Upcoming 10/8/2008

Quick, general observation about this week’s ComicList: if I was a retailer and had to deal with the unholy crap-load of variant covers and repeat printings from Marvel, I think I’d just bag it all and convert my space into a Tim Hortons franchise.

I may have mentioned, just casually, in passing, that I’m kind of fond of Setona Mizushiro’s After School Nightmare (Go! Comi). Or I may have mentioned it so often that your temples throb at the repetition. I’ll just note that the ninth volume arrives tomorrow, which leaves just one more, and the withdrawal process is going to be very ugly indeed. Gird yourselves.

But there’s always new crack arriving, and it’s always better when it’s classic Tezuka crack. I swear that the first volume of Black Jack (Vertical) has been on the ComicList three times now, but I don’t really care. Some things bear repeating, like the phrase “a genius surgeon who never acquired his license due to his clashes with the medical establishment.”

In composing the last two Flipped columns, I think I should be complimented for my restraint in highlighting only one goofy series about a school club and the surly girl who doesn’t really want to be a member. Of course, nothing’s to stop me from pointing towards Kiyoko Arai’s very funny Beauty Pop (Viz) in the confines of my own blog. The ninth volume of this makeover comedy arrives Wednesday.

And if I haven’t mentioned it lately, Hikaru No Go (Viz), written by Yumi Hotta and drawn by Takeshi Obata, is one of my very favorite shônen series, partly because it’s about a board game and is still riveting, partly because I love Obata’s illustrations, and partly because the characters are great. The thirteenth volume arrives Wednesday. (Is it weird or just coincidental that two of my favorite shônen series – Hikaru and Fullmetal Alchemist – are both written by women?)

Upcoming 10/1/2008

A theme has emerged: this seems to be “Legitimately Charming Whimsy Day.”

First of all, there’s the return of Pushing Daisies tonight at 8 p.m. Plot about people who can talk to dead people? Check. Awesome Broadway divas in the cast? Check. Fabulous, witty scripts that still manage to create genuine sentiment? Check.

(For counterpoint, the 9 p.m. hour offers “Colossally Irritating Whimsy Day” in the form of Kenley on Project Runway. I first few garments seemed cute to me, but now they’re just obstinately redundant, and her attitude is as off-putting as her bangs. I fervently hope she gets aufed.)

On the comics front, Drawn & Quarterly shows everyone how whimsy should be done with two new arrivals.

First up is the third volume of Tove Jansson’s Moomin strips, which are international treasures. It’s just that simple.

Second is the follow-up to Aya, Aya of Yop City, by Marguerite Abouet and Clément Oubrerie. It picks up with the lives of Abouet’s endearing cast of young people from the Ivory Coast of the 1970s, and I can’t wait to get my hands on it.

I can’t even bring myself to pay too much attention to the rest of the list. There are already two books that I’ll happily buy in hard cover, and that seems like bounty enough for one week.

Upcoming 9/24/2008

So the big question posed by this week’s ComicList is, “Will there be another ‘Category 5 S**tstorm’ over this year’s Best American Comics collection from Houghton Mifflin?” It’s hard to say, though I find it difficult to believe that most people didn’t get that sort of thing out of their systems last year. And 2008 editor Lynda Barry and series editors Jessica Abel and Matt Madden did at least try to include a Batman comic in the mix, even if DC couldn’t accommodate them.

But why dwell? It’s an interesting week otherwise, with Del Rey launching the intriguing-sounding Phoenix Wright Ace Attorney, from CAPCOM.

I enjoyed the first volume of Takako Shigematsu’s Ultimate Venus (Go! Comi), maybe not quite as much as Shigematsu’s Tenshi Ja Nai!!, but that set a pretty high bar for nasty shôjo comedy. Still, I’m looking forward to the second installment.

And while I’m hopelessly behind on any kind of reading, it’s hard to imagine a world where one couldn’t safely recommend manga by Osamu Tezuka. Vertical once again obliges the audience for such comics with the first volume of Black Jack, featuring hyperactive medical madness. (I will admit to wishing I could see what Chip Kidd would have done with the cover design, but it’s also hard to imagine a book that wouldn’t look better if Kidd designed it.)

Upcoming 8/4/2008

Looking at the current ComicList, it’s an overwhelming week of new releases with quality titles from just about everyone pitched for just about every demographic. If I had to pick just one title to recommend, I couldn’t. I couldn’t even pick just one Viz title to recommend. I even find myself resorting to the bulleted list, so abundant is the quality on offer.

  • Crayon Shinchan Vol. 4, by Yoshito Usui (CMX)
  • Dororo Vol. 3, by Osamu Tezuka (Vertical)
  • High School Debut Vol. 5, by Kazune Kawahara (Viz)
  • Honey and Clover Vol. 3, by Chica Umino (Viz)
  • The Kurosagi Corpse Delivery Service Vol. 7, by Eiji Otsuka and Housui Yamazaki (Dark Horse)
  • Mushishi Vol. 5, by Yuki Urushibara (Del Rey)
  • Nana Vol. 12, by Ai Yazawa (Viz)
  • Sand Chronicles Vol. 3, by Hinako Ashihara (Viz)
  • Slam Dunk Vol. 1, by Takehiko Inoue (Viz)
  • So, we’ve got low comedy, high adventure, coming-of-age angst, imaginative horror, lore and legend, and interpersonal drama. And that’s just in Dororo. (I kid, I kid. No I don’t, but you know what I mean.)

    Upcoming 8/20/2008

    An intriguing new arrival and a couple of old favorites are the highlights of this week’s ComicList, at least for me:

    Del Rey breaks into new territory with the debut of Faust, an anthology of manga-inspired fiction. CLAMP and Takeshi Obata provide illustrations for two of the stories. Perhaps you may have heard of them.

    There are only three volumes left of Setona Mizushiro’s After School Nightmare (Go! Comi), and I’m going to miss it terribly when it’s done. The eighth installment of awesomely Freudian teen angst arrives Wednesday, promising “a mountain of new problems.” The thing about this series is that, when blurbs use words and phrases like “heartache” or “the breaking point” or “shocking,” it isn’t hyperbole. Mizushiro delivers.

    There are only three (thanks, James!) volumes left of Naoki Urasawa’s Monster (Viz Signature), so I have a little more time to gird myself for the inevitable grief. It took a while for this series to work its way into my heart. The early going, dominated by saintly fugitive Dr. Tenma, was at times laughably simplistic in its moral framework. Over time, though, and as the supporting cast has emerged and evolved, it’s become a tense must-read for me, and I’ve even reached the point where the ensemble is more interesting to me because of the ways Tenma has influenced them. (I still think he’s a goody-goody stick, though.)

    Upcoming 8/13/2008

    You would think that the comics pick of the week would be a gimme. I mean, Fanfare/Ponent Mon is releasing Hideo Azuma’s Disappearance Diary. In fact, you generally only need to type “Fanfare/Ponent Mon is releasing…” to guarantee pick-of-the-week standing. And Disappearance Diary is an excellent, unusual comic book that’s absolutely well worth your time and money. (I reviewed the book here.) So it’s a lock, right? But…

    It’s also generally true that you can begin a pick-of-the-week sentence with “NBM is releasing a new installment of Rick Geary’s Treasury of…” and feel reasonably confident that you won’t be easily contradicted. So we also have Geary’s Treasury of 20th Century Murder: The Lindbergh Child to greedily anticipate. (Seriously, if you haven’t treated yourself to any of Geary’s Treasury of Victorian Murder books, you need to be nicer to yourself. Much, much nicer.)

    More often than not, you can begin a pick-of-the-week sentence with “New from First Second is…”, though not if that sentence finishes with “Life Sucks.” Eddie Campbell (collaborating with Dan Best) seems like a much safer bet, and I will certainly pick up a copy of The Amazing Remarkable Monsieur Leotard at some point.

    Okay, moving on from the pick-of-the-week face-off, we reach the eye-catching oddity. First of all, Viz seems to be publishing its own Gantz equivalent, with Rei Hiroe’s Black Lagoon. I admit that the price point ($12.95) was what first caught my eye, because it made me think they’d added something to the Signature imprint. But no, it’s a rated-“Mature” book about mercenaries with characters named things like “Revy Two Hand,” which triggers both my curiosity and my Not for Me Alarm.

    Lastly, a return to my comfort zone. I very much enjoyed the first volume of Uhm JungHyun’s Forest of the Gray City, originally from ICE Kunion. Yen Press has picked up the manhwa consortium’s catalog, and the second volume of Forest arrives Wednesday. It has a very josei feel to it, featuring a working woman who takes in a hunky male boarder to pay off some of her debts. It’s got lovely art and a smart, sexy vibe overall.

    Upcoming 8/6/2008

    Some highlights from this week’s ComicList:

    The one and only time I ever put on a pair of roller blades, a bee flew up my shirt. While nothing so dramatic resulted from previous encounters with ice or roller skates, I realized long ago that any attempt to increase locomotion via enhanced footwear would result only in comic relief for onlookers. It also led me to suspect that my center of gravity is actually located in another person’s body. That said, I’m still swayed by early praise for Hisaya Nakajo’s Sugar Princess: Skating to Win (Viz). Theoretically, figure-skating manga should have the gayest supporting cast ever, but I suspect I will be disappointed on this front.

    In other princess news, this time involving actual sugar, Del Rey releases the seventh volume of Kitchen Princess by Natsumi Ando and Miyuki Kobayashi. This series was as blandly unsatisfying as a Hostess Donette in the early going, but it’s gradually turned into wonderfully melodramatic shôjo crack over time. Plus, you get recipes in every volume.

    As I’ve mentioned, I’m thrilled that Yen Press is carving out a mini-niche of four-panel comics. I thought Ume Aoki’s Sunshine Sketch was just okay; I’d probably have enjoyed it more in smaller doses, as it was originally published. On the other hand, I can’t wait for the second volume of Satoko Kiyuduki’s Shoulder-a-Coffin Kuro. This week marks the arrival of S.S. ASTRO: Asashio Sogo Teachers’ Room by Negi Banno, which sounds like a lot of fun. The harried employees of Japan’s school systems are among my favorite supporting characters in manga, so I’m looking forward to seeing them get the spotlight.

    Upcoming 7/30/2008

    Hey, why didn’t anyone tell me it was Weird Manga Week? At least that’s what it seems like after a quick glance at tomorrow’s ComicList.

    Fortunately, this week’s Flipped at The Comics Reporter looks at the strangeness that is Akira Hiramoto’s Me and the Devil Blues (Del Rey). Weird enough for any week, you say? But wait! There’s more!

    Del Rey also delivers the fourth volume of Hitoshi Iwaaki’s Parasyte, for that tried-and-true, old-school manga weirdness.

    And you can pretty much guess that anything released by Last Gasp is going to be at least a little bit unusual, and it will probably also be pretty great. At least that’s my theory about Yusaku Hanakuma’s Tokyo Zombies. And the title is apparently entirely accurate. And Ryan Sands, of Same Hat! Same Hat! fame translated it, and his credentials in the area of weird manga are absolutely impeccable.

    Upcoming 7/23/2008

    In honor of Entertainment Weekly’s recent redesign, I’m going to start putting random phrases in boldfaced type. Okay, no, I’m not. Well, maybe just this once.

    Now, on to this week’s ComicList:

    Yen Press releases the first issue of its anthology, Yen Plus, featuring licensed work from Japan and Korea and original series from the likes of James Patterson and Svetlana Chmakova. (How often do you get to type phrases like that? Maybe I should bold it.) Is anyone else frightened by Pig Bride as a title? Outside of VH1’s slate of reality shows, how can a series live up to that name?

    The thing about Rick Geary’s Treasury of Victorian Murder series (NBM) is that I’ll mention every book in the series every time it shows up on a shipping list, because Geary is just that good. This week’s re-release is the paperback version of The Murder of Abraham Lincoln, which I reviewed here.

    Del Rey rolls out two new series this week. First up is Kasumi, written by Surt Lim and drawn by Hirofumi Sugimoto. It’s about a girl who can turn invisible, and Leroy Douresseaux liked a lot. Deb Aoki interviewed the creators for About.Com.

    The other debut, Kujubiki Unbalance, created by Kio Shimoku and Koume Keito, is about as meta as it gets. Those who read Shimoku’s wonderful Genshiken will recognize the series as the oft-referenced touchstone property of a bunch of the characters in that book. (If you can’t be counted among those who read Genshiken, you might want to correct that.)

    Last but not least is the second volume of Yuko Osada’s fun travel adventure, Toto. Sure, it’s got plucky ‘tweens with big dreams, but it also has an adorable, weaponized dog.

    Upcoming 7/16/2008

    Just a couple of items jump out at me on this week’s ComicList:

    I’m not generally part of the natural audience for competitive athletics, fictional or otherwise, but I won’t let that keep me from taking a look at Takehiko Inoue’s Real (Viz – Signature), about wheelchair basketball. At MangaBlog, Brigid Alverson picks up an intriguing press release from Viz about a joint PR venture to promote another Inoue hoops book, Slam Dunk. If there were a competition for “most athletic person at Comic-Con International,” there’d be a clear winner. I also wish there was a manga out about professional cheerleading so those poor Laker Girls could feel a bit more purposeful. (Have I mentioned that I can watch Bring It On as many times as it airs on television?)

    Milestone alert! Our long, national disappointment is finally over as Tokyopop releases the second volume of Ai Morinaga’s Your and My Secret. Given the publisher’s ongoing cost-cutting measures, I suppose it’s possible that we may not see the third volume from them, but progress is progress. If only they’d gone with the alternate version of the title, My Barbaric Girlfriend.