Mongering

There’s a new Flipped up over at The Comics Reporter, and it’s dedicated to rumor and misfortune.

One thing that seemed to tangential to bring up in the column came from the historical analysis of Tokyopop over at The Anime Almanac. It’s a really solid piece, but I did find myself disagreeing with one section:

“Earlier this year, Tokyopop released an completely unique Japanese title called Manga Sutra. This ‘guide to getting it on,’ as the company puts it, has been a huge hit in Japan for many years and is completely unlike anything out right now in the American market. As I wrote in a piece earlier this year, the title has the potential to make it big in America because of its novelty. However, Tokyopop squashed all hope for it reaching a wide audience by not selling the book at national book chains and hiding it from the general consumer. If you wanted to get the book, you would have to activity look for it online and have it mailed to you.”

I actually did purchase this at a Borders store. It wasn’t in the graphic novel section, but was shelved with the human sexuality books. That struck me as sensible at the time, because one of the things you hear pitched by various folks is the shelving graphic novels by category (mystery, science fiction, romance, and so on) where people uninitiated with the medium would find them next to stuff they’re already reading. (And frankly, no good could come from shelving Futari H right next to Fruits Basket.)

Just from a personal perspective, I thought the novelty of the book only went so far. Aside from the amusing weirdness of its premise and the odd contrast it provided to most of the licensed titles that are readily available, I found the book pretty boring, which doesn’t seem like a good thing to say about a sex guide. Again, that’s just my reaction, and aside from liking weird, off-brand manga, I’m not really the target audience.

This skyscraper walks into a bar…

My look at this year’s Eisner nominees continues in the latest Flipped over at The Comics Reporter. This week’s focus is Yuichi Yokoyama’s New Engineering (Picturebox), which I found more admirable than enjoyable, which I suspect is just a matter of taste.

Speaking of TCR, columns, and matters of taste, Chris Butcher has rounded up the most-requested items from that Five for Friday thread and added some thoughtful commentary. This should stop me from trying to squeeze a column out of the subject, but it probably won’t.

And the nominees are…

There’s a new Flipped column up at The Comics Reporter, beginning a few-parts look at this year’s Eisner Award nominees.

And hey, want to know something weird? I actually found a copy of Yuichi Yokoyama’s New Engineering in a Barnes & Noble. I don’t know why, but I assumed that I’d have to go to more trouble to get my hands on a copy.

Over and done

This week’s Flipped is up, and I’m still on a “Hey, that series that I really liked just ended, so I think I’ll write about it” jag. The latest manga from this weirdly large category is Fuyumi Soryo’s ES: Eternal Sabbath (Del Rey).

Speaking of series that I really liked that just ended, John Jakala takes a thoughtful look at the conclusion of Minetaro Mochizuki’s exciting and thought-provoking Dragon Head (Tokyopop), and picks some highlights from the series as a whole. What he said, basically.

Aurora borealis

There’s a new Flipped up over at The Comics Reporter. Michael Perry of Aurora was kind enough to subject himself to my “interview technique” and tell me all about the multifaceted new publisher.

Hustle and bustles

Apologies for the last couple of days of backsliding. I’m back to normal with a new edition of Flipped, with a look at Kaoru Mori’s delightful maid manga, Emma (CMX).

On a more positive note…

this week’s Flipped is up, with me droning on at some length about the wonder that is Keiko Takemiya.

Landing

Tom Spurgeon has very kindly agreed to host a continuation of my Flipped columns at The Comics Reporter. The first one is up today, allowing me once again to fawn over some of my favorite series for a different audience. (Is today Kurosagi Corpse Delivery Service Appreciation Day, or is it just a coincidence?)

The dismount

Last week I got the sad news that Comic World News will be ending operations in the near future, so this week’s Flipped is the last column I’ll have written for the site. They’ve been absolutely lovely hosts for the last three years, letting me flail around and write exactly what I felt like writing. It’s been a real pleasure, and I’ll certainly miss it.

Chunky

They’re landing with an echoing thunk more and more often. They are the omnibi, and they’re the subject of this week’s Flipped.