Upcoming 4/2/2008

I’m having a weird week, so today’s look at Wednesday’s arrivals is going to be a little perfunctory. Still, there were a few titles I wanted to mention.

First up is the tenth and final volume of Minetaro Mochizuki’s Dragon Head (Tokyopop). I have no idea how this series is going to end. Will the survivors finally be rewarded with safety and rescue, or will they succumb to the dangers around them? Will Mochizuki explain precisely what happened to Japan and place it in context of the rest of the world? I don’t know, and I’m enough of an admirer of Mochizuki’s work that I’m perfectly willing to trust in his execution of whatever conclusion he derives. This book has received critical acclaim but not much in the way of sales. Maybe now that the whole shebang is available, more readers will take an interest.

I’m very intrigued by the premise of Lars Martinson’s Tonoharu (Top Shelf), which focuses on an American teaching English in a rural Japanese village. Martinson won a Xeric Award for the work, which is generally a good sign, and I like the look of the preview pages.

Last, and least, is the first volume of Nobuhiro Watsuki’s Gun Blaze West (Viz). It’s a perfectly competent example of “young man with a dream” manga, but it never quite transcends its familiar formula. Its Old West setting just about provides sufficient novelty, but I’ve never been a fan of gunslinger stories, so I’m left to amuse myself with nitpicking about the period and setting. (Why doesn’t his sister wear petticoats? What kind of schoolmarm is she, anyways? How come I never knew that Illinois had mesas, and where did they go?) I also found myself feeling like a grandpa as I thought that nine-year-olds probably shouldn’t be given a gun, no matter what their destiny may be. I kind of get the feeling that I’m missing the bus on this one, and that Watsuki’s reputation for Rurouni Kenshin will carry the book to healthy commercial heights.

New feature: Save Your Money

In an effort to bring more (hopefully useful) negativity to the proceedings, here’s the first in a probably semi-regular feature, Save Your Money. In these inflationary, possibly recessionary times, it seems important to point to comics that aren’t really worth the expense.

I’m sad to report that this week’s superfluity is Switch (Viz), by naked ape (writer Saki Otoh and artist Tomomi Nakamura). Imagine if you took bits of DNA from 21 Jump Street, Wild Adapter and MPD Psycho, then fused them into an independent organism. Best comic ever, right? It sounds (and looks) a lot cooler than it actually is.

A pair of comely, youthful narcotics investigators track a new, high-grade speed. They encounter users, dealers, and jurisdictional conflict with rival cops. The younger and sweeter of the cops has an alternate personality that is considerably less sweet than his default state. His marginally more experienced partner wears glasses and smokes. Juicy as this all sounds, it doesn’t add up to much.

What the book really lacks is a point of view. It seems like more of a grab bag of stylish, saleable components than a coherent, distinct aesthetic or compelling narrative. The material begs to be taken over the top, but it never really goes there. The script is kind of disjoined, which can be effective in crime drama but isn’t here. The character designs all kind of blend together; it’s like the squad room is populated with catalog models.

Switch is probably far from the worst comic you might buy this week, but, given the bounty of excellent new arrivals, there’s no reason for you to settle. Use the money on gas or lottery tickets.

(I recognize that I could be unfairly holding Switch to the impossibly high bishie-narc standards of Wild Adapter. In the interest of fairness, if you’re still intrigued by Switch, I would be happy to send my copy, which arrived courtesy of Viz, to the first person who e-mails me at DavidPWelsh at Yahoo dot Com. It would be nice if the recipient posted their reaction to the book somewhere, and I’d be happy to host his or her comments here, but I won’t insist on it.)