Viz has certainly delivered some beloved manga to English-reading audiences in their almost-25-year history, haven’t they? Yesterday’s discussion has certainly reinforced that belief. So, by all means, let us extend warm and gracious thanks for the seinen, the shônen, the shôjo, the josei, the fifth genre, and so on!

And yet…

It would not be Friday if I didn’t at least obliquely express a little dissatisfaction with what’s on our shelves, and Viz co-owners Shueisha and Shogakukan certainly aren’t exempt in terms of onus for rectifying perceived shortcomings. So, instead of adding a new, unlicensed title to the pile, I’ll offer a polite but firm reminder of some of the titles these two publishing giants might consider sending through the Viz pipeline.

Bartender, written by Akari Joh and Illustrated by Kenji Nagatomo, currently serialized in Shueisha’s Super Jump. While I hope Vertical’s release of wine epic Drops of God succeeds for its own sake, I hope one of the side effects is that it helps create a market for intoxicant-driven manga like this one. Sure, it’s great to enjoy a cocktail while reading manga, but it would be even better to enjoy a cocktail while reading manga that’s about cocktails.

The Cornered Mouse Dreams of Cheese, written and illustrated by Setona Mizushiro, originally serialized in Shogakukan’s Judy. If you’re looking for someone who can explain to you why there isn’t more Mizushiro manga available in English, you can just keep on looking, because I am not even remotely equipped to do so. It’s honestly hard to pick just one of Mizushiro’s yet-to-be-licensed works, but I settled on this one to add a little boys’-love spice to the mix.

Gokusen, written and illustrated by Kozueko Morimoto, originally serialized in Shueisha’s You. If assembling The Josei Alphabet has led me to no other conclusion, it’s further convinced me that we need more josei in English. By all accounts, this tale of a math teacher trying to get the delinquents at her all-boys’ school on the right path, is funny and sprightly and could certainly reach a fairly diverse audience.

Hime-Chan’s Ribbon, written and illustrated by Megumi Mizusawa, originally serialized in Shueisha’s Ribon. There are almost certainly more important shôjo titles in both Shogakukan and Shueisha’s catalogs that are crying out for licensing, but this one sounds really adorable, and its accessory-driven storytelling might both catch and support the wave that I hope is created by the re-release of Sailor Moon.

Otherworld Barbara, written and illustrated by Moto Hagio, originally serialized in Shogakukan’s Flowers. I give Viz all the credit in the world for being the first stateside publisher to introduce Hagio’s work to readers, but what have they done for us lately? It’s been a long time since Fantagraphics released A Drunken Dream and Other Stories, and I need a new Hagio fix. This award-winning, four-volume series would do the trick.

Witches, written and illustrated by Daisuke Igarashi, originally serialized in Shogakukan’s IKKI. I love Viz’s SigIKKI initiative, but they desperately need to add another substantial, ongoing series to their roster, and I would love it if that series was Witches, because I can star at Igarashi’s illustrations for hours.

So there are my top six Viz-friendly license requests of the moment. What about you? What Shueisha or Shogakukan titles top your wish lists?