I’m sorry, but that page from Natsume Ono’s not simple just haunts me. And the book is on this week’s ComicList, so I have an excuse. But I wrote about the book at length yesterday, so I’ll move on to the other fine offerings due to arrive in shops on Wednesday.
Jason Thompson, author of Manga: The Complete Guide, noted comiXology columnist, and webcomic creator is back making comics in the form of King of RPGs (Del Rey), illustrated by Victor Hao. It’s about a recovering online gamer who gets drawn into the old-school dice-and-graph-paper version of the titular pastime. I’ve enjoyed what I’ve read of the review copy Del Rey sent, and I plan to finish it today between bouts of self-medication. Because I really feel gross. Heal me, satirical comics.
I don’t specifically know what blend of unsettling medical oddities, low comedy and crazed melodrama lurks in the ninth volume of Osamu Tezuka’s Black Jack (Vertical), but it doesn’t really matter. I know that all three of these ingredients will be present in sufficient volume to make the purchase of said book entirely worthwhile. As long as there’s at least one totally unnerving sequence with Pinoko, I’ll feel my money has been spent well.
I sometimes wonder if I’ll ever again read a Yuji Iwahara comic that’s as good as Chikyu Misaki (CMX), and Cat Paradise certainly isn’t it, but it’s pretty enjoyable all the same. The third volume arrives Wednesday, promising more mayhem at a cat-friendly boarding school where the student council fights an insurgence of gruesome demons. Iwahara mentioned in a text piece that he wanted to do a straightforward school adventure, but it’s Iwahara, so the definition of straightforward is somewhat loose.
And now for the Viz portion of the program, where this publisher leaves us impoverished but stocked with quality comics. Yes, it’s Signature week. As I mentioned, I’ve already blathered on about not simple and Fumi Yoshinaga’s All My Darling Daughters, and you’d think those two comics would be enough for any publisher in a given week, but wait, as the purveyors of kitchen appliances of questionable utility claim, there’s more!
Instead of dwelling too much on the incipient loss we’ll all suffer, I’ll just point you to this press release about the final A la Carte volume of the excellent culinary manga, Oishinbo. Let’s all keep our fingers crossed that Viz re-launches this series at a later date, because there’s certainly enough material in the wings.
We’re nearing the conclusion of Naoki Urasawa’s Pluto, with the penultimate volume due Wednesday. (There’s lots more of Urasawa’s 20th Century Boys yet to come, just to ease the imminent separation anxiety.) And surely, after all of my incessant nagging, you’ve all caught up on the previously published volumes of Takehiko Inoue’s Real and are poised and ready to buy the seventh, aren’t you?
Upcoming 11/25/2009
Time for a look at this week’s ComicList:
CMX expands its line of endearing shôjo with the debut of Asuka Izumi’s The Lizard Prince. It’s about the complications that arise when a princess falls in love with a prince who occasionally turns into a lizard, and I really enjoyed the review copy that CMX sent. It’s one of those romantic series that’s more about sustaining a relationship in the face of obstacles than the advent of a romance. Strong-willed Princess Canary and softie Prince Sienna know they love each other; it’s just petty details like her reptile-averse mother, his mysterious background, and his not-entirely-controllable transformations that keep their happiness from being absolute. Part of the charm of the series is that Canary and Sienna really seem to enjoy tackling problems and working through them. Izumi’s art is very attractive, and she’s got a cheerful sense of humor that makes the stories breeze by.
This one’s been in bookstores for over a month, but if you confine your graphic novel purchases to specialty shops, this is the week you can pick up Masayuki Ishikawa’s Moyasimon (Del Rey). Country boys Tadayasu and Kei enroll in agricultural college in the big city, where weirdness awaits. Tadayasu can see and speak to bacteria (or at least hear their chirpy prattle), making him an object of particular interest to the professor and handful of fellow students who know of his ability. Hard science and low comedy combine as Tadayasu and Kei learn about the power of bacteria and their sometimes disastrous impact on the digestive system. The series gets off to a solid if not riotous start, and I’ll certainly stick around to see how it develops. [Update: Johanna Draper Carlson has a theory on why it took so long for this book to reach shelves, along with a review.]
Fanfare/Ponent Mon delivers two titles this week. There’s the second and final volume of Jiro Taniguchi’s A Distant Neighborhood, which I reviewed here. It’s very likable stuff, beautifully drawn by Taniguchi.
There’s also the English-language debut of Willy Linhout’s Years of the Elephant. It’s about the aftermath of a young man’s suicide and the devastating impact on his family. According to the publisher, “The book was initially intended as self therapy to help Linthout deal with the loss of his son however, the originally modest project unleashed a flood of reactions and therapists now use the book as a recognised aid for coping with grief.” I picked it up at SPX, and I will duly move it to the top of the pile of things to read.
Tokyopop makes me really happy by continuing its slow-but-appreciated roll-out of new volumes of Ai Morinaga’s Your and My Secret, in this case the fifth, a license originally held by ADV then left to limbo. It’s more mistaken-identity comedy about a horrible girl and a meek boy who switch bodies and alternately recoil at or revel in the consequences. For bonus points, this volume features a school trip to Hokkaido, one of my very favorite settings for manga and a place I hope to visit someday.
I’m intrigued by This Ugly Yet Beautiful World just based on its title. It’s a manga adaptation by Ashita Morimi of an apparently popular anime by Gainax/Konomini Project. It sounds like your standard “dweebs meet amnesiac space princess” fare, but it’s got a great title. (Seriously, does Japan have an agency that deals with amnesiac space princesses? They could use one.)