Upcoming 11/17/2010

I read the second volume of Hisae Iwaaka’s Saturn Apartments (Viz) last night, confirming my feeling that this is one of the best new series of the year. (I feel that way about several titles in Viz’s SigIKKI program, but which one of them I like best depends on which one I’ve read most recently.) For those who need a refresher, this is slice-of-life science fiction about the people who wash windows on a satellite habitat orbiting an environmentally devastated Earth.

Though episodic in a lot of ways, it does follow a single protagonist, Mitsu, who is following in his late father’s footsteps in a perilous, under-appreciated profession. Mitsu spends a significant portion of this volume considering his father’s legacy, or perhaps trying to construct what that legacy might look like. He talks to his father’s co-workers, now his co-workers, about how his father approached his work and, less directly, how he might have felt about it. As a neophyte, he’s also asking about the specifics of a dangerous job he still hasn’t mastered, so there’s an extra layer of intention in the question-and-answer sessions.

I enjoy series that have a strong grounding in a particular profession, whether that profession is realistic or fanciful. The grubby-fantastic quality that Iwaaka gives to her cast’s working world is very appealing to me, and I like the ways she resists canonizing her characters as salt-of-the-earth types. While she draws them in an innocent, vulnerable style, she writes them with a bit more frankness. The get cranky, hold grudges, drink too much, work too hard, get careless… they behave credibly and recognizably, in other words.

Other noteworthy items on this week’s ComicList include the 9th volume of Takehiko Inoue’s extraordinarily good Real (Viz). Melinda (Manga Bookshelf) Beasi named it her Pick of the Week, because she has excellent taste that way.

The other highlight of the week has to be the second collection of Linda Medley’s Castle Waiting (Fantagraphics). The publisher describes the comics as “witty and sublimely drawn fantasy [that] eases into a relaxed comedy of manners,” which is perfectly true. It’s really a treat of a series, one that I bought in pamphlet form and will buy in its collected state, which almost never happens.

What looks good to you?

The buried lead

Over on Twitter, Scott Green triggered a tweet-storm when he pointed to this press release from Viz on new licenses. Fabulous news for Tenjo Tenge fans, particularly those still bitter about CMX’s editing choices, but read deeper into that piece, and you will find the source of my giddy, giddy joy:

LA QUINTA CAMERA • Rated ‘T’ for Teens • VIZ Signature • MSRP: $12.99 US / $14.99 CAN • Available July 19, 2011

A charming suite of linked stories from the acclaimed author of not simple and House of Five Leaves, set in an apartment in Italy. In four of the rooms live four single men with singular personalities. Into this peculiar ménage steps an exchange student, the new tenant of the fifth room. Brought together by chance, friends by choice, they pursue their dreams together as the days drift gently by.

It originally ran in Penguin Shoubou’s Comic Seed! Odd that they didn’t mention it’s also by the creator of Ristorante Paradiso and Gente, what with the “bunch of guys in Italy” thing going on. Still… new Ono!

Prix Asie, belatedly

I was completely obsessed with this awards program last year, and I completely overlooked the 2010 finalists for the Prix Asie of the Association des Critique et Journalistes de Bande Dessinée (ACBD), in spite of the fact that Tom (The Comics Reporter) Spurgeon posted the list months ago. Here they are:

  • Deux expressos de Kan Takahama, Casterman
  • Folles passions de Kazuo Kamimura, Kana
  • L’Île Panorama de Maruo Suehiro d’après Edogawa Rampo, Casterman
  • Le Juge Bao de Chongrui Nie et Patrick Marty, Fei
  • Pluto de Naoki Urasawa d’après Osamu Tezuka, Kana
  • ACBD has also posted a list of what you might call runners-up, other worthy work from the period under consideration. You can find it on this page if you scroll down a bit.

    Getting into One Piece

    In the run-up to the next Manga Moveable Feast, it occurs to me (mostly thanks to Johanna Draper Carlson of Manga Worth Reading) that people who aren’t familiar with Eichiro Oda’s One Piece (Viz) might appreciate some suggested entry points to the very long series. (The 55th volume came out in early October.)

    Viz has released the first twelve volumes in less expensive omnibus editions, with three paperbacks collected in each book. The first two omnibuses contain fun material and introduce the story’s core characters, and they’re certainly worth reading.

    If you want to see what Oda is really capable of achieving, however, I’d recommend you go for the third and fourth omnibus collections, which contain all of the chapters comprising what some call the “Arlong Arc.” While the story arcs prior to that are certainly accomplished in terms of their ability to combine adventure and comedy, the Arlong Arc represents Oda’s most successful addition of dramatic material into the mix. If you’d rather buy or borrow individual volumes, I believe the Arlong Arc is contained in volumes eight, nine, ten and eleven. Even if you buy individual volumes, there’s going to be some overlap with previous and subsequent arcs, but it will be a “cleaner” read if you only want to sample one relatively contained story arc. I don’t think reading the material that runs up to the Arlong Arc is strictly necessary, but there’s some fun stuff in those volumes.

    On its dedicated One Piece site, Viz lists the various sagas of the series, which is less useful than you might expect, especially in the early going. The “East Blue” saga actually consists of about four discrete individual arcs, with Arlong being the strongest. I believe “Baroque Works” is also more a collection of loosely related arcs than a single narrative, though I’m not entirely sure. I’m approaching One Piece from two directions, using the omnibus editions to catch up on older volumes while picking up recent individual volumes from the 29th forward. Prior to reading the 29th, I’d only read a few of the earliest volumes and liked them well enough but was not yet fully converted to the cult of Oda.

    I’m hoping that Viz continues with the omnibus collections of the earlier volumes, though there doesn’t seem to be one on the schedule any time soon. It does seem to be one of those series where all of the volumes are readily available at your average chain bookstore. I’m not sure how much of a presence they have in libraries, and I’m sure that partly depends on how interested your local library system is in manga and graphic novels.

    Does anyone else have any suggestions on entry points for the series? I would think that the most recent volumes to be made available in English would be kind of impenetrable, or at least you wouldn’t be able to fully appreciate what’s going on except in the sense that it’s an accomplished adventure story. And that might be plenty for some readers to enjoy it just fine.

    Random weekend question: guilt trips

    Melinda (Manga Bookshelf) asked folks to confess to their guilty graphic pleasures, so I thought I’d approach the question from the other direction. What comics or graphic novels, if any, do you feel guilty about having not read? Are there any much-loved classics or high-tone titles that you just can’t be bothered to read?

    Open portal thread

    Brigid (MangaBlog) Alverson points to this report at Anime News Network, announcing that “37 Japanese publishers are collaborating to set up a joint portal site” for their manga. It seems like the kind of thing that could be so monumental as to drive me to use otherwise loathed phrases like “game changer” and “paradigm shift.”

    So instead of the usual Friday license request, I thought I’d throw open a discussion of what kinds of comics you’d like to see included in the initiative, which publishers you’re most eager to see participate, and whatever other responses you have to this news.

    Quick context

    In case you’re wondering about the context of that quote in today’s Journalista, it came in response to a tweeted question from Ed Sizemore (Manga Worth Reading, Manga Out Loud), which led to a lively discussion on the difference between a reviewer and a critic. A number of folks offered their thoughts on the subject, as did Dirk Deppey, so that’s where that was spawned. (Sometimes you don’t know you need a hash-tag until it’s too late to use one.) For the record, I don’t find I value either criticism or review over the other as a reader, though I do tend to enjoy writing reviews more.

    And speaking of reviewers, Melinda (Manga Bookshelf) Beasi lists some of those she finds most reliable, and I’m flattered to be among them.

    Announcing the next Manga Moveable Feast

    Anime News Network notes that the 60th volume of Eiichiro Oda’s One Piece (published by Shueisha in Japan, Viz in the United States) has sold over 2,000,000 copies in four days. This seems like as good a reason as any to announce that the next installment of the Manga Moveable Feast will focus on Oda’s blockbuster pirate adventure. This edition of the Feast will run from Sunday, Nov. 28, to Saturday, Dec. 4.

    Anyone needing a refresher on what the Manga Moveable Feast is all about can take a look at Matt (Rocket Bomber) Blind’s handy introduction to the project. If you’d like to participate but don’t have a blog or don’t think the subject is right for the blog you already have, I’d be happy to host guest pieces during the Feast. Just email me at davidpwelsh at yahoo dot com.

    Here are links to the Feasts that have taken place thus far:

  • After School Nightmare (Go! Comi), hosted by Sean (A Case Suitable for Treatment) Gaffney
  • Paradise Kiss (Tokyopop), hosted by Michelle (Soliloquy in Blue) Smith
  • The Color Trilogy (First Second), hosted by Melinda (Manga Bookshelf) Beasi
  • To Terra… (Vertical), hosted by Kate (The Manga Critic) Dacey
  • Mushishi (Del Rey), hosted by Ed (Manga Worth Reading) Sizemore
  • Emma (CMX), hosted by Matt (Rocket Bomber) Blind
  • Sexy Voice and Robo (Viz), hosted by me
  • One Piece is serialized in Viz’s Shonen Jump magazine here in the United States. Deb (About.Com) Aoki just happens to have an interview with editor Joel Enos on recent and upcoming changes to the long-running periodical.

    Bullies for you

    Last night saw the broadcast of Glee’s much-anticipated episode about bullying, “Never Been Kissed.” I could go on at length about it, but I think I’ll confine my remarks to about a paragraph. I didn’t find it dramatically or musically successful or useful in a sociological sense. In fact, at a time when a show of Glee’s profile and audience demographic could really have modeled some behaviors that would be useful to kids who are at risk and the classmates who might be persuaded to stand up for them (Glee’s precise demographic, for all intents and purposes), it seemed to choose instead to write for the nostalgia of people who’ve come through those kinds of bullying crises, which is not useful at all to kids who are actually being bullied. Now, you may argue that Glee is under no obligation to model positive behaviors, but I would counter that the show’s creators are more than willing to accept praise for the show’s inclusive, empowering message, so, yes, there’s a certain onus in place for them to actually craft those messages with care. Also, Mr. Schue is an idiot.

    I agree with this spoiler-filled review by Monkey See’s Linda Holmes in most particulars, if you want to see a more detailed examination of the episode.

    The Seinen Alphabet: P

    “P” is for…

    Hitoshi Iwaaki’s Parasyte, originally published by Tokyopop, then published again by Del Rey, because it’s just that good. It’s about a teen whose hand is taken over by a creature that would normally take over the kid’s whole body by replacing his head. Other members of the creature’s invading species are not amused. It originally ran in Kodansha’s Afternoon.

    For some classic, high-end ninja action, there’s Path of the Assassin (Dark Horse), written by Kazuo Koike and illustrated by Goseki Kojima. The 15-volume series was originally published by Kodansha.

    Felipe Smith’s Peepo Choo (Vertical), which offers brutal satire of cross-cultural misconceptions and fetishes. Smith started his career with MBQ for Tokyopop, then hit the big time by creating Peepo Choo for Kodansha’s Morning 2.

    Naoki Urasawa’s Pluto (Viz), which re-imagines a classic tale from Osamu Tezuka’s Astro Boy (Dark Horse) in an introspective, adult way, which kind of makes it Japan’s answer to Watchmen (Vertigo), I guess. It originally ran in Shogakukan’s Big Comic Original.

    Speaking of Urasawa, I think Pineapple Army, written by Kazuya Kudo, was one of his first works. It originally ran in Big Comic Original.

    Makoto Yukimura’s Planetes (Tokyopop), a generally magnificent look at the people who keep Earth’s orbit safe by picking up trash. I’m not going to claim that this book is perfect, but it really is one of my favorite science-fiction series. It originally ran in Kodansha’s Morning.

    Did Media Blasters ever publish all of Pilgrim Jäger? I don’t think so. It’s a six-volume series, written by Tō Ubukata and illustrated by Mami Itō, originally serialized in Shōnen Gahousha’s Young King Ours.

    I’m guessing on this one, or at least relying on possible questionable sources, but I think Hideji Oda’s A Patch of Dreams (Fanfare/Ponent Mon) originally ran in Kodansha’s Afternoon. But even if it isn’t seinen, it’s an attractive and interesting book.

    It’s technically gekiga, and I’ve never really heard anyone say outright that gekiga is a subset of seinen, but I’d feel remiss if I didn’t include The Push Man and Other Stories, an amazingly bleak collection of the work of Yoshihiro Tatsumi from Drawn & Quarterly.

    I’ve liked everything I’ve read that was created by Taiyo Matsumoto, so I see no reason why I wouldn’t also enjoy Ping Pong, which originally ran in Shogakukan’s Big Comic Spirits Special.

    On the publisher front, the only Japanese one that comes to mind is the defunct Penguin Shoubou.

    So what starts with “P” in your seinen alphabet?

    Update:

    A couple of glaring omissions for the week: