Some highlights from the January 2009 issue of Diamond’s Previews catalog:
It’s been quite some time since the second volume came out, so it’s good to see the third volume of Mi-Kyung Yun’s beautifully drawn Bride of the Water God listed by Dark Horse (page 60). Soapy doings among the gods, which was really the point of mythological pantheons in the first place, if you ask me.
I can’t remember for the life of me who it was, but someone was really excited that Deux Press had licensed Tetsuzo Okadaya’s The Man of the Tango (or Tango, I guess). It’s listed on page 230, promising hunky men “drawn into the seductive beat of a Latin dance,” etc. Why not?
This month’s “fascinating coss-cultural experiment that could actually tear the internet in half” would have to be Del Rey’s two manga-fied takes on Marvel’s mutants: Wolverine: Prodigal Son, by Anthony Johnston and Wilson Tortosa, and X-Men: Misfits, by Raina Telgemeier, Dave Roman and AnZu. Wait, Telgemeier and Roman are collaborating on the X-Men book? How did I miss that? (Page 267.)
Fanfare/Ponent Mon takes a break from Japanese comics to release Jean Regnaud and Émile Bravo’s My Mommy Is in America and She Met Buffalo Bill. It’s received serious Angoulême love in 2008. Here’s my Comics Reporter neighbor Bart Beaty’s take on the book. (Page 281.)
