To hold us over until we get Sukeban Deka

At A Case Suitable for Treatment, manga Twitterati Sean Gaffney makes a plea for Yoshiki (Skip Beat!) Nakamura’s Tokyo Crazy Paradise. His logic is irrefutable:

“Is it too long? Not really. At 19 volumes, it’s shorter than Skip Beat. Does it have a naive and romantically dense yet strong and spunky heroine? Why yes, yes, it does. Does it feature lots of hot bishonen guys, including a brooding male lead who teases the heroine out of love and is too serious for its own good? Yep, it’s got that too. Does it have chain whip fights? Oh, you bet it does!”

He’s going to put me out of business.

Brush with studliness

I set aside my absolute conviction that I sound like a complete dork when recorded on any media to participate in an Inkstuds podcast guest-moderated by Deb (About.Com) Aoki. Deb was ringleader of a panel that included myself, Chris (Comics212) Butcher and Ryan (Same Hat!) Sands. It was fun, though you can quite clearly tell that it’s my first podcast and that I have no skills in that area. (The real reason I don’t attend many conventions is a morbid dread that I might be asked to participate in a panel, because the only thing worse than being recorded for posterity is sitting in front of a room full of people who expect me to say something interesting or useful instead of stuttering and sweating.)

The topic was manga for indie/alternative comics fans, which doesn’t necessarily mean indie manga, as I think Ryan pointed out. Difficult-to-demographically-categorize manga might be more accurate, but that’s a mouthful. (And that doesn’t even get into the whole question of what one means by indie/alternative comics, which is its own whole continuum.)

I did want to highlight something Chris and Deb discussed, and that’s the fact that you can sample a lot of manga that indie/alternative comics fans might like at Viz’s SigIKKI site, which serializes stories from Shogakukan’s IKKI magazine. My favorites are Daisuke Igarashi’s Children of the Sea (a beautifully drawn contemporary environmental fable), Natsume Ono’s House of Five Leaves (a delicate twist on samurai/crime drama), Shunju Aono’s I’ll Give It My All… Tomorrow (barbed but sweet comedy about a 40-something loser), and Hisae Iwaoka’s Saturn Apartments (slice-of-life science fiction). The first two volumes of Children of the Sea are already available in print, and I think the other three are on Viz’s publishing schedule sometime in the next three or four months.

IKKI is one of those magazines that seems like it’s less for a specific age or gender demographic than for people who like comics. Others include Enterbrain’s Comic Beam, Ohta Shuppan’s Manga Erotics F, and Kodansha’s Afternoon, Morning, and Morning 2. When I’m trawling for license requests, it never surprises me to find that a series I want originally appeared in one of these anthologies. I also strongly suspect that Akane Shinsha’s Opera could be a veritable gold mine of the kinds of boys’ love titles I really like, though that’s a purely cosmetic impression based on the issue that Chris sent me.

Future feasts

Matt (Rocket Bomber) Blind announces the second Manga Moveable Feast, this time focusing on Kaoru Mori’s lovely costume drama Emma (CMX).

Professor Blind is also seeking suggestions for the subject of the third Manga Moveable Feast. Suggestions seem to be running in a science-fiction/fantasy direction, which would be a nice change of pace.

Upcoming 2/24/2010

It’s kind of a dead week for manga in terms of new arrivals at comic shops, so what better way to spend it than by focusing on a book that deals with dead bodies? Conveniently enough, the highlight of this week’s arrivals is the 10th volume of The Kurosagi Corpse Delivery Service (Dark Horse), written by Eiji (MPD-Psycho) Otsuka and illustrated by Housui (Mail) Yamazaki. In another bit of fortuitous timing, Johanna (Manga Worth Reading) Draper Carlson has just added this series to her roster of Recommended Series:

“The Kurosagi Corpse Delivery Service, it was well-recommended, but I wasn’t sure it was for me, given that it was classified as horror and the premise involved lovingly depicted dead bodies. I’m glad I went ahead and tried it, because I very much enjoyed it. It reminded me of Pushing Daisies, if that show was more laconic and Japanese.”

Kristen Chenoweth could totally play Makino, the embalmer. And musical numbers are just about the only thing that could actually improve this title, though I think musical numbers improve just about everything.
Johanna points to this entry from Shaenon K. Garrity’s Overlooked Manga Festival. Tremble before the force of her persuasive writing:

“Anyway, Kurosagi is a horror comic, in kind of the same way ‘Scream’ was a horror movie, or ‘Buffy’ was a horror TV show. That is, it’s smart and self-aware and full of pop-cult references and weird little factoids. Writer Eiji Otsuka likes to show off just how damn clever he is by mixing two offbeat elements no other manga writer would think of into a single story. A story about crop circles and mummified chimpanzees. Professional mourners and a serial killer who targets depressing blogs. The urban legend about the bride kidnapped from a dressing room and turned into a circus freak and the Japanese version of the ‘Bodyworlds’ corpse-art exhibition. The Rape of Nanking and soap people. And so on.”

What, you need more persuasion? Or maybe you’re worried about not being able to find the volumes in order? Let Kate (The Manga Critic) Dacey put your mind at ease:

“A final tip: you don’t need to read the volumes in order — or even all of them, for that matter — to enjoy The Kurosagi Corpse Delivery Service, though I highly recommend all nine volumes.”

That about covers it, don’t you think?

Awards update

2009 is only over on our calendars, not in our hearts. At least that’s true until awards season is over, and that won’t wrap up until the Eisners this summer. Here are two nomination announcements:

First up are the nominations for the 2009 Los Angeles Times Book Prizes, which includes a first-ever graphic novel category:

  • Gilbert Hernandez, Luba (A Love and Rockets Book) (Fantagraphics Books)
  • Taiyo Matsumoto, GoGo Monster (VIZ Media)
  • David Mazzucchelli, Asterios Polyp (Pantheon)
  • Bryan Lee O’Malley, Scott Pilgrim, Vol. 5: Scott Pilgrim vs. the Universe (Oni Press)
  • Joe Sacco, Footnotes in Gaza (Metropolitan Books/Henry Holt & Co., LLC)
  • That’s a good launch list. The Times is understandably pleased with itself:

    “With the Graphic Novel Prize, the Los Angeles Times Book Prizes becomes the first major book prize in the United States to honor publications in this category, which is an expanding part of the book landscape, both aesthetically and commercially.”

    On the other side of the planet, Japan Expo announces its 2010 nominees for manga (via The Comics Reporter).

    Of all my reactions to that list, I’m most distracted by the bitter reminder that France has Vinland Saga and we don’t.

    Birthday book: Lost at Sea

    It’s Bryan Lee O’Malley’s birthday. I can always happily recommend his Scott Pilgrim books, which Kate (The Manga Critic) Dacey puts in the number one slot of her list of ten great global manga. (That’s a great list, by the way. I can’t think of a thing I’d add.) But chances are good you’ve already read all of the Scott Pilgrim books at least once.

    Fortunately, there’s a pre-Pilgrim book I can recommend without reservation, Lost at Sea (Oni). Here’s the publisher’s description:

    “Raleigh doesn’t have a soul. A cat stole it – or at least that’s what she tells people – or at least that’s what she would tell people if she told people anything. But that would mean talking to people, and the mere thought of social interaction is terrifying. How did such a shy teenage girl end up in a car with three of her hooligan classmates on a cross-country road trip? Being forced to interact with kids her own age is a new and alarming proposition for Raleigh, but maybe it’s just what she needs – or maybe it can help her find what she needs – or maybe it can help her to realize that what she needs has been with her all along.”

    And here’s a bit from my review of the book:

    “It’s a fairly universal state of mind, but O’Malley portrays it [in] articulate, sensitive ways that are entirely specific to his protagonist. He gives Raleigh a barbed, revealing stream-of-consciousness narration that never becomes tiresome. It’s not some dreary poetry journal; it’s the often jumbled thinking of a smart young woman who doesn’t know if she’s actually in crisis or is really just like everyone else, or which of those states would be less comforting.”

    If you haven’t read Lost at Sea, celebrate O’Malley’s birthday by picking up a copy. I think you’ll really enjoy it.

    Birthday book: Ohikkoshi

    Hiroaki Samura may be best known for Blade of the Immortal (Dark Horse), but if you want an easier (and less expensive) way to observe his birthday, I strongly recommend his one-volume Ohikkoshi (also from Dark Horse). It’s a unique collection that includes the titular novella and some appealing short stories. But don’t just take my word for it. Let’s see what some other reviewers have to say:

    Brigid Alverson of MangaBlog:

    “Samura doesn’t give us clever plot twists or neat endings. His characters are messy, and the stories are as illogical as real life. This work is full of caricature, exaggeration, and just plain ridiculousness, but in a way, it also feels more real than other manga.”

    John Thomas of Comics Village:

    “A romance comedy by the writer of Blade of the Immortal with cover art based on a Thin Lizzy album cover…translated into English? Yes, yes, (the album ‘Fighting’) and an enthusiastic yes! Welcome to the unique and rarely explored modern world of Hiroaki Samura’s Ohikkoshi.”

    Jarred Pine of Mania:

    “I definitely applaud Dark Horse for not only supporting one of their top artists and rewarding fans of Samura’s, but also for releasing a manga that while still niche, is also something off the normal beaten path of dudes and swords.”

    Jog:

    “So this is a turbulent, endearing work. I think it’s very flawed, but also very interesting in the way that only a real talent’s hazardous steps toward something not entirely familiar can be. Surely there’s no self-delusion: in that Afterward, Samura himself deems the works collected here as ‘just another average achievement.’ He’s both right and wrong, but his honesty will take him places, with the skills he obviously has.”

    If you’re looking for something a little unexpected, particularly from Samura, give Ohikkoshi a try.

    Light housekeeping

    You don’t need to do anything if you already follow me on Twitter, but I’ve changed my user name to @MangaCur. I like it. It makes me sound like a junkyard dog with a paperback clenched in my jaws.

    Update: Oh, and I’m still tracking the great guest reviews that Deb Aoki has been hosting at About.Com.

    Upcoming 2/17/2010

    Now that the Sexy Voice and Robo Manga Moveable Feast has pretty much wound down, things can return to what passes for normal here at The Manga Curmudgeon. (Though if you want to add your thoughts on Kuroda’s book, I’ll happily add them to the roster.) So let’s take a look at this week’s ComicList along with a quick recap on last week’s neglected offerings.

    If a week’s shipping list includes a new volume of Naoki Urasawa’s 20th Century Boys, then that volume will very likely be the book of the week. It’s just that simple. Here are some thoughts on the seventh volume from Johanna Draper Carlson at Manga Worth Reading:

    “Urasawa’s use of standard action manga elements demonstrates that it’s not the raw material, it’s what you do with it. He draws so well and he’s so clearly thought through what he’s doing with these elements that cliched scenes, such as a prison escape chase, become interesting all over again.”

    This is easily one of the most enjoyable series of any provenance that you’re likely to find in a comic shop or bookstore.

    Also out from Viz is the first volume of one of their IKKI series, Bokurano: Ours, written and illustrated by Mohiro Kitoh. It’s about a group of classmates who end up piloting a giant robot. I’m not going to lie. This one runs at about the middle of the pack for me of the titles serialized at the IKKI site, but perhaps reading it in book form will leave me with a more enthusiastic impression. It just feels kind of standard to me next to all of the other series on offer.

    CMX offers new volumes of two series from a category that’s a particular strength for the imprint, endearing shôjo. I preferred Natsuna Kawase’s The Lapis Lazuli Crown to A Tale of an Unknown Country, but the latter is charming enough that I’ll certainly snag the second volume. I am seriously behind on Yuki Nakaji’s Venus in Love, so I’ll likely have to do a big catch-up order at some point before I can commit to buying the eighth volume. It’s an endearing college love triangle-quadrangle-pentagram, so I’ll definitely make the effort.

    As to last week, here are some of the retrospective highlights:

  • Little Nothings vol. 3: Uneasy Happiness, written and illustrated by Lewis Trondheim, NBM: Funny, smart observational comics available for your perusal at NBM’s blog.
  • Ikigami: The Ultimate Limit vol. 4, written and illustrated by Motoro Mase, Viz: Mase has got your death panels right here, Palin. I like this series. I don’t think it’s one for the ages or anything, but I always pick up new volumes in a timely fashion, which has to mean something.
  • Juné’s Reversible anthology, which I reviewed yesterday.
  • Sexy Voice and Robo MMF: Matt Blind

    Matt (Rocket Bomber) Blind not only reviews Sexy Voice and Robo

    “It’s a great mix of art and story and character, and I can only imagine what it’s reception would have been if Kuroda had been an American comicker in 2008 rather than a manga-ka in Japan in 2001.”

    … he demystifies the “Moveable Feast” as it applies here:

    “So our adaptation and use of the term ‘A Manga Moveable Feast’ could be considered as both a celebration with no fixed date (or location) and also a collection of voices and perspectives that may have no other common associations past the fact that they happen to cohabit the same space at the same point in time, and that they engage each other for so long as all inhabit the same moment. (But, of course, with manga.) (and trying to catch a little bit of that Paris magic.)”

    Click here for a running list of entries to this edition of the Manga Moveable Feast.