At A Case Suitable for Treatment, manga Twitterati Sean Gaffney makes a plea for Yoshiki (Skip Beat!) Nakamura’s Tokyo Crazy Paradise. His logic is irrefutable:

“Is it too long? Not really. At 19 volumes, it’s shorter than Skip Beat. Does it have a naive and romantically dense yet strong and spunky heroine? Why yes, yes, it does. Does it feature lots of hot bishonen guys, including a brooding male lead who teases the heroine out of love and is too serious for its own good? Yep, it’s got that too. Does it have chain whip fights? Oh, you bet it does!”

He’s going to put me out of business.

The focus of this week is Iou Kuroda’s Sexy Voice and Robo (Viz), and while I’ll happily suspend some of this blog’s regular features, the Manga Moveable Feast seems like a good opportunity to cast a spotlight on some of Kuroda’s unlicensed work. I’ve already made a plea for his eggplant-inspired Nasu, so the next logical choice is Japan Tengu Party Illustrated.

This four-volume series originally ran in Kodansha’s Afternoon magazine and was later collected in a three-volume set, as near as I can tell. Let me just tell you that this title has been pirated within an inch of its life. There are about three pages of copyright-violating search results. Way back in 2005, Jog named it as one of ten manga he’d like to see licensed. Here’s his description:

“This was Kuroda’s first-ever extended narrative work, the only one (I believe) to build to a finale, four volumes of aged martial-arts master bird spirits inhabiting human costumes and periodically jumping out to flap around. They’re often rude and/or lazy, even though they’re nominally around to punish vanity, and there’s a pair of mysterious girls hanging around them, one of whom might be an artificial twin of the other, except she looks and acts nothing like her. Rendered in a rough, thick, black-heavy style. A beauty!”

Some of you may already be familiar with tengu courtesy of Kanoko Sakurakoji’s Black Bird (Viz), but I’m not a fan of that title, so I’ll hold out hope for an English version of Kuroda’s take on this class of yôkai.

Sometimes I want a book to be licensed and translated when I’ve only heard the title, and that’s certainly the case with The Life of the Genius Professor Yanagizawa, written and illustrated by Kazumi Yamashita. I just heard of this book via Shaenon Garrity’s smart look at the style and influence of Rumiko Takahashi over at The Comics Journal. Garrity added that the series is “one of the few manga with an elderly protagonist,” and since I feel like an elderly protagonist myself, I have to throw my sympathy in with Professor Yanagizawa.

It is serialized in Kodansha’s Morning magazine, which we all know offers a rich vein of license request ore. The Life of the Genius Professor Yanagizawa won the 2003 Kodansha Manga Award. It’s 28 volumes long, and it’s about a senior citizen, and these factors probably conspire to make it incredibly unprofitable for any publisher brave enough to take it under its wing. The picture doesn’t get any brighter when one discerns that it’s a slice-of-life look at a scholar of free-market economics. Because what’s sexier, I ask you, than 28 volumes about an old guy than 28 volumes about an old guy teaches economics?

There isn’t a great deal of information about the series available in English, but I have been able to gather that Yamashita focuses on the minutiae of Yanigazawa’s well-ordered life and dedicates the manga to precise observations of the people around him. It sounds like one of those soothing, slice-of-life serials that don’t go anywhere quickly, and that makes it all the more theoretically appealing to me. There are plenty of comics from all over that are all about the momentum, and we can all use a change of pace, right?

I’ve also seen Yamashita praised for her observational abilities and her skill at illuminating a variety of characters. Like some of her Morning colleagues, she’s worked on shôjo titles, hers largely for Shueisha’s Margaret. That magazine is the home of her other current (or most recent) series, Beautiful Girls Palace, which seems to be about a very old, very beautiful, very formidable woman. (I have to say, that is a fabulous example of fashion-mag inspired comic cover.) She’s also done several series for the Shueisha’s defunct josei magazine Young You.

But let’s turn our attention back to the Professor. Given the length and content of the series, it does seem unlikely that any publisher would commit to it in its entirety given current market and economic conditions. (And I’m sure the Professor would appreciate those concerns!) But what about a “best of” sampler in the style of Viz’s A La Carte editions of Oishinbo? It sounds like The Life of the Genius Professor Yanagizawa has much less narrative momentum than Oishinbo, and I thought that approach worked well as an introductory gambit. And to be totally honest, sometimes it’s just fun to note what’s out there, even if I don’t have any realistic expectations of seeing it published in English.

There’s been a feline fixation among manga fans lately, and we all know what’s driven that bus. But cats aren’t the only adorable animal in the world. Just ask Viz. I’m pretty equal-opportunity as far as cats and dogs go, so my ears perked when Deb Aoki mentioned a 1990s shôjo title that seems designed to please animal lovers in general.

It’s Noriko Sasaki’s twelve-volume Doubutsu No Oishasan, which was serialized in Hakusensha’s Hana To Yume. A blogger known as Rei describes it thusly:

“Neither stereotypical action-adventure-sex nor sugar-sweet-romance-tragedy, Doubutsu cuts a bold swath through the under-appreciated field of plain old good daily-life fiction. You won’t find deep tragedy, deep philosophy, heavy romance, nor fast-paced beat-em-up-action: instead, just lots of funny situations, quiet compassion, memorable characters, and an overall great read. The hero is a young man with a dog (the aforementioned ‘Hamuteru’ and ‘Chobi’); the setting is a veterinary college in relatively spacious Hokkaido (the northernmost of the main Japanese islands). The situations and the stories are funny, enlightening, informative, and (mostly) believable, all at the same time.”

I don’t know about you, but in my household growing up, All Creatures Great and Small, the BBC adaptation of James Herriot’s novels, was destination television. We may have missed Sunday service from time to time, but we did not miss All Creatures Great and Small. And when Deb confirmed for me that, yes, Doubutsu No Oishasan captured some of that property’s feeling, plus it was shôjo of a certain vintage, plus Sasaki drew all kinds of animals faithfully and well, plus it was set in Hokkaido, it automatically entered the license request hopper.

I didn’t have any luck finding any page samples from the interior of the book, but I find the covers pretty persuasive or at least enticing. And Hakusensha properties are pretty much fair game to any interested publisher. And trust me when I say that a lot of kids want to be veterinarians when they grow up. I think there’s an audience out there.