It’s Manga Month again in Diamond’s Previews, and while that’s not all the volume has to offer, there’s plenty of noteworthy new stuff from all over.
Del Rey debuts the first volume of Ai Morinaga’s My Heavenly Hockey Club. I keep hoping someone will pick up the rest of Your and My Secret, which vanished after one volume from ADV. Maybe this will provide a satisfying, substitute Morinaga fix. (Page 269.)
None of this month’s listings jump out at me, but it’s really nice to see Drama Queen’s offerings on the pages of Previews. (Page 288.)
The Comics Journal #284 (Fantagraphics) will include an interview with Gene (American Born Chinese) Yang, and interviews with Yang are always worth reading. (Page 292.)
:01 First Second unveils their spring season highlight (for me, at least): Joann Sfar and Emmanuel Guibert’s The Professor’s Daughter, a Victorian romance between a young lady and a mummy. (Page 294.)
I know printing money actually involves specialized plates and paper with cloth fiber and patent-protected inks, but it seems like there could be a variation involving delicately handsome priests at war with an army of zombies. Go! Comi will find out (as will we all) when they release the first volume of Toma Maeda’s Black Sun, Silver Moon. (Page 298.)
Last Gasp promises “catfights, alien safari adventures, evil experiments, and a girl who dreams of becoming a pop idol singer” in its re-release of Junko Mizuno’s Pure Trance. Since its Mizuno, I’m sure that description doesn’t even begin to describe the adorable, revolting weirdness. (Page 313.)
Mike Carey’s work as a comics writer is hit and miss for me. I’ve loved some of it, and found other stories to be pretty tedious. One of my favorite examples is My Faith in Frankie (Vertigo), illustrated by Sonny Liew and Marc Hempel. So I’m inclined to give the creative team’s Re-Gifters (Minx) a try. (Page 109.)
Pantheon releases a soft-cover version of Joann Sfar’s sublime The Rabbi’s Cat. This was my first exposure to Sfar’s work, and I’ve loved it ever since. And in some cultures, the release of a soft-cover means a hard-cover volume of new material might be on the way, which would make me deliriously happy. (Page 324.)
The Tokyopop-HarperCollins collaboration bears fruit with the release of Meg Cabot’s Avalon High: Coronation Vol. 1: The Merlin Prophecy. The solicitation doesn’t include an illustrator credit, which is an unfortunate slip, and neither does the publisher’s web site. Maybe Cabot drew it herself? (Page 333.)
I’ve been hoping to see more work from Yuji Iwahara since CMX published Chikyu Misaki. Tokyopop comes through with Iwahara’s King of Thorn. (Page 335.)
Top Shelf offered some all-ages delights last month, which made me happy, and presents a new (I think?) volume of work from Renée (The Ticking) French. Micrographica is a collection of French’s online strip of the same name and offers “pure weirdness.” I don’t doubt it will deliver in a lovely, haunting way. (Page 352.)
Vertical rolls out another classic from Osamu Tezuka, Apollo’s Song, displaying the God of Manga’s “more literate and adult side.” For readers wanting something a little more contemporary, there’s Aranzi Aronzo’s Aranzi Machine Gun, featuring plush mascots on a tear. How can I choose? Why should I? (Page 355.)
I can’t read every series about people who see dead people. I just can’t. I wouldn’t have any money left for food. But Viz ignores my attempts at restraint by offering Chika Shiomi’s Yurarara in its Shojo Beat line. Shiomi is enjoying quite the day in the licensed sun, with Night of the Beasts (Go! Comi) and Canon (CMX) in circulation. (Page 372.)
And here’s an oddity, but an intriguing one: edu-manga from Singapore. YoungJin Singapore PTE LTD (you’ll forgive me if I hold off on adding a category) releases manga biographies of Einstein and Gandhi and adaptations of Little Women and Treasure Island. (Page 375.)
