Previews review March 2011

The March 2011 edition of the Previews catalog is packed with noteworthy items, so let’s get right down to it.

My pick of the month would be Kaoru (Emma, Shirley) Mori’s A Bride’s Story (Yen Press), page 355:

The newest series from the critically acclaimed creator of Emma, A Bride’s Story tells the tale of a beautiful young bride in nineteenth-century Asia. At the age of twenty, Amir is sent to a neighboring town to be wed. But her surprise at learning her new husband, Karluk, is eight years younger than her is quickly replaced by a deep affection for the boy and his family. Though she hails from just beyond the mountains, Amir’s clan had very different customs, foods, and clothes from what Karluk is used to. As the two of them learn more about each other through their day-to-day lives, the bond of respect and love grows stronger.

Yen Press is proudly publishing Kaori Mori’s beautifully-illustrated tale in a deluxe hardcover edition.

If you’re like me, you would have been sold at “Kaoru Mori.” The series is ongoing in Enterbrain’s fellows!

CLAMP fans will be pleased with the arrival of another handsome omnibus treatment of one of their series, Magic Knight Rayearth, from Dark Horse (page 56). It originally ran in Kodansha’s Nakayoshi and was originally published in English by Tokyopop. Dark Horse’s version will be done-in-one, collecting all three volumes.

DC’s Vertigo imprint offers a new paperback printing of Howard Cruse’s Stuck Rubber Baby, a semi-autobiographical tale of a young gay man coming of age in the turbulent American south of the 1960s (page 130). Monkey See’s Glen Weldon provided a lovely overview of the book.

A new release from Fanfare/Ponent Mon is always worth noting, even if you’ve never heard of the book before. This month, they solicit Farm 54, written by Galit Seliktar and illustrated by Gilad Sliktar:

Farm 54 is a collection of semi-autobiographical stories that address three important periods in the life of the protagonist, Naga, growing up in Israel’s rural periphery… While these Israeli childhood stories take place in the shadow of war an occupation, they also reflect universal feelings, passions, and experiences.

Kodansha Comics lists new volumes of several of the series it picked up from Del Rey (pages 296 and 297):

  • Fairy Tail vol. 13, written and illustrated by Hiro Mashima
  • Rave Master volumes 33-35, written and illustrated by Hiro Mashima
  • Shugo Charai vol. 10, written and illustrated by Peach-Pit
  • Arisa vol. 2, written and illustrated by Natsumi Ando
  • Negima! vol. 29, written and illustrated by Ken Akamatsu
  • Ninja Girls vol. 5, written and illustrated by Hosana Tanaka

Speaking of comebacks, if the recent Manga Moveable Feast piqued your interest in Keiji Nakazawa’s Barefoot Gen, Last Gasp rolls out new printings of the first two volumes (page 297).

If you’re interested in seeing people do amazing things with the form of comics (and don’t care much about story or character), Picturebox unleashes more work by Yuichi (Travel, New Engineering) Yokoyama in the form of Garden (page 308). Being of somewhat more conventional tastes, I think I’ll hold off on this one.

Update: Over at Robot 6, Sean T. Collins interviews Yokoyama and shares several preview pages of Garden.

I may not be able to show suck restraint with Gajo Sakamoto’s Tank Tankuro from Presspop, Inc. (page 308):

The roots of Astro BoyTank Tankuro pioneered robot manga during the pre-World War II period in Japan. First published in 1934, Tank Tankuro was one of the most famous manga characters of the era. Tankuro is said to be the first robot ever to appear in Japanese comics. He and his villain, Kuro Kabuto, famous among Japanese SF fans for his resemblance to Darth Vader, laid the foundations for such manga greats as Tezuka, Sugiura, and Fujiko.

Christopher (Comics212) Butcher is very excited about this, which is almost always a good sign.

And, because someone who is not me but clearly has every right for their dreams to come true demanded it, Viz releases a new edition of Oh!great’s Tenjo Tenge which, they promise, is “Finally UNCENSORED!” It’s about dorks who like to fight, with plenty of fan service to help keep your interest (page 333). I wish I could find a copy of the cover image, because it positively screams “Not for me.”

 

Previews review September 2010

There’s lots of desirable material in the September 2010 Previews catalog.

Before we get to that, I feel I should note that Del Rey manga is still launching new series. Its latest is Ema Toyama’s I Am Here! It’s about a young girl who overcomes her shyness through blogging. I fell asleep halfway through typing that sentence, but there you have it. It originally ran in Kodansha’s Nakayoshi magazine. (Page 267.)

It seems like it’s been forever since the gorgeous hardcover collection of the first set of Linda Medley’s Castle Waiting stories. Fantagraphics will release 384 more pages of charming comics about the family-of-choice residents of a falling-down castle along the way. (Page 278.)

Ever since I read Glacial Period (NBM), I’ve wanted someone to publish more comics by Nicolas De Crecy. NBM obliges again with the first volume of Salvatore: Transports of Love about a successful auto mechanic who happens to be a dog. Congratulations, NBM, on joining the elite circle of publishers who have fulfilled one of my license requests. You may join Vertical and Fantagraphics in the Silver Courtesy Lounge. (Page 290.)

I’m generally not the target audience for books from PictureBox, but I love Renée (The Ticking) French, so I’ll be all over H Day. It’s a no-doubt surreal look at how French copes with migraine headaches. (Page 300.)

It also feels like it’s been a long time since Top Shelf published the first volume of Lars Martinson’s Tōnoharu. The second volume examining the life of a North American English teacher in rural Japan can be found listed on page 310.

Bless Yen Press for digging and finding unlicensed Fumi Yoshinaga, specifically Not Love but Delicious Foods, about a hard-working, hard-eating lady and her foodie friends as they restaurant hop through Tokyo. It originally ran in Ohta Shuppan’s Manga Erotics F, which is one of those magazines that seems to run whatever the hell kind of comics it pleases. (Page 321.)

Upcoming 10/29/2008

This week’s ComicList offers a happy hodgepodge of choices, from cross-cultural curiosities to comic strips to creepy classics. (It also allows for a lot of alliteration.)

First and foremost is the fourth volume of Adam Warren’s razor-sharp but still endearing super-hero and fan-service parody, Empowered (Dark Horse). Rarely is the enduring fortitude of the human spirit celebrated with such enthusiastic bad taste.

I can rarely resist a travelogue comic, and Enrico Casarosa’s The Venice Chronicles (AdHouse) looks like an extremely pretty one.

A new volume of Hitoshi Iwaaki’s old-school horror manga, Parasyte (Del Rey) is always a welcome arrival, and the fifth installment shows up Wednesday.

As much as I enjoy Vertical’s manga releases, I’ve missed the design genius of Chip Kidd. I can kind of get over it thanks to the arrival of Kidd’s Bat-Manga! (Pantheon).

While I strongly suspect The Venice Chronicles will be much more to my narrative-friendly tastes, I’m sure there will be much to admire in Yuichi Yokoyama’s Travel (PictureBox).

I’ve heard nothing but raves about the anime adaptation of The Melancholy of Haruhi Suzumiya, and I keep meaning to put it in the queue, but I’m just not that much of an anime geek. And besides, I tend to like to read the manga first. (Except in the case of Inu Yasha, because that series is like 75 volumes long, so I’ll stick with the animated version for now.) But thanks to Yen Press for launching the series this week. Yen is also delivering the second volume of Satoko Kiyuduki’s four-panel fairy tale, Shoulder-a-Coffin Kuro. I really enjoyed the first volume, so this is another welcome arrival.

Upcoming 10/24/2007

It isn’t a huge week in terms of new comics arrivals, but there are some choice items.

The one I’m anticipating most eagerly is probably Mi-Kyung Yun’s Bride of the Water God from Dark Horse. It looks gorgeous, its folklore-rich premise sounds intriguing, and any series that starts with attempted human sacrifice is worth at least a look. Manga Recon’s Katherine Dacey-Tsuei thinks very highly of it, which is always a good sign.

Del Rey, Tokyopop and Viz are taking the week off, for the most part, but Go! Comi leaps into the breach with new volumes of four ongoing series. Of them, I’d definitely recommend Setona Mizushiro’s Afterschool Nightmare, which hits the five-volume mark. It’s still providing unsettling, emotionally complex new developments for its cast of identity-challenged teens. Then there’s Hideyuki Kurata’s Train + Train, which has been steadily improving since a rather lackluster first volume. The third ended in a surprising cliffhanger, with the Special Train students visiting a city beset by terrorists. I’m looking forward to seeing how things play out.

Next week, I’ll be in range of one of the best comic shops I’ve ever visited, so I’m sure I’ll be able to browse the four new releases from PictureBox. I’m especially curious about Yuichi Yokoyama’s New Engineering, though I suspect I’ll be more interested in “Public Works” than “Combat.” Chris Mautner picked it as his “book of the show” from SPX, a show that always seems to yield a number of amazing books.