I’ve been reading Tezuka’s Ayako (a review copy provided by the publisher, Vertical), and it’s intriguing. Tezuka is viewing the turbulent, post-World War II period in Japanese history through the lens of a troubled family of landed gentry trying to hold onto their resources, if not their dignity. As the publisher notes, the book is “[u]nusually devoid of cartoon premises yet shot through with dark voyeuristic humor.”
Of the crazy Tezuka available in English, it’s the most realistic in terms of the events it portrays. The narrative certainly relies on extremities of human cruelty, greed, and depravity, but people don’t turn into dogs or display implausible aptitudes for disguise and sexual irresistibility or scheme to destroy all men. Admirable as Tezuka always is, even when modeling relative restraint, I’m finding I miss the extremities… the moments when I ask myself if I really just read that and going back a few pages to make sure. I suspect Ayako is a book that will require a couple of readings to really absorb what it’s trying to convey.
It ran in Shogakukan’s Big Comic from January 1972 to June 1973.
Elsewhere in comics, Brandon Graham’s terrific King City (Image) reaches its conclusion with its 12th issue. It looks really great in pamphlet form, I have to say.
Upcoming 12/2/2010
This week’s ComicList is dominated by the one and only Osamu Tezuka.
I’ve been reading Tezuka’s Ayako (a review copy provided by the publisher, Vertical), and it’s intriguing. Tezuka is viewing the turbulent, post-World War II period in Japanese history through the lens of a troubled family of landed gentry trying to hold onto their resources, if not their dignity. As the publisher notes, the book is “[u]nusually devoid of cartoon premises yet shot through with dark voyeuristic humor.”
Of the crazy Tezuka available in English, it’s the most realistic in terms of the events it portrays. The narrative certainly relies on extremities of human cruelty, greed, and depravity, but people don’t turn into dogs or display implausible aptitudes for disguise and sexual irresistibility or scheme to destroy all men. Admirable as Tezuka always is, even when modeling relative restraint, I’m finding I miss the extremities… the moments when I ask myself if I really just read that and going back a few pages to make sure. I suspect Ayako is a book that will require a couple of readings to really absorb what it’s trying to convey.
It ran in Shogakukan’s Big Comic from January 1972 to June 1973.
Elsewhere in comics, Brandon Graham’s terrific King City (Image) reaches its conclusion with its 12th issue. It looks really great in pamphlet form, I have to say.
What looks good to you this week?