Upcoming 8/4/2008

Looking at the current ComicList, it’s an overwhelming week of new releases with quality titles from just about everyone pitched for just about every demographic. If I had to pick just one title to recommend, I couldn’t. I couldn’t even pick just one Viz title to recommend. I even find myself resorting to the bulleted list, so abundant is the quality on offer.

  • Crayon Shinchan Vol. 4, by Yoshito Usui (CMX)
  • Dororo Vol. 3, by Osamu Tezuka (Vertical)
  • High School Debut Vol. 5, by Kazune Kawahara (Viz)
  • Honey and Clover Vol. 3, by Chica Umino (Viz)
  • The Kurosagi Corpse Delivery Service Vol. 7, by Eiji Otsuka and Housui Yamazaki (Dark Horse)
  • Mushishi Vol. 5, by Yuki Urushibara (Del Rey)
  • Nana Vol. 12, by Ai Yazawa (Viz)
  • Sand Chronicles Vol. 3, by Hinako Ashihara (Viz)
  • Slam Dunk Vol. 1, by Takehiko Inoue (Viz)
  • So, we’ve got low comedy, high adventure, coming-of-age angst, imaginative horror, lore and legend, and interpersonal drama. And that’s just in Dororo. (I kid, I kid. No I don’t, but you know what I mean.)

    And a partridge in a pear tree

    The tenth volume of Hiroki Endo’s Eden: It’s an Endless World! (Dark Horse) offers the following diversions:

    1. A desperate race to find a bomb planted by terrorists
    2. A shocking double execution
    3. A shocking single execution
    4. A high-speed chase
    5. The introduction of new characters
    6. The return of old characters
    7. Weighty discussion about the nature of life, sentience and evolution as they pertain to a creepy virus that turns people into crystal
    8. Two big explosions
    9. Inter-agency tensions in the criminal justice arena
    10. Citizen protests
    11. Subdued but affecting portrayals of grief
    12. Mildly gratuitous nudity that manages not to seem exploitative or too forced, which is probably the best kind of gratuitous nudity
    13. Giant robots

    I think it’s fair to say that’s a whole lot of stuff to try and put into even 232 pages of comics, but Endo manages it with his customary confidence and force. I continue to be amazed at how he can weave from thread to thread and theme to theme and not lose me even a little. He’s clearly managed to craft characters with enough specificity and depth that I remember them even after a long absence, along with scenarios and arguments persuasive enough to linger and resonate as they propel the story in new directions.

    I certainly wouldn’t recommend starting with volume 10, because you’d probably end up being impressed with Endo’s craft and Dark Horse’s production values but hopelessly lost by the story. I would recommend starting with volume 1 and enjoying the story as it progresses, demonstrating forbearance during the shockingly trite drugs-and-hookers mini-arc in the middle, and celebrating as the series returns to form after the pushers and pimps are dispatched.

    Upcoming 6/25/2008

    Some of the highlights from this week’s ComicList:

    Sometimes a quantity and quality of hype make me abandon my normal standards. The latest example of this phenomenon is Oku Hiroya’s Gantz (Dark Horse), which promises much higher levels of gratuitous violence than I can usually tolerate. But it sounds cool.

    Del Rey offers lots of goodies this week, but I’ll single out the third volume of Ryotaro Iwanaga’s excellent Pumpkin Scissors for special attention. It’s about a squadron of soldiers working on post-war recovery, and it’s a really successful blend of adventure, suspense, and comedy. Fans of Fullmetal Alchemist would do particularly well to give it a look.

    Fresh manga from Osamu Tezuka is such a gimme for makers of lists of this sort, because it’s always, always worth a look. This week, it’s the second volume of freaked-out shônen quest Dororo (Vertical) about a guy trying to get his body parts back.

    And before I forget, I wanted to point to a couple of reviews with which I agree entirely. At Manga Recon, Kate Dacey looks at Fuyumi Soryo’s smart and satisfying ES: Eternal Sabbath. In a recent Right Turn Only column, Carlo Santos asks this important question: “Why is [Kitchen Princess] not as popular as Full Moon or Fruits Basket? The level of drama is just as good, and this heartbreaking A- [sixth] volume proves it.”

    Bumper crop

    Enough with the shadowy portents for a bit. Let’s see what lurks in the current Diamond Previews catalog, shall we?

    Dark Horse offers the fourth volume of Adam Warren’s brilliant Empowered about the ups and downs of a good-hearted super-heroine with a singularly unreliable costume and a loyal band of friends. The third volume got a little dark for my tastes, but it was hardly enough to keep me from reading more. (Page 30 and 31.)

    Do I owe it to myself to see if any of the plot points so irritatingly left dangling in The Plain Janes (Minx) are addressed in the sequel, Janes in Love? Cecil Castellucci and Jim Rugg revisit their group of art guerillas and promise that the teens “discover that in art and love, the normal rules don’t always apply.” I thought they already knew that. (Page 113.)

    Someday I’ll get around to writing about Rutu Mordan’s Exit Wounds (Drawn & Quarterly), which I thought was very good. (I don’t know if I would have put it on my “Best of 2007” list, whatever that might have looked like, but I’d certainly recommend it.) D&Q is following up with a collection of Mordan’s short works, Jamilti and Other Stories, and I’m looking forward to it. I love short stories, and I’m eager to see what Mordan does with that kind of flexibility. (Page 288.)

    Many people, myself included, have written nice things about Hideo Azuma’s Disappearance Diary, due from Fanfare. Anything from this publisher is worth a look, and this book offers an intriguing if slippery look at the low points in the life of the manga-ka. (Page 297.)

    I’ve been having a hard time finding a copy of Jason Shiga’s widely acclaimed Bookhunter (Sparkplug Comic Books) in my retail wanderings, so I’m glad to see it being offered again. (Page 349.)

    Weirdness alert: people are tracking the fates of Tokyopop’s various global titles, and here’s one more to add to the tally. The publisher is offering a prestige collection of one, Boys of Summer: The Complete Season. The solicitation of the Chuck Austen/Hiroki Otsuka baseball comic indicates that the unpublished third volume will appear for the first time here, along with the first two. I’m not recommending, because I’ve read too many comics by Austen as it is, but I thought it was interesting to note. (Page 353.)

    I thought Top Shelf had already solicited Ulf K.’s Heironymus B, but maybe it got delayed. I’ve heard good things about it, so I’ll just gently remind the local shop owner that I’d like a copy. (Page 362.)

    Takehiko Inoue’s much-loved basketball manga Slam Dunk gets another bite at the apple courtesy of Viz in its $7.99 Shonen Jump line. (Page 384.) The publisher is maximizing its Death Note profits with a new series of collector’s editions that offer “color art… premium packaging… new cover art on the dust jacket” and other bonuses. (Page 386.) I’m not quite certain about the plot of Ayumi Komura’s Mixed Vegetables, which seems to be about using marriage to further professional ambitions, but I can’t turn my back on shôjo cooking manga. (Page 387.)

    I swear this had a cooler name when it was first announced, but the first issue of Yen’s anthology magazine, Yen Plus, arrives in August. It features a mix of original and licensed work, and if you ever wondered what hack thriller author James Patterson would do with sequential art, this is your moment. It’s also got Svetlana Chmakova’s follow-up to Dramacon (Tokyopop), Nightschool, so that’s certainly a point in its favor. (Page 390.)

    Pat the bunny

    The other day, I expressed the suspicion that Simone Lia’s Fluffy (Dark Horse) would be “super, super cute.” It didn’t turn out that way, but it’s a very successful book for the qualities it does have.

    On the surface, it’s about a single man and his talking baby bunny. Underneath, it’s about denial and avoidance. That kind of counterpoint could invite flagrant metaphor abuse, but Lia tends to skate past the obvious. (I strongly suspect that Fluffy is a bunny to avoid tricky questions about a bachelor raising a human toddler, beyond the cute diversions a bunny provides. Whatever the reason, Fluffy simply is what he is, and he doesn’t distract.)

    Michael is bored with his job and a little alarmed at the attentions of Fluffy’s nursery school teacher, whose devotion is entirely out of proportion with any encouragement Michael has offered. He and Fluffy head off to Sicily to visit his parents and sister only to find that avoiding one set of difficulties sometimes places you right in the middle of new ones.

    Michael’s sister is bored with her marriage and irritated with their mother, who is spending her golden years as a reinvigorated Catholic. (Where better to pursue that hobby than Italy?) Fluffy refuses to accept that he’s a bunny, and Michael’s father spends most of his time in a slightly baffled haze, absorbing and amplifying the anxieties of his family.

    Despite the weight of these issues – unrequited love, familial conflict, marital ennui, crises of identity – Lia manages to be both lighthearted and respectful in her handling of them. She’s too smart to offer clear closure to these messy lives, and she’s too sharp a comedienne to squander the possibilities of overlapping, interlocking tensions. But she’s generous enough to offer some happy moments, while withholding happy endings, and clever and restrained enough to get away with it.

    There are amusing flights of fancy (exposition provided by a dust mote being one of my favorites), but they don’t pull the story away from its emotional core. The book has a very serendipitous feel to it, like all of its elements kind of blithely fell into place in the right way. I’ve always admired the ability to create that appearance of effortlessness, and Lia manages it while actually having something interesting and engaging to say. The book may have confounded my superficial expectations, but it was surprisingly satisfying.

    Upcoming 6/11/2008

    Some noteworthy items from this week’s ComicList:

    I should be over this by now, but I still think of Dark Horse as the blood-and-guts comics publisher with all of the widescreen licensed properties and seinen shootouts. This is narrow-minded of me, but it leads me to pay more attention when something counter-intuitive arrives. This week, it’s Simone Lia’s Fluffy, about an adorable bunny and his human father, and it looks super, super cute.

    One of my favorite trashy, stupid movies of all time is Change of Habit, because describing it makes you sound like you’re inventing it while stoned. It stars Mary Tyler Moore as an undercover nun who moves to the ghetto to do good works and meets a doctor played by Elvis Presley. Any part of that sentence is insane enough to make you doubt its veracity, so I won’t even mention all of the other plot twists. Anyway, my love of that film and my fondness for the work of Rumiko Takahashi pushes me towards One Pound Gospel (Viz).

    Sometimes all it takes is a kind word or two from Kate Dacey to make me want a book very much. This week, that book is Ume Aoki’s Sunshine Sketch (Yen Press). To be honest, calling it “a gentle, slice-of-life comedy” is enough to catch my interest.

    Upcoming 5/7/2008

    Record gas prices? Check! Skyrocketing food costs? Double-check! Humongous list of new comic book releases for the week? Triple-check!

    Some of these series have been running for some time now, so it might be useful to provide some introductions. Also, I really like Manga Recon’s new Weekly Recon format, so I’m going to swipe it.

    Crayon Shinchan Vol. 2, by Yoshito Usui, CMX: I can’t really put it any better than Matthew Brady: “Also: kids are horrible, awful creatures. Good times!” Exactly. If I’m going to be completely truthful, I’ll admit that I prefer the anime to the manga, but the second half of the first volume of the manga, when the setting shifted from home to school, was laugh-out-loud funny. Great. Now the infectious theme song is running through my head again.

    Eden: It’s an Endless World! Vol. 10, by Hiroki Endo, Dark Horse: A bizarre virus has decimated the population, leaving all kinds of power struggles in play. Corporate moguls, political bigwigs, and terrorists fight for the future of a world that may not be worth the trouble. It’s beautifully drawn and often quite gripping as it combines the personal with the political.

    King of Thorn Vol. 4, by Yuji Iwahara, Tokyopop: Another post-viral-apocalypse comic that’s much more conventional in its structure. Think The Poseidon Adventure set in a cryogenic research facility. A group of disease carriers wake up to find themselves abandoned in said facility, which is overrun with bizarre monsters. The demographically familiar band struggles to find a way out and, honesty compels me to admit, to display distinct personalities beyond their character types. But Iwahara’s art is a treat.

    Kitchen Princess Vol. 6, by Natsumi Ando and Miyuki Kobayashi, Del Rey: The orphan child of two gifted pastry chefs bakes her way into a snooty private school to track down the boy of her dreams. That sounds awfully saccharine and formulaic, and the series started off in that vein, but the creators have taken off the oven mitts and started delivering some serious emotional punches as the series has progressed. The previous volume ended on a cliffhanger rather more perilous than is usual for school-romance manga, and I’m eager to see what happens next.

    High School Debut Vol. 3, by Kazune Kawahara, Viz – Shojo Beat: This imprint has three crack-tastic releases this week. The premise of this series – a sporty girl enters high school and decides she wants a boyfriend, securing a hunky male mentor to advise her on issues of dateability – is extremely formulaic and blissfully irrelevant in light of its other charms. Those include terrific characters and emotionally specific writing that can really make you catch your breath. I’m perfectly happy to see a familiar formula executed with panache, but I think I’m even happier to see one subverted so feelingly.

    Hikaru No Go Vol. 12, by Yumi Hotta and Takeshi Obata, Viz – Shonen Jump: I went on about this title at some length in yesterday’s Flipped column, so I’ll just summarize its selling points: likeable characters, terrific art, and a surprisingly intriguing and flexible premise about a board game.

    Nana Vol. 10, by Ai Yazawa, Viz – Shojo Beat: Two young women named Nana meet on a train to Tokyo and strike up an unlikely but enduring friendship. The series consistently provides sexy urban soap opera, and it’s currently in the midst of a perfect storm of personal and professional conflicts.

    Salt Water Taffy Vol. 1, by Matthew Loux, Oni Press: This is delightful, as I mentioned in a review last week. Loux introduces his protagonist brothers to the weird and wonderful charms of a coastal town in Maine.

    Sand Chronicles Vol. 2, by Hinako Ashihara, Viz – Shojo Beat: Ashihara doesn’t ask for much; she merely wants to rip your heart out with her pitch-perfect episodes from a girl’s coming of age. Like High School Debut, there’s a shocking quantity of recognizable human behavior here. Unlike that worthy book, Sand Chronicles doesn’t even pretend to follow a formula as it cherry-picks key moments from the adolescence of its engaging heroine, Ann Uekusa. Extremely absorbing, grounded storytelling, and beautiful art.

    Upcoming April 30, 2008

    Glancing at the ComicList for Wednseday, April 30, 2008, I can’t help noting that it’s a strong week for Good Comics for Kids:

    Dark Horse delivers the entire Dayan Collection, four hardcover children’s books by Akiko Ikeda. They’re about a mischievous cat, and Ikeda’s full-color illustrations look absolutely beautiful.

    CMX delivers the fourth volume of Masashi Tanaka’s Gon, wordless, beautifully drawn stories about a tiny dinosaur with a big appetite for life.

    Skewing slightly older is the fourth volume of Alive (Del Rey), written by Tadashi Kawashima and illustrated by Adachitoka. This series started with two gripping volumes that propelled its primary story – malevolent forces surreptitiously invade the planet and trigger a wave of suicides, and only a handful of people suspect what’s truly happening. The third volume was sort of a digression, with the heroic principals sidetracked from their quest by tangentially related perils. That threw me a bit, but it’s still a very entertaining comic with great characters and eye-catching art.

    Would I hand the first volume of Osamu Tezuka’s Dororo (Vertical) to a kid? I’m not really sure. On one hand, it’s Tezuka, and everyone should read some Tezuka. On the other hand, it’s on the gruesome side, packed with bloody battles and some seriously dark content. It’s about a young man, Hyakkimaru, who lost all of his body parts thanks to his father’s ambition and greed. Hyakkimaru is forced on a quest across a war-ravaged landscape to seek and destroy the demons who took his body in trade. He’s joined by young thief Dororo, whose background is almost as harsh. But it’s Tezuka. So I’ll recommend it to everyone else, and they can decide when their kids are ready for it. How’s that for evasion?

    More summer reading

    There’s a nice mix of promising items in the May 2008 Previews catalog. Let’s take a look, shall we?

    Dark Horse gets a jump on a 2009 movie with the release of a repackaging of the first two volumes of Osamu Tezuka’s classic Astro Boy. It’s probably Tezuka’s best-known property, and I’m grateful that Dark Horse has made so much of it is available in English, but honesty compels me to admit that I haven’t felt any burning need to read all of it. (Page 56.)

    I’ve heard good things about Kerry Callen’s Halo and Sprocket, and Amaze Ink/SLG releases the second volume of the series and offers the first again. Any series that inspires fan art by Andi Watson must be worth a look. (Page 206.)

    Broccoli offers a series that looks both adorable and odd. It’s Honoka Level Up!, by Akiyoshi Ohta and Matsuda98, and it features a really young character developer “getting caught up in the confusing politics, crushing responsibilities, and difficult developmental aspects” of the video game industry. Salary ‘tween manga? Why not? (Page 247.)

    Have you been suffering through Kio Shimoku withdrawal since the conclusion of Genshiken? Del Rey is here for you, offering the Genshiken Official Book and the first volume of Shimoku’s Kujibiki Unbalance, the property that inspired microscopic obsession among Shimoku’s gang of geeks. (Page 266.)

    Fantagraphics switches gears with the work of the very gifted Los Bros. Hernandez, going straight to the trade with Love and Rockets: New Stories. I’m partial to Gilbert’s work, but both are gifted, and this sounds like an appealing way to consume their work. (Page 298.)

    I can’t say I’m entirely sold by the premise of Ray Fawkes and Cameron Stewart’s The Apocalipstix, due from Oni Press. Josie and the Pussycats after Armageddon? I just don’t know. But I’m crazy enough about Stewart’s art that I’ll certainly have to sample it. (Page 320.)

    I sort of glazed over on a lot of the manga announcements that came out of the New York Comic-Con, but when Kate Dacey takes the time to point out a title, and when it’s a title that Lillian Diaz-Pryzbl heartily endorses, I’m game. It’s Natsumi Itsuki’s Jyu-Oh-Sei (Tokyopop), and it’s described as having a classic shôjo sci-fi feel. (Page 353.)

    Speaking of Kate, I’m guessing she’s as excited as I am to see Yen Press release the second volume of Jung-Hyun Uhm’s Forest of Gray City, originally published by ICE Kunion. A working woman takes in a sexy male roommate to share expenses in this beautifully drawn josei-style manhwa. (Page 389.)

    Upcoming 3/26/2008

    Some picks from the ComicList for Wednesday, March 26, 2008:

    Do you need anyone else to tell you that Hiro Mashima’s Fairy Tail (Del Rey) is a very entertaining fantasy adventure? Probably not, but I’ll chime in with my agreement anyways. Mashima isn’t aiming exceptionally high here, offering unapologetically mainstream entertainment about quirky wizards and their comic quests. It’s a very good example of an increasingly crowded field of comics that offer storytelling that’s as amiable as it is accomplished. The characters are lively, the art is eye-catching, and the stories are fast-paced and varied.

    I think it’s smart of Del Rey to introduce the series by releasing two volumes at once. Endearing as it is, it’s also fairly lightweight, so doubling the quantity available should help to cement it in readers’ affections to a degree that a single volume couldn’t, at the same time drawing more critical interest than the series might have enjoyed otherwise. As I said, there’s a lot of competition in the field of amiable, accomplished, mainstream entertainment, especially on the manga shelves.

    So yes, there’s nothing wrong with a comic that only wants to entertain. Allow me to contradict that assertion by wondering if Eiji Otsuka and Sho-u Tajima’s MPD-Psycho (Dark Horse) has enough on its mind. Part of the reason I’m so fond of Otsuka’s The Kurosagi Corpse Delivery Service is the writer’s ability to fold deeper issues into superficially engaging stories. Imaginative gore and varied psychoses aside, MPD-Psycho seems to be vamping along, and I’ve got the feeling that it’s really going to need some larger purpose to keep me from losing patience. Up to this point, it’s read like a collection of creepy grace notes (like barcodes on people’s eyeballs) in place of a driving, meaningful narrative.

    Along with Charles Berberian, Philippe Dupuy has created the wonderfully entertaining Mr. Jean, star of Get a Life (Drawn & Quarterly), and Maybe Later, a nicely modulated look at their creative process. Drawn & Quarterly offers a solo work from Dupuy, Haunted, which sounds a lot less down-to-earth but very intriguing.

    Villard offers a handsome paperback collection of David Petersen’s first Mouse Guard mini-series. In addition to the beautifully rendered, smartly told story of courageous rodents, there are plenty of extras that make the $17.95 price tag very reasonable.