The Manga Curmudgeon

Spending too much on comics, then talking too much about them

  • Home
  • About
  • One Piece MMF
  • Sexy Voice & Robo MMF
  • Comics links
  • Year 24 Group links
You are here: Home / Tokyopop / Roadblock or detour?

Roadblock or detour?

June 9, 2008 by David Welsh

Well, there’s a wrinkle that I probably should have foreseen. Apparently, the employees recently cut loose by Tokyopop were asked to sign a non-disclosure agreement of some sort in order to receive their severance pay, which makes exit interviews a little difficult. I certainly don’t want to complicate anyone’s situation further, but I do want to pursue this project and try and get their names out. I would imagine that even forwarding the non-disclosure agreement to someone who isn’t the signer’s legal representative may constitute a violation of said agreement, and even if I could read it, I wouldn’t be remotely comfortable trying to distinguish what constitutes a violation and what’s safe to discuss. (I don’t even know if describing job duties would constitute a violation, to be honest.)

I’ve already got one interview ready to go, and two others have written to express an interest. Based on the first interview, it doesn’t seem significantly different from the kinds of interviews that have been conducted with Tokyopop employees while they were still working there, but… again, a pittance of a severance package is still a severance package during difficult economic times. And since my former PR contact at the publisher no longer works there, I’m not sure who to ask.

Anyone have any advice on how I might proceed? Here’s the list of questions I’ve put together:

  • What was your title at Tokyopop, and how long did you work there?
  • Could you summarize your responsibilities for them?
  • What were some of the highlights of your time there? Projects you’re particularly proud of, or experiences that had a major impact?
  • How did you get into the comics industry?
  • Could you tell me a little bit about your education and training, or other professional experiences that have contributed to your skill set?
  • What would you like to do next? Keep working in the comics industry? Or are you open to other avenues?
  • And I also wanted to leave a sort of “open question” for anything else you’d like to comment on – the state of the comics industry, where you’d like to see it go, how you’re doing since you got the news. Anything’s fair game.
  • Filed Under: Tokyopop

    Features

    • Fruits Basket MMF
    • Josei A to Z
    • License Requests
    • Seinen A to Z
    • Shôjo-Sunjeong A to Z
    • The Favorites Alphabet

    Categories

    Recent Posts

    • Hiatus
    • Upcoming 11/30/2011
    • Upcoming 11/23/2011
    • Undiscovered Ono
    • Re-flipped: not simple

    Comics

    • 4thletter!
    • Comics Alliance
    • Comics Should Be Good
    • Comics Worth Reading
    • Comics-and-More
    • Comics212
    • comiXology
    • Fantastic Fangirls
    • Good Comics for Kids
    • I Love Rob Liefeld
    • Mighty God King
    • Neilalien
    • Panel Patter
    • Paul Gravett
    • Polite Dissent
    • Progressive Ruin
    • Read About Comics
    • Robot 6
    • The Comics Curmudgeon
    • The Comics Journal
    • The Comics Reporter
    • The Hub
    • The Secret of Wednesday's Haul
    • Warren Peace
    • Yet Another Comics Blog

    Manga

    • A Case Suitable for Treatment
    • A Feminist Otaku
    • A Life in Panels
    • ABCBTom
    • About.Com on Manga
    • All About Manga
    • Comics Village
    • Experiments in Manga
    • Feh Yes Vintage Manga
    • Joy Kim
    • Kuriousity
    • Manga Out Loud
    • Manga Report
    • Manga Therapy
    • Manga Views
    • Manga Widget
    • Manga Worth Reading
    • Manga Xanadu
    • MangaBlog
    • Mecha Mecha Media
    • Ogiue Maniax
    • Okazu
    • Read All Manga
    • Reverse Thieves
    • Rocket Bomber
    • Same Hat!
    • Slightly Biased Manga
    • Soliloquy in Blue
    • The Manga Critic

    Pop Culture

    • ArtsBeat
    • Monkey See
    • Postmodern Barney
    • Something Old, Nothing New

    Publishers

    • AdHouse Books
    • Dark Horse Comics
    • Del Rey
    • Digital Manga
    • Drawn and Quarterly
    • Fanfare/Ponent Mon
    • Fantagraphics Books
    • First Second
    • Kodansha Comics USA
    • Last Gasp
    • NBM
    • Netcomics
    • Oni Press
    • SLG
    • Tokyopop
    • Top Shelf Productions
    • Vertical
    • Viz Media
    • Yen Press

    Archives

    Copyright © 2026 · Genesis Framework · WordPress · Log in