The Manga Curmudgeon

Spending too much on comics, then talking too much about them

Previews review November 2009

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There aren’t very many debuts in the November 2009 Previews catalog, but there are plenty of new volumes of excellent ongoing series. Let’s start with the new arrivals, though:

OkimonoKimonoDark Horse releases Okimono Kimoni, written and illustrated by Mokona with assistance from the rest of CLAMP. “a fun and lavishly illustrated book full of drawings and illustrations, interviews (including an interview with Ami of the J-pop duo Puffy AmiYumi!), and even short manga stories from the CLAMP artists.” So that’s your “eye-popping-ly pretty” alert for the month. (Page 43.)

OlympiansZeusI like Greek Mythology, and I thought George O’Connor’s Journey Into Mohawk Country had a lot of strong points. So I’ll definitely give O’Connor’s Olympians Volume 1: Zeus, King of the Gods (First Second) a look. “In OLYMPIANS, O’Connor draws from primary documents to reconstruct and retell classic Greek myths. But these stories aren’t sedate, scholarly works. They’re action-packed, fast-paced, high-drama adventures, with monsters, romance, and not a few huge explosions.” (Page 232.)

AliceCountryHearts1Alice in the Country of Hearts (Tokyopop), written by QuinRose and illustrated by Hoshino Soumei (Tokyopop) is triggering my “weird but crack-y” sensors: “Alice, who has fallen asleep in her garden, wakes up to find a white rabbit wearing clothes?! The rabbit forcefully drags Alice into the rabbit hole, where he turns into a young man with rabbit ears and leads her into a frightful world where the fairytale-like citizens wield dangerous weapons for an insidious cause… Unable to return home, will she be able to find happiness in a world full of danger and beautiful young men?” (Page 263.)

bokuranoI can’t say that Mohiro Kitoh’s Bokurano: Ours is my favorite title in Viz’s SIGIKKI initiative, or even in the top five, but I’m always glad to see these titles see print, since it reassures me that the ones I really enjoy will follow sooner or later. “One summer, fifteen kids innocently wander into a nearby seaside cave. There they meet a strange man who invites them to play an exciting new video game. This game, he explains, pits one lone giant robot against a horde of alien invaders. To play the game, all they have to do is sign a simple contract. The game stops being fun when the kids find out the true purpose of their pact.” (Page 273.)

Swan15And now for the new volumes and new editions:

  • Black Jack vol. 9, written and illustrated by Osamu Tezuka, Vertical. (Page 272.)
  • Little Nothings Volume 3: Uneasy Happiness, written and illustrated by Lewis Trondheim, NBM. (Page 249.)
  • Sayonara Zetsubou-Sensei vol. 5, written and illustrated by Koji Kumeta, Del Rey. (Page 222)
  • Swan vol. 15, written and illustrated by Kyoko Aryoshi, CMX. (Page 119.)
  • Hardcover edition of Town of Evening Calm, Country of Cherry Blossoms, written and illustrated by Fumiyo Kouno, Last Gasp. (Page 248)

    • Birthday book: Little Nothings

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    littlecoversmall2

    Little Nothings: The Curse of the Umbrella

    The Comics Reporter notes that today is Lewis Trondheim’s birthday, and I would recommend that you all celebrate by buying a copy of Trondheim’s delightful Little Nothings (NBM). If you haven’t read the book, here’s what I thought of it:

    “The one-page cartoons illustrating Trondheim’s everyday observations and encounters are really delightful – witty, astute, low-key, sweet, and polished, but never fussy. He doesn’t seem to be in love with the sound of his own voice, and he doesn’t abandon his instincts as a storyteller because the content is casual and unstructured. It’s just so perfectly in scale, and the ultimate effect is one of effortlessness.”

    Chris Butcher is understandably pleased that a third volume is on the way and points to the announcement at NBM’s blog. I’m a little surprised; NBM usually drops a really good book during the last week of December to mess up everyone’s hastily posted “Best of…” lists, but it looks like they’re getting a jump on 2010’s editions instead.

    The Shôjo-Sunjeong Alphabet: E

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    “E” is for…

    Emma1

    ES1

    LaEsperanca1

    “E” is also clearly for “exigent circumstances,” as there just aren’t a lot of strictly shôjo-sunjeong titles that start with this letter that I really like. And yes, I know that two of these titles are technically seinen, though I don’t think anyone at CMX would mind if you decided that Emma was shôjo. And while ES is also seinen, Fuyumi Soryo is also a highly regarded shôjo creator.

    All that said, what are some of your favorite shôjo and sunjeong titles that start with the letter “E”?

    The year isn't over yet

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    As if to provide additional evidence that “Best of…” lists might be a wee bit premature before Thanksgiving or, you know, New Year’s Day, Viz sent out the following press release:

    VIZ MEDIA OFFERS AN EMOTIONAL MIX OF THE REAL AND IMAGINARY IN THE DEBUT OF TAIYO MATSUMOTO’S GOGO MONSTER

    New Manga Release Blends Bold Art And A Clever Story Of A Young Boy Who Tries To Balance His Own Lonely World With a Fantastic Supernatural Realm Only He Can See

    GoGoMonsterSan Francisco, CA, November 10, 2009 – VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced the upcoming release of Taiyo Matsumoto’s celebrated manga GOGO MONSTER on November 17th. GOGO MONSTER will be published by the company’s VIZ Signature imprint, rated ‘T’ for Teens, and will carry an MSRP of $27.99 U.S. / $36.00 CAN.

    Third grader Yuki Tachibana lives in two worlds. In one world, he is a loner ridiculed by his classmates and reprimanded by his teachers for telling stories of supernatural beings that only he can see. In the other world, the supernatural beings vie for power with malevolent spirits who bring chaos into the school, the students’ lives, and even nature itself.

    “Taiyo Matsumoto’s clever stories and striking art have placed him among the best of a new generation of influential manga artists and we are privileged to present GOGO MONSTER to U.S. audiences,” says Gonzalo Ferreyra, Vice President Sales & Marketing, VIZ Media. “This story continues to show Matsumoto’s fascination with youth as he seamlessly blends themes of alienation with the paranormal. For anyone with an overactive imagination or has even just daydreamed during class, GOGO MONSTER offers an emotional tale that shows how what we see and imagine, whether real or imaginary, shapes our personality in profound ways.”

    Taiyo Matsumoto made his manga debut in the Japanese magazine Comic Afternoon with the short story STRAIGHT. He went on to travel throughout France and became heavily influenced by the French comics he studied there including those created by pioneering European artists like Moebius and Enki Bilal. Matsumoto has become internationally acclaimed for stories that capture the essence of disaffected youth and adolescent alienation. His other notable works include BLUE SPRING, NO. 5 and TEKKONKINKREET: BLACK & WHITE, which are all published in North America by VIZ Media. TEKKONKINKREET won a prestigious Will Eisner Award in 2008 and was also adapted for an animated feature film. Another Matsumoto manga story, PING PONG, was turned into an award-winning live action film that is available from VIZ Pictures.

    Upcoming 11/11/2009

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    In her look at this week’s comics, Kate Dacey delivers a succinct takedown of the latest example of that just-won’t-die-or-evolve artifact, the list of recommendations to help comics fans convince the ladies in their lives to share their hobby. I don’t really have anything to add, but I will just note that most of the women I know online who read manga are omnivores. They greet new romantic shôjo and new blood-and-guts seinen with equal enthusiasm. To my way of thinking, this makes the frequent exclusion of manga from these chick-bait graphic novel guides even more baffling.

    Anyway, here’s what looks good to me on the latest ComicList:

    I read a review copy of Tamio Baba’s Deka Kyoshi (CMX), about a detective going undercover as a teacher, joining forces with a mildly psychic student, and helping kids with their often dangerous problems. My reaction to the book tracks pretty much exactly with Brigid Alverson’s: “The stories are nice little self-contained dramas, but they never veer far from the predictable.”

    UltimateVenus5It seems to be a week where publishers who’ve had something of a low profile lately deliver some new goods. There are new volumes from DrMaster, Seven Seas, and Go! Comi. I’m most enthusiastic about the Go! Comi offering, the fifth volume of Takako Shigematsu’s Ultimate Venus. It’s about an orphan who learns that she’s the granddaughter of a very wealthy, very formidable woman, and must prove her worth to inherit the family fortune. I can’t say I yet love it in the way that I loved Shigematsu’s Tenshi Ja Nai!!, but I loved that series a lot and heartily recommend it to people who like wacky, mean-spirited romantic comedy. Ultimate Venus is a bit tamer, but it’s still very enjoyable.

    Viz finally rolls out a VizBig version of Rumiko Takahashi’s long-running, much-loved InuYasha, which is a welcome development for people who might enjoy the anime but be a bit daunted by the 42 existing volumes of the manga.

    ikigami3Of more specific interest to me is the third volume of Motoro Mase’s Ikigami: The Ultimate Limit, from Viz’s Signature line. Though I’m ambivalent about the series overall, I’ve liked it enough to review the first and second volumes of this series about a draconian government program that targets random people for death to help the remainder of the citizenry better appreciate life. A government functionary must notify these unlucky learning tools of their fate, and readers get to watch the victims flip out during their last hours. I still feel like it needs to go somewhere beyond episodic individual drama, but I’m intrigued enough to stick around. And the third volume has an awesome tag line: “Sometimes people do shoot the messenger.”

    What if you could bring your cat to school? What if you and your cat were given amazing powers, and all you had to do in exchange was keep horrible demons at bay? These are the central questions addressed by Yuji Iwahara’s Cat Paradise (Yen Press). The second volume is due out on Wednesday and promises more mystery and adventure at a purportedly feline-friendly institute of learning.

    catparadise2

    Campus life

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    The imminent comic-shop arrival of Moyasimon: Tales of Agriculture (which has been in bookstores for a few weeks now) inspired me to devote this week’s Flipped to some fine manga comedies set on college and university campuses. It also inspired me to run this poll as an alternative to actual content development.

    Please feel free to mention any titles I missed, licensed or otherwise, in the comments. (I should explain that I excluded The Kurosagi Corpse Delivery Service from the column because I tend to categorize it with “helpers of the dead” manga instead of “campus comedy” manga.)

    Sunday sleuth

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    I have a new fictional sleuth that I like very much. Her name is Flavia de Luce, she’s an amateur chemist, and she’s eleven years old. In inter-war Britain, she keeps her head about her when a dead body is found in the cucumber patch. She’s the undisputed star of Alan Bradley’s The Sweetness at the Bottom of the Pie, which is very, very accomplished for a first novel. Flavia has charisma and a voice, which is pretty much all you need to sustain an at least readable mystery series. Heck, some people manage to crank out a dozen whodunits without crafting a remotely interesting or sympathetic protagonist.

    I must note that Bradley falls into a very common trap for mystery authors in that, when the culprit is revealed, the air goes out of the narrative. Bradley resorts to fairly standard time-wasting tactics that allow Flavia time to run through the hows and whys of the crime, and I found myself growing increasingly impatient during that stretch. This failing is in no way specific to Bradley, and I’m having trouble thinking of more than a handful authors that evade it with regularity. Elizabeth Peters comes to mind, but she has an ensemble of quirky talkers in her Amelia Peabody novels, and I find that she never tries my patience with drawn-out, sleuth-in-peril vamping.

    Still, Flavia, with her fascination with poisons and impatience with adult condescension, seems like she has real staying power. She could probably use an entourage of her own, as with Peabody, but she seems able to do a lot of heavy lifting on her own.

    License request day: Pyu to Fuku! Jaguar

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    jaguar1As I’d hoped, the wish list of worthy, unlicensed shônen is coming along nicely, and an early contribution from Brack of Awesome Engine has really caught my eye. How often can you reasonably expect to come across satirical comic books about recorder students? (Do they still make elementary school students play those charming hybrids of flute, clarinet and kazoo?)

    jaguar2So today’s request is for someone to license Kyosuke Usuta’s Pyu to Fuku! Jaguar, serialized in Shueisha’s Weekly Shônen Jump since sometime in 2000. Per Brack, the series “does a … number on idol manga, though it’s a lot more biting in its satire which is specifically aimed at the idol industry and the exploitation therein.” As I may have mentioned, I find the weird hothouse that is Japan’s idol industry somewhat unsettling, so I’ll happily support any attempt to satirize it.

    jaguar3It stars a young man with a dream of pop stardom, Kyohiko Saketome, whose plans to become a guitarist are derailed by the mysterious Jaguar Junichi, recorder instructor and savant. These two are joined by a number of other would-be and almost-are idols, including a “hip hip ninja” named Hammer. It promises poetry showdowns, foul-mouthed robots, brainwashing schemes, and a hyper-defensive internet “star.”

    jaguar4The reason this one in particular speaks to me is because of its evident satirical intent. There’s plenty of goofy shônen on the shelves featuring motley casts in ridiculous scenarios, but this one seems to have that extra layer of barbed self-awareness. In other words, I’m getting a Gin Tama vibe off of it, and that’s a good thing. Also, something about the idea of would-be recorder-playing pop idols tickles me sight unseen.

    I’m honestly a little shocked that it hasn’t been made into a musical, but I guess these things take time. It has been adapted into a motion picture, video games, and an animated series. The manga is up to its 17th volume.

    Affirmative action

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    Looking back through the license requests to date, I realize that I’ve neglected the shônen category almost entirely. I could defend myself on this front by noting that there’s no shortage of shônen readily available, and that would certainly be true. But let’s be honest: it’s just not where my primary interests reside. There are plenty of shônen titles that I really like, but given the choice between a young man with a dream and a young woman with a scheme, you know which I’ll end up plonking down at the checkout counter, don’t you?

    But balance is a good thing, so please recommend some as-yet-unlicensed shônen titles for future installments of License Request Day. Please don’t restrict yourself based on the length, vintage, taste level, narrative coherence, or marketability of the title, because you know I try not to be hindered by such paltry concerns. Fire away!

    And here’s the running tally with some links:

  • Sexy Commando Gaiden: Sugoiyo!! Masaru-san, written and illustrated by Kyosuke Usata, serialized by Shueisha in Weekly Shônen Jump (Wikipedia)
  • Pyu to Fuku! Jaguar, written and illustrated by Kyosuke Usata, serialized by Shueisha in Weekly Shônen Jump (Wikipedia)
  • Majin Tantei Nogami Neuro, written and illustrated by Yûsei Matsui, serialized by Shueisha in Weekly Shônen Jump (Wikipedia)
  • Locke the Superman, written and illustrated by Yuki Hijiri, serialized by Shônen Gahosha in Shônen King (Wikipedia)
  • Nurarihyon no Mago, written and illustrated by Hiroshi Shiibashi, serialized by Shueisha in Weekly Shônen Jump (Wikipedia)
  • 1/2 Prince, written by Yu Wo and illustrated by Choi Hong Chong, published by Tong Li (Wikipedia)
  • Shiki, based on a novel by Fuyumi Ono, illustrated by Ryu Fujisaki, serialized by Shueisha in Jump SQ
  • Fourteen Years, written and illustrated by Kazuo Umezu, serialized by Shogakukan in Big Comic Spirits
  • Left Hand of God, Right Hand of the Devil, written and illustrated by Kazuo Umezu, originally published by Shogakukan
  • History’s Strongest Disciple Kenichi, written and illustrated by Syun Matsuena, serialized by Shogakukan in Shônen Sunday (Wikipedia)