There are some truly terrifying titles on this week’s ComicList, though I think I found a promising Pick of the Week. My home blog choice is probably a result of weird shipping schedules, but for whatever reason, the second volume of Jiro Taniguchi’s The Summit of the Gods (Fanfare/Ponent Mon) is arriving at the local comic shop, and I’m delighted. Here’s a bit of my review of the first volume:
“Taniguchi is the ideal illustrator for this kind of material that has both epic scale and intimacy. If the crux of your story is the estimation of landscapes and people, it behooves you to find an artist that can capture the menace and nuance of both, and a writer is unlikely to find anyone better at that than Taniguchi. (As absent as women are from the narrative, it’s nice to read in a text piece that a woman made the collaboration possible, playing matchmaker for Baku and Taniguchi.) Taniguchi is probably the foremost renderer of the middle-aged man that I can think of. They wear their experiences, which is even more evident in a story like this that tracks Habu through the years. Just watching the ways that Habu ages is fascinating. And as far as landscapes and the physicality they demand of puny humans, do I even need to bother praising Taniguchi on that front? Icy cliff faces, Nepalese back alleys, Tokyo urbanity, leafy mountain trails… there’s no setting Taniguchi can’t conquer.”
Other than that, I’m intrigued by a light novel from Yen Press, Mizuki Nomura’s Book Girl and the Famished Spirit. I’m not a big follower of light novels, but Erica (Okazu) Friedman made a very persuasive case for Book Girl and the Suicidal Mime in her guest review.
What looks good to you?
Upcoming 12/2/2010
This week’s ComicList is dominated by the one and only Osamu Tezuka.
I’ve been reading Tezuka’s Ayako (a review copy provided by the publisher, Vertical), and it’s intriguing. Tezuka is viewing the turbulent, post-World War II period in Japanese history through the lens of a troubled family of landed gentry trying to hold onto their resources, if not their dignity. As the publisher notes, the book is “[u]nusually devoid of cartoon premises yet shot through with dark voyeuristic humor.”
Of the crazy Tezuka available in English, it’s the most realistic in terms of the events it portrays. The narrative certainly relies on extremities of human cruelty, greed, and depravity, but people don’t turn into dogs or display implausible aptitudes for disguise and sexual irresistibility or scheme to destroy all men. Admirable as Tezuka always is, even when modeling relative restraint, I’m finding I miss the extremities… the moments when I ask myself if I really just read that and going back a few pages to make sure. I suspect Ayako is a book that will require a couple of readings to really absorb what it’s trying to convey.
It ran in Shogakukan’s Big Comic from January 1972 to June 1973.
Elsewhere in comics, Brandon Graham’s terrific King City (Image) reaches its conclusion with its 12th issue. It looks really great in pamphlet form, I have to say.
What looks good to you this week?