I was working on a long-ish piece, and it was going pretty well. I took a quick break to do some blog hopping and noticed that Danielle Leigh had done a terrific job covering almost exactly the same material in her column at Comics Should Be Good. So it’s back to the keyboard.
Speaking of manga for grown-ups, I finally got around to reading the second volume of Hiroki (Eden: It’s an Endless World!) Endo’s Tanpenshu (Dark Horse). Overall, I found the content of the two books to be excellent overall, but I think I’ve developed an allergy to anything Endo writes about organized crime. The two-part “Platform” just made me tired. Why are creators so fascinated with mobsters, and why do so many of their otherwise admirable sensibilities go out the window when they dramatize them? I’ve seen Endo pose a thousand interesting questions about the human experience in his science fiction and slice-of-life stories, but pieces like “Platform” read as depressingly literal. I’m thrilled that Dark Horse is committed to delivering more Eden, but Endo’s gangster stuff leaves me utterly cold.
On the brighter side of Dark Horse, the opening story of the sixth volume of The Kurosagi Corpse Delivery Service (written by Eiji Otsuka, illustrated by Housui Yamazaki) left me slightly giddy. Anyone who can craft a funny, creepy, strangely sweet story around the privatization of the postal service has won me as a lifelong fan.