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From the stack: Catskill comic book

September 10, 2004 by David Welsh

I love it when writers blend humor into super-hero comics. It can provide a nice counterpoint to high-stakes adventure and humanize larger-than-life characters.

Judd Winnick tries rather strenuously to achieve this in Outsiders 15, and the results range from flat to painful. Hence, here’s a completely unnecessary joke-by-joke analysis of the issue. (Needless to say, this will contain spoilers.)

Page 3: The Fearsome Four have come into possession of a stockpile of nuclear weapons and are debating possible targets.

Jinx: I vote for Paris.
Psimon: You always say that, Jinx. What is with you and France?
Jinx: It ain’t just me.

First of all, the “I hate France” joke is sufficiently old and ubiquitous to be pretty tinny. Secondly, this particular “I hate France” joke seems to want to have its gateau and eat it too.

It’s vague enough to be open to interpretation. It could be viewed at a dig at the kind of people who consider “Freedom Fries” a reasonable response to international discord. Or it could be taken at face value: “Who doesn’t want to blow up France?” So it’s not just dated, it’s hedging.

After a bit more brainstorming, Psimon offers the following: “The whole point of this is not to be flashy, or to make a political statement of any kind.”

He dribbles a bit about logistics, and then we come to the punch line on page 4:

Jinx: You want to blow up Canada?
Psimon: I really do.

While not as bewhiskered as “I hate France,” “Canada is bland” has also passed its sell-by date. There’s also a lot of jabber between the set-up and the closing that doesn’t do it any favors.

This is immediately followed with an example of “the fake-out,” a conversation that seems to be about one thing but isn’t. Nightwing and Arsenal, airborne and in pursuit of villains with nukes, seem to be talking about a missed bathroom break. This doesn’t come across very clearly, largely due to the given circumstances, but Winnick has Shift clear it up on page 5: “They can’t be talking about using the john, right? The Pequod has a very nice toilet back here.”

It explains the joke, but as someone once said, explaining a joke is like dissecting a frog. You learn something, but the frog doesn’t make it through the procedure. Add to this the fact that Shift’s line could just as easily have gone to Indigo, who has a history of misinterpreting human behavior and of being overly literal. (It still probably wouldn’t have saved the joke, though. “The fake-out” generally works best in the other direction; you think they’re talking about stolen nuclear weapons, but they’re really just trying to find a toilet.)

Moving on to page 6, where the Fearsome Four is finalizing their target selection. Having already set up the France/Canada conflict, he misses the obvious follow-up, Montreal. (It’s French-Canadian! Everyone wins!) Vancouver is chosen instead.

Page 7: Shimmer: “Dr. Sivana used to give those handouts.” It’s a nice mental image, certainly, but it’s wedged into the sequence for its own sake. And it isn’t funny enough to merit the intrusion.

Things move along fairly smoothly until page 10, when we begin the “post-feminist humor” section of the issue. Arsenal starts it off by saying Jinx looks like “a 16th century Middle Eastern hooker.” On page 12, he explains to her that “psychotic meta-human bald chicks” don’t rate chivalry. (My guess? Jinx shot him down at a singles’ bar.)

There’s a tired joke at a man’s expense, too. In this case, it’s a sight gag. Grace is enduring a pounding from Mammoth, who bellows that “no @#$% woman is gonna hurt” him. Grace responds by racking him. This almost could have worked; it’s a reasonable enough tactic, going for the tender spot on a thick-hided opponent. But Winnick doesn’t trust the pencils to make the point, so Grace sums it up: “I think your ‘boys’ might disagree!” Ow.

Peppered throughout the concluding fight sequence are a number of pop-culture-influenced nicknames. Shift calls Shimmer “Elvira.” Grace calls Mammoth “Grizzly Adams.” Jinx calls Indigo “Smurfette.” I begin to suspect that VH1’s “I Love the ‘80s” is de rigueur viewing in DC’s meta-human community.

On page 20, the jokes turn a different kind of meta. Shift has survived a run-in with a nuclear warhead, and a relieved Indigo leaps into his arms. Shift: “Um, so does this mean that unspoken ‘thing’ we have is done?” Odd question, considering that she has her legs wrapped around him when he asks it. (And I think part of my brain died when I tried to come up with a list of all the movies that have featured the “happy girl jumps into arms of presumed-dead hero” sequence that’s swiped here.)

Dr. Sivana’s provided the bulk of the effective comedy in this story arc so far, mostly by subverting expectations. (His “Threatening Three” line a while back was probably the best in the series so far.) The twist ending follows through on that, and it’s nice that he gets a little epilogue on page 22. Unfortunately, it’s partially spoiled by Winnick over-articulating the gag: “What’s the point of being a mad scientist if you don’t have a tropical island lair?” Wordy, obvious, and a little too meta for my tastes.

It’s still a puzzle to me how Winnick, who’s written one of the funniest things I’ve ever read, can fall so flat when it comes to super-hero titles. But I wish he’d lay off the jokes for a while.

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Wonderlust

September 10, 2004 by David Welsh

In comments on another post, Jon was wondering about the critical response to “The Life and Times of Wonder Woman.” Here are some links I found:

  • The New York Times review (free registration required)
  • TheatreMania.com review (scroll down)
  • New York Metro.com review

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From the manga stack: Random thoughts

September 9, 2004 by David Welsh

It’s probably sacrilege, but Nausicaa of the Valley of the Wind, by manga and anime legend Hayao Miyazaki, isn’t really working for me. I find the world Miyazki has created engaging, and the central premise is intriguing, but something is keeping me from connecting to it.

Part of it might be that I find the visual storytelling difficult to follow at times. More than once, I’ve found myself lost during an action sequence. That said, the images are often lovely when taken individually, and there’s a nice kinetic feeling, particularly when flight is depicted. But I’ve found the character designs to be a bit indistinct, too, which doesn’t help me track what’s happening.

I’m still enjoying Hot Gimmick, Miki Aihara’s tense, layered soap opera. I just finished reading volume six, and one thing that really struck me was Aihara’s ability to maintain a high level of drama even though the plot only moves incrementally forward. It’s not about big events or revelations so much as the cumulative effect of small moments, either from the present or buried in the past. (Johanna Draper Carlson just updated her Hot Gimmick page at Comics Worth Reading.)

Fake is still at the top of my list of guilty pleasures. As a police drama, it’s still a total wash. As a sexy, romantic adventure, I haven’t found anything to top it.

One thing disturbs me, though. Each volume (I’m up to the fifth) features a story about Carol and Bikky, teen-aged charges of hot cops Ryo and Dee. They’ve finally found some friends their own age, Lai and Lass. But Lai and Lass are crossover characters from another manga, Ra-1! The idea of crossover characters in manga is completely dischordant to me. Dear manga industry: please don’t do that. Love, David. (I kid. I think.)

Yu Watase continues to explore the power of words in her elegant, supernatural Alice 19th. I’ve heard a lot of good things about Watase’s latest work, Imadoki, where she forgoes mysticism for… horticulture? I’m game.

After disappointment (with Clamp School Detectives) and delight (Case Closed) with manga mysteries, I can’t wait to try Kindaichi Case Files. Johanna says it’s Manga Worth Reading, and that’s always a good predictor that I’ll enjoy it. And, hey, Greg McElhatton over at iComics likes it, too!

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Reality check

September 9, 2004 by David Welsh

The fifth season of Amazing Race is shaping up for a nice conclusion. I could live with pretty much any of the remaining teams winning. (You can catch up with the around-the-world fun here.)

While I can’t stand Colin (he’s creepy) and find Christie troubling (due to her tolerance for creepy), I can’t deny that they’ve raced like champs. My favorites are Chip and Kim, who are Colin and Christie’s polar opposites in terms of healthy interpersonal dynamics. (They also race pretty well, all in all.) Linda and Karen appeal to me simply because they’re having so much fun. As devoutly religious reality show contestants go, Brandon and Nicole are surprisingly tolerable. They also make me question my agnosticism, as surely only divine intervention could have gotten them this far. (No stereotypes about models are being broken here, let me tell you.)

As for the recently departed twins? About time their shocking incompetence caught up with them. Don’t let the door hit you on your way out, and please feel free to take your Bad Girls of Field Hockey shtick with you, okay? Thanks.

The thing that I like best about this show, and the reason I think it’s developed such a loyal fan base, is that merit actually plays a role in the outcome. Certainly luck can be a huge factor, but teamwork, planning, and fearlessness can move you to the front of the pack. And while relationships get focus, it’s in the context of how relationships can help or hinder teamwork, not the creepy, voyeuristic approach of other shows.

Speaking of other shows, the producers of Survivor have decided that we just can’t get enough Rupert. Despite decisively losing the show twice, he’s been brought in as some kind of “advisor” for this year’s contestants. I can only assume that he’s meant to serve as some kind of negative example, as he’s yet to demonstrate any pronounced accumen in anything but fishing.

The upcoming season will apparently take place on volcanic islands. No word yet as to whether losing contestants will be offered up as sacrifices, but I’m keeping my fingers crossed. The new season debuts Thursday, Sept. 16.

The Apprentice gets a one-week jump on the grubby island-dwellers, focusing instead on meticulously groomed island dwellers (specifically, Manhattan). Come for the aspiring corporate weasels; stay for the inimitable cool of Carolyn Kepcher.

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Better late than never

September 8, 2004 by David Welsh

First, a timely reminder from Savage Critic: new comics arrive Thursday. One of the Savage ones, Jeff Lester, also reveals a haunting encounter with first-person marketing. It’s a convincing argument in favor of Caller ID if ever I’ve seen one.

Shane Bailey looks back at a short-lived great, Chase, at Near Mint Heroes. It’s the first in a series highlighting comics that deserved longer runs.

At Polite Dissent, Scott fears that the Identity Crisis body count is already higher than we suspect. (Watch out, Rainbow Raider!) With this, Scott can be forgiven for digging up one of my worst comic memories.

Are you feeling adrift in these troubled times? Do you wish you could ask a near-omnipotent, other-dimensional despot for guidance? Matt Maxwell feels your pain, and he’s found just the fellow to help you out. In other words, “What Would Dormammu Do?”

DC finally does something to boost one of its most original books, Fallen Angel. They’re giving away free copies via a complex mathematical formula. (And, no, I won’t pass up the opportunity to remind you of Johanna’s most excellent Fallen Angel contest, which ends today, 9/8/04, and requires no algebra to enter.)

Since elegant segues are the monkey on my back, let’s look at the books that are coming out tomorrow! Why, it’s Fallen Angel #15! Let’s see what else is here… District X #5, Gotham Central #23, She-Hulk #7… wait, surely there must be at least one comic by… ah, there they are… Powers #4 and The Pulse #5. (I think Johnny Bacardi is right about Powers.)

Last but not least, the phrase “because you demanded it” subjects itself to further scrutiny with this announcement.

Filed Under: Uncategorized

Pocket full of kryptonite

September 7, 2004 by David Welsh

In the latest Lying in the Gutters, Rich Johnston chronicles the ongoing flap about who knows more about the upcoming Superman movie, and Fanboy Rampage chronicles the flap about Johnston chronicling the flap.

So, what’s your point? Slow news day?

Not really, because something weird is lurking around the edges. From Johnston’s item:

“I understand that Harry Knowles’ sources are very close to Bryan Singer. And, I’m told, that Bryan Singer has a particular theme in mind regarding this film. As an openly gay activist, he’s wanting to give the world a new young gay role model, and is looking to employ someone who is either openly gay or closeted gay, who’ll come out during publicity for the movie. Superman itself can also be seen as an allegory for closeted homosexuality (and is also the topic of a superhero comic project I’m working on called “The Glamour”) and Singer wants to add that meta-textual element to the movie. As of yet, Singer has not plumped for any actor over another, though many are being considered.”

Well, that’s… interesting. Has Singer left a hugely successful super-hero film franchise with a glaringly obvious oppressed-minority metaphor built right in to try and tease one out of a much more iconic super-hero film franchise?

I’m always happy to hunt for sexual identity metaphors in super-hero comics, but I’ve never had the energy to trawl through a Superman comic for them. Maybe that’s because I find him to be incredibly bland. The mechanics are there (“passing” at work, flamboyant and empowered in his private moments), but I’ve always signed on for the “Superman is the ultimate immigrant” theory and left it at that. (Of course, the closet-case construct would go a long way towards explaining his psychologically sadistic treatment of his “beard”, Lois, at least prior to their marriage. Twisted queen! Don’t make her carry your baggage!)

Then there’s the question of the potential effectiveness of this scheme. Does someone automatically gain “role model” status for young gays and lesbians by playing a bland, heroic icon in a summer blockbuster, then offering up their sexuality as part of a publicity stunt? (Or, maybe the question I’m asking is should they?) Honestly, half of America probably already assumes gay people are playing their summer movie action heroes.

Don’t get me wrong. I wish we lived in a culture where a person’s sexual orientation couldn’t hinder their professional success. (Which is only logical since… hi!… gay here.) And, obviously, the entertainment industry is notoriously conflicted about these issues. And, sure, it would be terrific if gay kids had more people they could look up to without having to decode any messages or metaphors. I’m just dubious as to how well this plan would work, if Singer has concocted it at all.

And the most important question hasn’t even been broached: will Singer lure the sublime Sir Ian McKellen away to play Jor-El? I need answers, people!

Filed Under: Uncategorized

Best. Issue. Ever.

September 7, 2004 by David Welsh

That’s what Randy Lander thinks of the upcoming issue of Fallen Angel, and he’s given it a rating of 10 out of 10 in a first-look review at The Fourth Rail. More importantly, he’s given me another perfectly organic opportunity to mention Johanna’s Fallen Angel contest, which ends tomorrow, Sept. 8.

(The fools! They’ll never realize that my linkblogging contains powerful subliminal messages! Wait… is this thing on? Crap! Click.)

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Getting it

September 6, 2004 by David Welsh

Fanboy Rampage chronicles critical response to Avengers 501 and inadvertently triggers a crushing tension headache at the same time by quoting an example of the leader of the pack in my least favorite critical gambits. It’s from Silver Bullet Comics, and it goes something like this:

“There are some people who just aren’t getting this… Well, I suppose that those people have to complain somewhere now that X-Statix has finished, but this is Avengers, not an experimental Grant Morrison project. It’s really not hard to understand, and as such Bendis shouldn’t have to explain the plot to those too feeble-minded to comprehend…”

Because, heaven knows, anyone who doesn’t like what Bendis is doing simply doesn’t understand it. It’s a failure of comprehension, you see, not a reasoned response to relative artistic merit.

Pardon me while I grind my teeth down to nubs. I’ll be back in a moment.

Is it just me, or is there a worryingly high degree of ad hominem attacks in critical discourse at the moment? (I know, I know, it’s the Internet, but it still seems to have reached epidemic levels lately.) It’s not sufficient, apparently, to disagree about a book’s quality. To really drive your point home, you have to question the intelligence of those who hold different views, to assume that some flawed worldview colors their ability to evaluate content, or to dismiss them as enemies of creative change.

Maybe they understand the book perfectly and just happen to think it’s crap. Is that possible? No? Okay, sorry.

Filed Under: Uncategorized

From the manga stack: CASE CLOSED

September 4, 2004 by David Welsh

As Case Closed begins, Jimmy Kudo has an enviable life. Though only in junior high, he’s one of the police’s most valuable assets, a detective prodigy who helps solve some baffling cases. A semi-celebrity, he’s also got Rachel, a smart, spirited girl who adores him, even if he’s too dense to realize it.

That set-up gets turned upside-down when Jimmy stumbles across a crime in progress. Subdued by the felons, he’s fed an experimental poison that turns his body to that of an adorable six-year-old. Jimmy fears that the people around him would be in danger if his attackers knew their victim was still alive, so he keeps his identity a secret until he can bring the criminals to justice and find an antidote.

But what’s a crack detective to do when everyone thinks he’s a pesky kid? Jimmy adopts a pseudonym, “Conan Edogawa,” taken from his favorite mystery authors, and ingratiates himself into Rachel’s household, led by her father, Richard Moore. Moore is a former policeman, now a private investigator. “Conan” assumes he can use Moore’s resources to his own ends, but Moore’s resources are as limited as his abilities.

Conan can’t resist the lure of an unsolved case, but he can’t reveal himself, either. Not only does he face the challenge of solving some fairly grisly mysteries, he also has to trick the incompetent Moore and the hapless police into coming to the right conclusions. It’s a twisty framework, and it makes way for some inventive comedy. Conan alternately plays on his cute-kid appearance and subverts it.

The mysteries themselves are nicely constructed, even if they don’t break any ground. They’re designed for readers to solve, not unlike the Encyclopedia Brown stories. Of course, Brown never dealt with beheadings, kidnappings, and celebrity scandal. But the violence of the crimes doesn’t undermine the good-natured tone of the stories. There’s a nice balance between menacing mystery and comic complications.

Jimmy/Conan is a fine protagonist, smart but not obnoxious, helpful but not saintly. The supporting cast is strong, too. Rachel’s worry over Jimmy is balanced by her sisterly affection for Conan. And Moore throws some great roadblocks in Conan’s path. He’s a wash as an investigator, ignoring evidence in favor of motive and blinded by his own simplistic assumptions about human nature. He’s the anti-Jimmy.

Beyond establishing a nifty premise, creator Gosho Aoyama has created strong visuals. While he doesn’t shy away from some of the grislier aspects of the stories, there’s a welcome streak of comedy. Character designs are charming, and the facial expressions are great. The pencils actually remind me a lot of Paul Grist’s work on Jack Staff.

Case Closed is a lot of fun, and I’m looking forward to future volumes.

P.S. (The publisher of Case Closed, Viz, has apparently decided to prohibited the use of interior art, even in reviews. I don’t post images on my blog, so this doesn’t really affect me, but it still seems kind of dumb.)

Filed Under: Uncategorized

He likes it! Hey, Mikey!

September 4, 2004 by David Welsh

Ian at the Brill Building goes on a blind date with Fallen Angel, and things go well:

“This book is really all about mood, characterization and dialogue. In all three of those categories, I felt, it scored well.”

Ian was motivated by Johanna’s Fallen Angel contest, which is still underway. See what it’s all about here; deadline is Sept. 8.

Filed Under: Uncategorized

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