The theme of this week’s comic shop arrivals seems to be “new volumes of appealing series,” and there’s nothing wrong with that.
Dark Horse delivers the fifth volume of Eiji Otsuka and Housui Yamazaki’s The Kurosagi Corpse Delivery Service. I didn’t think the fourth volume was quite up to standard, to be honest. It wasn’t bad, but it wasn’t as solid a combination of gruesome mystery and strangely heartwarming comedy. I did appreciate the guest appearance by Reiji Akiba from Yamazaki’s other series, Mail, and I hope he returns.
I find Kaoru Mori’s Emma (CMX) extremely soothing. It’s so gentle and precise, and it’s really easy on the eyes. The sixth volume arrives tomorrow. (By the way, does the knowledge that this series was originally published in a seinen magazine influence your reading experience in any way? Or that Yotsuba&! Or Azumanga Daioh had similar origins? I was flipping through the latest Comics Journal at the shop last week, and most of the review of Translucent seemed largely devoted to that conundrum.)
Until the arrival of Ai Morinaga’s My Heavenly Hockey Club (Del Rey), Kiyoko Arai’s Beauty Pop (Viz) was the clear leader in the ridiculous shôjo category. It’s still awfully good, even if it’s moved into second place. The sixth volume arrives Wednesday. I also really enjoyed the preview chapter of Kiyo Fujiwara’s mafia princess comedy Wild Ones that ran in a recent issue of Shojo Beat, so I’ll have to move that up in my “to read” pile.
Among the other new series making their debut, Seven Seas offers a new take on Speed Racer, written by Dwayne Alexander Smith and drawn by Elmer Damaso, whose work seems to bear some resemblance to that of Mike Allred. That’s kind of a cool way to go with the material.
