tenshi Ja Nai!! [I’m No Angel!!], published in English by Go! Comi and well worth your time.)

GokinjoMonogatariNext is Gokinjo Monogatari, also originally serialized by Shueisha in Ribon. Aside from being a Yazawa creation, Gokinjo Monogatari (or Neighborhood Story) has the added allure of being a prequel to Paradise Kiss. (Okay, maybe “prequel” is the wrong word. That’s reserved for stories set earlier in continuity than the one that spawned them, right? Then again, since it would be published in English after Paradise Kiss, it would technically count as a prequel, right? Sorry. Moving on.) Mikako, the story’s protagonist, is the older sister of Miwako, one of the designers from Paradise Kiss. It follows the lives, loves and ambitions of students at Yazawa Arts, and nobody portrays young artists quite as well as Yazawa. It spanned seven volumes, so it wouldn’t lend itself to easy doubling, but seven is a lucky number. Delcourt has also published Neighborhood Story as Gokinjo: une vie de quartier.

And since I’m on the subject of Yazawa, I’ll restate something I’m sure I’ve mentioned before. I would really love it if someone published a handsome omnibus of Paradise Kiss. At five volumes, it would be a bit chunky, but the story and style almost beg for high-end packaging, and it would be a great way to introduce the series to readers who may have missed it the first time around. If Tokyopop isn’t up for it, they could always partner with Dark Horse, which seems to be quite interested in repackaging super-stylish manga (mostly by CLAMP) in aesthetically worthy vessels.

Tokyopoll

Over at About.Com, Deb Aoki provides a wrap-up of Tokyopop’s recent webcast, including a list of upcoming new titles and updates about ongoing series. If you’ve got a minute, check Deb’s listings, then take a look at the poll below and click whichever titles sound good to you.

I usually enjoy series that use eateries as a setting, so I’ve got my eye on Kou Matsuzuki’s Happy Café. I’m also a fan of whodunits, so I’ll certainly give Yoshitsugu Katagari’s Kokaku Detective Story a try. Higuchi Tachibana’s Portrait of M & N sounds like it could be really intriguing or go horribly awry. And the prospect of a bishie-infested, eye-rolling take on Wonderland draws me to Alice in the Country of Hearts by quinrose and Hoshino Soumei.

When nerd worlds collide

I love the “Five for Friday” feature over at The Comics Reporter, but I very rarely remember to respond when the question goes out. This is because I’ve usually shut down the computer and curled up with Mr. Hendrick by the time the call goes out. I even forget when I’ve suggested the week’s topic in a previous Five for Friday; in this case, I suggested Tom ask contributors to “Name Five Comic Properties That Should Be Adapted Into Broadway Musicals.” So here are my choices:

Fumi Yoshinaga's "Antique Bakery" Vol. 2Antique Bakery, by Fumi Yoshinaga (DMP): I think just about anything by Yoshinaga would translate well into a musical, because her characters could just as easily burst into song as they burst into monologue. I do think Antique Bakery would be a great starting point, as it’s got four solid male leads and a whole bunch of Tony-bait supporting roles in the mix. The leads also lend themselves to different musical styles for solo pieces, and their number holds promise for bizarre barbershop sequences. I admit that food-based stage productions are hell for the props crew, but there are ways around that.

pollyPolly and the Pirates, by Ted Naifeh (Oni): Given the quantity of apparently horrible family-friendly stage musicals Disney has unleashed on Broadway in recent years, it’s probably cruel to suggest an adaptation of this delightful but underappreciated mini-series. Still, it’s got a lot of things going for it: a spunky ingénue part in the title character, a big chorus of rowdy pirates, an exciting plot, and some fun staging and design opportunities.

10203010, 20, 30, by Morim Kang (Netcomics): Swinging in the other direction in terms of production scale, this look at the lives of three different women muddling through three different decades of life (teens, twenties, and thirties) would make a nifty chamber piece that would be very portable to university and community theatres. All you really need are interesting characters with distinct voices, I think, and this book has them.

palomarPalomar, by Gilbert Hernandez (Fantagraphics): Hernandez’s Palomar stories have an embarrassment of riches for composers, lyricists, librettists, and directors. A cast bursting with great characters, a community that could easily function as a formidable chorus, a lovely setting with just enough of a magical-realism quality to justify the bursting-into-song aspect, and a magnificent “Big Lady” lead role in Luba all suggest a musical that would write itself.

dragonheadDragon Head, by Minetaro Mochizuki (Tokyopop): Okay, this is probably me just being perverse, undoubtedly influenced by that PBS special on the Lord of the Rings musical that aired on PBS. In my defense, history has shown us that Broadway will adapt anything – ANYTHING – into a singing-and-dancing extravaganza, so I see no reason for them to shy away from this post-apocalyptic treasure. And someone’s probably still got that helicopter from Miss Saigon lying around, so there’s a cost savings right off the top. It could be Carrie: The Musical or it could be Sweeney Todd, and I think it’s worth it either way.

From the stack: V.B. Rose

Tokyopop had the good sense to package a manga preview with the final volume of Natsuki Takaya’s Fruits Basket, introducing four series to readers of its most popular series. For me, the results were mixed.

Ten pages weren’t nearly enough to have any idea what Taro Shinome’s KimiKiss is about, if anything, though the cover with the busty girl pulling her shirt off makes me wonder exactly the nature of the crossover audience might be. Kazuko Furumiya’s Bloody Kiss is about hot vampires and has an awful title, so I feel safe in assuming it’s not for me. The first line of the sample of Princess Ai: The Prism of Midnight Dawn (created by Courtney Love and Stuart “D.J. Milky” Levy, story by Stuart “D.J. Milky” Levy, written by Christine Boylan, art by Misaho Kujiradou) is “Mama! Who pays the birds to sing?” which made me both snicker and cringe, and I really want the time back that I spent typing that sentence probably as much as you want the time back that you spent reading it.

vbroseFortunately, the sampler also includes some pages of Banri Hidaka’s V.B. Rose, which I liked enough to head out and buy the first volume. Having read the first volume, I plan to buy more. So, marketing has yielded at least some return.

The things that grabbed me about the sample were that the heroine did stuff – designing and sewing handbags – and had a personality – not a great one, but a plausible and interesting one. Her name is Ageha, and she’s a high-school student. As the story begins, her older sister, Hibari, announces that she’s pregnant and going to be married. Hibari and her parents are delighted; her boyfriend is a good guy, and they’d planned to marry anyway, so it’s just an acceleration of the inevitable with the bonus of a grandchild.

Ageha is less pleased; in fact, she’s furious. She resents anything that she perceives as taking her sister away, and a new husband and baby feel like the final straw. This makes Ageha sound unbearably selfish, and she kind of is, but she’s aware that she’s being unreasonable. She makes concerted efforts to support Hibari, but her adolescent temper bubbles to the surface as often as she’s able to suppress it.

She accompanies Hibari to an appointment with her dressmakers, a handsome pair of young men who run the titular design shop. To Ageha’s surprise, Ageha’s already met them, and they know her by reputation; Hibari has proudly shown them Ageha’s accessories. Mitsuya, the pattern maker, thinks Ageha is adorable. Yukari, the designer-owner, thinks she’s an insufferable brat, though talented. The beauty part is that they’re both right. After some predictable but well-executed twists, Ageha ends up helping the boys make Hibari’s dress, partly to atone for her bad attitude and partly to prove her promise as a designer.

I really like the way Hidaka handles Ageha’s shifting moods. Her outbursts aren’t predictable, but they’re realistic. I like that Ageha is working to be less of a brat and that she doesn’t experience some instant epiphany that turns her into a bland, shôjo princess. The rest of the cast is fun, too. Hibari has a sweet, unflappable serenity of someone whose life has come together. Yukari may be a bit of a lite version of George from Paradise Kiss, but V.B. Rose is kinder and gentler, so it makes sense. And it’s fun to see how Yukari has got Ageha’s number.

It’s an attractive book with lots of visual sparkle and style, which is only appropriate given its subject matter. Hidaka is also up for low comedy, which keeps the shimmer in check. My only complaint about the book is the singular blandness of its cover, which does nothing to communicate its energetic charms.