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Spending too much on comics, then talking too much about them

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The feline mystique

October 12, 2007 by David Welsh

Because I’m a big nerd, the whole “Poor, Poor Tigra” thing has led me on a pointless journey down memory lane. And I don’t even like Tigra that much. I’ll spare you by putting it after the jump.

She has a certain amount of historical gravitas, surprising as that may be. Introduced as the star of Claws of the Cat in 1972, I believe Greer Nelson was the first post-Spider-Man Marvel super-heroine to have her own series. It only ran five issues, but it’s worth noting. She was also co-created by a woman writer, Linda Fite.

She was one of the few prominent (or intended-to-be-prominent) Marvel super-heroines who was not a reformed villainess (like the Scarlet Witch, the Black Widow or Medusa) or a girlfriend, sidekick or both (like the Wasp, Crystal and the Invisible Girl). especially And she wasn’t a spin-off of a male super-hero like many of the solo super-heroines who would follow her. (Perhaps the failure of the book led to that?)

The Cat wasn’t spectacularly original in terms of character conception. Three years prior, DC had re-introduced a Golden Age heroine with “Black” in her codename who, like Greer, was the widow of a cop. About five years prior, the Batman television series had introduced a female adventurer with a pointy-eared cowl to great success. And DC also had a high-profile, pointy-eared female with long black hair, though theirs was a villainess (for the most part).

After the failure of The Claws of the Cat, Greer got a second shot at fame in Marvel Chillers (fame is relative, obviously), being reintroduced as Tigra, taking the cat motif to its logical conclusion. The series was subtitled to reflect Tigra’s starring role, though I don’t think that lasted a whole lot longer than Claws of the Cat.

I think Tigra was just about as derivative as the Cat, though I can’t seem to find a reference as to precisely when the Cheetah went from being a crazy woman in a costume to an actual crazy were-cat, thanks to the same kind of mystical-scientific mumbo jumbo that transformed Greer. That might not have happened until after the first Crisis. Even without Cheetah comparisons, were-anything isn’t conceptually novel.

Greer did actually get a legacy hero of her own. Her old Cat costume was adopted by Patsy Walker, longtime star of Marvel’s defunct romance comics. Like Greer, Patsy’s marriage was over (she’d divorced her husband, though she probably wouldn’t have minded widowhood), and super-heroism came with her efforts to build a new life for herself.

While portrayals have been inconsistent since her introduction, her C-list status has become sort of her thing. Her initial stint as an Avenger (written by Jim Shooter) was characterized by insecurity and ineffectiveness. After joining the West Coast branch of the team, she encountered many of the same problems, compounded by conflict with the feline part of her persona. (She’d find herself becoming uncontrollably amorous and violent.) Writer Steve Englehart was actually playing up those insecurities in order to correct them, putting Greer at rock bottom before rebuilding her. Both Chris Claremont and Kurt Busiek did this to varying degrees with Carol Danvers with the intent of making the character more functional, and I’m never entirely convinced by this strategy. Why do a full tear-down instead of just starting with the status quo?

After Englehart’s fairly painstaking character rehab, John Byrne proceeded to have her revert to pure bad kitty when he took over the book and left before the situation could be resolved. High point: the guy who tried to commit suicide after Tigra dumped him shrinks her and puts her in a terrarium to keep her out of trouble. I’m sure he would have gotten around to helping her.

The solicitation text for New Avengers #35 is really tacky.

I don’t ever remember anyone mentioning Tigra’s mother before.

It’s kind of hard to argue that a depiction of a woman getting pistol-whipped and kneecapped as her blouse tears open, with the event videotaped and broadcast for a group of cheering men, doesn’t have some kind of deeply ill-conceived intent to create uncomfortable titillation.

The arguments that this could have happened to any C-list Avenger as a counterpoint to any inherent sexism is actually a reasonably sound one. Of course, arguing that the choice of victim was completely interchangeable doesn’t exactly speak to the quality of the writing.

It’s entirely possible that this could all be leading to another big Tigra empowerment arc.

It’s equally possible that this could all be leading up to a big “You touched my stuff, and now you must pay” arc for Tigra’s A-list associates.

However will she be able to protect her sainted mother from the insidious schemes of a C-list thug? If only she worked for one of the wealthiest and most powerful men in the United States who has a lockstep army of super-heroes at his disposal.

Filed Under: Marvel

From the stack: The Umbrella Academy: Apocalypse Suite

October 11, 2007 by David Welsh

I don’t think it was the actual pitch for The Umbrella Academy: Apocalypse Suite (Dark Horse), but I would love it if it went something like this: “What if some of the kids from Edward Gorey’s The Gashlycrumb Tinies survived and became super-heroes?” The book has something of the same morbid sweetness, and it’s extremely likeable.

The book owes a fair amount to Alan Moore’s League of Extraordinary Gentlemen and that trio of mini-series Grant Morrison wrote for Vertigo a couple of years ago, with high-concept craziness and a retro-adventure feel. But those are balanced out by a quirky sense of humor that owes more to The Venture Brothers. And the influences cohere into something distinct, if not groundbreaking.

Anyway, the plot: forty-three infants are born simultaneously under bizarre circumstances. A crusty old genius-adventurer adopts as many as he can and raises seven of them to save the world. (“From What?” newspapers wonder.) They make their debut when the Eiffel Tower starts throwing visitors to the ground below. Time passes and the group drifts apart, though circumstances conspire to bring them back together.

Nothing mind-boggling there, but the execution is just about faultless. Wray is a witty, imaginative writer. The dialogue is fluid and funny, and he’s written some appealingly crazed bits for Bá to draw. Pardon the gushing, but Bá’s illustrations for this kind of genre pulp are just pitch perfect – energetic, funny, moody, explosive, bizarre. Whatever the script demands, Bá delivers with just a little something extra.

The craft on display makes up for the fact that the characters aren’t developed very well. At this point, they’re highly functional archetypes, and Wray and Bá could probably get away with that for several more issues. I hope they build some more layers in as the story progresses, but I could be quite content with the book’s status quo. It’s great fun.

Filed Under: Dark Horse, From the stack

Upcoming 10/10

October 10, 2007 by David Welsh

Just because Jason Thompson’s Manga: The Complete Guide (Del Rey) is clearly the must-buy item on this week’s ComicList doesn’t mean it’s the only item worth mentioning.

If it weren’t for the Guide, the pick of the week might be the fifth volume of Kiyohiko Azuma’s absolutely delightful Yotsuba&! (ADV). Cardboard robot battles! A trip to the beach! Grapes! What more do you need?

Yes, they hunger for brains, but how do zombies really feel? Someone must have already asked this, but nothing comes to mind. This archly emo look at undead eaters of human flesh comes in the form of J. Marc Schmidt’s Eating Steve from Slave Labor Graphics. I’ve heard good things about Schmidt’s Egg Story, and the Eating Steve preview has some nice bits in it.)

I’m curious about CMX’s new wave of titles aimed at mature readers, particularly Kanako Inuki’s Presents. The excerpt that ran in a CMX sampler over the summer wasn’t too inspiring, but John Jakala’s review convinces me that it’s definitely worth a look. (But I really love “comeuppance theater.” “Tonight on ‘When Bad Things Happen to People Who Totally Deserve Them…”)

Adrian Tomine’s Shortcomings (Drawn & Quarterly) has gotten great reviews all over the place, so I’m sure I’ll take a look at it at some point. I’m guessing it will be all over chain bookstores, and the right convergence of opportunity and discount will arise somewhere down the line.

How have I managed to go this long without reading Lat’s Kampung Boy (First Second), even in the face of universal critical acclaim? And now the follow-up, Town Boy, is due. Must… catch… up! (Not with the help of Amazon, though. They have one of those “buy both” offers that actually allows you to pay about 75 cents more for the two titles than you would if you just added them to your cart individually, which leads me to believe that the buy-two pricing hasn’t caught up with the individual costs.)

Beyond lots of Fruits Basket product (which I hasten to note that I heartily endorse, because the series is very moving and surprising), Tokyopop offers two books that I’m eagerly anticipating. The first is the debut volume of Kozue Amano’s Aqua, which sounds lovely. There’s also the second volume of Yuji Iwahara’s King of Thorn. The first installment didn’t quite reach the heights of Iwahara’s Chikyu Misaki (CMX), but it was very solid, and it’s Iwahara, so I’ll happily stick around on the assumption that it will reach those heights eventually.

The excerpt from Yearbook Stories: 1976-78 that ran in Top Shelf’s Seasonal Sampler was extremely likable, so I’ll definitely look for it the next time I’m in a big city with a comic shop with a wide selection. It’s written by Top Shelf honcho Chris Staros and illustrated by Bo Hampton and Rich Tommaso.

Even factoring out the extra volumes of Naruto, Viz sure has a heck of a lot of product moving this week. Some of it, like Strawberry 100%, is resolutely awful, in my opinion. Some offerings, like new volumes of Bleach and Nana, are as welcome as sweater weather.

Yen Press rolls out three licensed titles, all of which sound like fairly standard bookstore fare, and none of which quite grab my attention the way With the Light did. I do like teen detective stories, so I’ll probably give Spiral: The Bonds of Reasoning a look. Or maybe not, after reading Katherine Dacey-Tsuei’s take on the book. It’s not like I don’t have plenty of other options.

Filed Under: ADV, CMX, ComicList, Del Rey, Drawn & Quarterly, First Second, Slave Labor Graphics, Tokyopop, Top Shelf, Viz, Yen Press

Status quo

October 9, 2007 by David Welsh

This week’s Flipped is up, with quick visits to previously reviewed series to see how they’re holding up. Some are good as they ever were, one’s improving, one’s rebounding, and one seems to be starting a downhill slide.

Filed Under: Flipped

From the stack: Manga: The Complete Guide

October 9, 2007 by David Welsh

As Chris Butcher noted, there’s a whole lot of manga shipping every week. (Okay, so The Beguiling isn’t exactly representative of the average comic shop or even chain bookstore. It used to be the only place in North America where you could order books from Fanfare/Ponent Mon online.) Still, it’s a crowded field, and it never hurts to have a reference.

So what a handy coincidence that today marks the arrival of the eagerly anticipated, slightly delayed, wonderfully useful and readable Manga: The Complete Guide by Jason Thompson (Del Rey). Thompson and some colleagues have assembled a staggering number of reviews of basically every Japanese comic available in English at the time of publication. They’re well-written, succinct, and provide a clear sense of what the title has to offer (or what it fails to deliver).

Beyond that, there are informative pieces on different categories and genres, discussion of the history of manga, and profiles of some of its greatest creators. If Paul Gravett’s Manga: Sixty Years of Japanese Comics is the ultimate introduction to the category (and I think it is), The Complete Guide is the ultimate user’s manual. It’s something that every library could use (and stock on its reference shelf), and it would be a great resource for retailers who want to start stocking more manga but may not know where to start.

It’s also terrific for fans. Aside from making me feel shockingly behind in my reading, it’s provided a potentially financially devastating number of additions to my “to read” list, which wasn’t exactly anemic to begin with. And it’s just plain fun to read. (The only thing I might have added is an appendix that listed books by rating, so that all of the four-star books were name-checked in one place.)

I’ve collected links to interviews, reviews and previews of the book after the jump. If I missed yours, just let me know in comments or via e-mail, and I’ll be happy to add it.

Interviews with Jason Thompson:

  • Flipped
  • PWCW
  • Comics in the Classroom
  • The Comics Journal
  • MangaCast
  • Patrick Macias
  • Reviews of the book:

  • Ferdinand at Prospero’s Manga
  • John T. at Mecha Mecha Media
  • Readilbert at MangaCast
  • Matt Blind at Comicsnob
  • Katherine Dacey-Tsuei at Manga Recon
  • Carlo Santos at Anime News Network
  • Steve Raiteri at The Library Journal
  • Kevin Melrose at Blog@Newsarama
  • Erin F. at Manga Recon
  • Julie at Manga Maniac Cafe
  • Other links:

  • Jason Thompson on “Best Worst Manga” (Part One)
  • Thompson on “Best Worst Manga” (Part Two)
  • Thompson on “Top Ten Manga for Newbies”
  • Otaku USA, Thompson’s regular gig
  • Thompson explains the super-hero/shônen connection at Blog@Newsarama
  • Filed Under: Del Rey, From the stack, Linkblogging

    Monday linkblogging

    October 8, 2007 by David Welsh

    Chris Butcher takes a much more thorough look at Perry Moore’s Hero than I did, and I’m relieved that he shares my concerns about the book:

    “On the other hand, even though the kid completes the hero’s journey in the end and the novel aims to be a positive statement about coming of age as a homosexual in American society, I’d kind of be afraid to give this to an at-risk gay teenager because it’s so incredibly bleak, right through the ending of the book during which the superhero establishment still can’t… or won’t… cut the kid a break specifically because he’s gay. Sure, I’m a fan of happy endings, but I’m also a fan of balance, and I found the tone really unbalanced in an off-putting way.”

    Beyond that, I absolutely agree with Butcher’s glowing assessment of the action sequences, which burst with inventiveness and clarity. (The latter can be a real problem in super-heroic prose.) Passages where the protagonist’s D-list squad kick ass are really delightful reading, especially for someone who always though the Legion of Substitute Heroes got a raw deal.

    *

    Beyond being thought-provoking reading in general, I love Tom Spurgeon’s piece on webcomics for introducing the concept of the “Suck It, Grampa letter” to my consciousness.

    *

    Picking a favorite from John Jakala’s week of dream crossovers is almost impossible, but if I could pick only one to become a reality, I think we all know which one it would be.

    Update: Now you can go vote!

    *

    Jeff (Bone) Smith kind of looks like he’s posing for print ads for a cologne targeted at the gay, blue-collar demographic. Also, I hope he had some serious SPF protection at work, because that desert sun is ruthless. Also, dude is RIPPED. Who knew?

    Filed Under: Linkblogging

    More like "Martyr"

    October 7, 2007 by David Welsh

    I was really looking forward to Hero, Perry Moore’s novel about a teen-aged, gay super-hero. After reading it, I’m a little disappointed by some of the messages I took away from it.

  • Being a gay teen-ager really sucks. Okay, I can’t really argue with that one, because it very often really does suck.
  • Pretty much everyone will judge a gay teen-ager harshly based on their abstract reaction to the kid’s sexual orientation, no matter how responsible or talented or generally decent the kid is. Again, that’s not unheard of, but there’s not much in the way of balance, and it seems like all the authority figures (the basketball coach, the senior super-heroes, the protagonist’s dad) are cut from the same anti-gay cloth.
  • While gay teen-agers can’t expect to get the same opportunities and garden-variety consideration that are automatically bestowed on their apparently straight peers, they can get those opportunities and consideration if they work ten times as hard as their apparently straight peers, though they shouldn’t expect anything in the way of “official” support or encouragement. (On the bright side, the protagonist isn’t ultimately looking for approval or acceptance through his heroic activities. He just wants to do the right thing and make the world better.)
  • The intentions of the book are obviously good, but it’s so polarizing. Almost all of the straight people are judgmental or hypocrites or both, and I found that really depressing. It’s just not the way the world is.

    Filed Under: Prose

    Death by chocolate

    October 5, 2007 by David Welsh

    While I really enjoyed this season of Top Chef, I have to take issue with the choice of winner.

    Spoilers after the jump.

    It’s not because Hung is obnoxious. He’s clearly talented and enthusiastic and he’s got amazing skills. It’s just that, if one of your dishes for the final competition is a molten chocolate cake, which looks like something you can order at any Applebees, you should take a serious, serious hit in evaluation from the judges.

    I think a failed dish that shows imagination and ambition should be ranked significantly higher than an only slightly higher-end version of something that any home cook in America can make in about 10 minutes of prep time. (I love making them because they’re impressive, the ingredients are cheap and fairly common pantry staples, and they’re really, really easy.)

    But Tom Colicchio was just determined that Hung would win, as he has been since practically the beginning. It’s not a horrible miscarriage of reality show justice, because I do think Hung and Dale were pretty much neck and neck, but seriously… molten chocolate cake… total disqualifier, in my opinion.

    In other chocolate news, this development doesn’t surprise me at all. I hate white chocolate.

    Filed Under: Food, TV

    See no evil, speak no evil

    October 4, 2007 by David Welsh

    A common thread in many of the discussions about that Eightball business in Connecticut was the level of maturity of the works on the school’s approved reading list. It comes up again in this column from The Hartford Courant:

    “But how ironic that in educated and affluent Guilford – where the summer reading list for high school includes Charles Bukowski, Augusten Burroughs and Allen Ginsberg – it’s a graphic novel that’s causing a stir.”

    The common conclusion is that it’s okay to cover mature themes in prose – just don’t illustrate them, and Courant columnist Rick Green agrees:

    “The problem with ‘Eightball #22’ is that it violates the first rule of dirty: The book doesn’t just talk about breasts and sex. It has images, if only a few. In high schools and Superbowl halftime shows, we find that shocking.”

    Apparently, the second rule of dirty is “Don’t read it aloud.” This piece in The New York Times talks about the anniversary of a ruling in favor of Ginsberg’s Howl and a radio station’s decision not to air a reading of the poem designed to test the zealousness of the Federal Communications Commission:

    “Janet Coleman, WBAI’s arts director, said that when the idea of airing the poem to test the law was proposed, ‘I said, “Yes, let’s try it.”’ The radio station has a history of championing the First Amendment, having broadcast the comedian George Carlin’s ‘seven dirty words’ routine that resulted in a 1978 Supreme Court ruling on indecency. But after several harsh F.C.C. rulings in 2004 — against CBS for a glimpse of Janet Jackson’s breast during the Super Bowl halftime show and against Fox for curse words used during the Billboard Music Awards — ‘our lawyer felt it was too risky,’ Ms. Coleman said. The commission can impose ‘draconian fines,’ she said, that could put WBAI out of business.”

    Filed Under: Decency flaps, Linkblogging

    Dead of winter

    October 3, 2007 by David Welsh

    The new Previews is out, with lots of offerings to get your mind off the gray chill.

    The first product of DC’s partnership with Flex Comics arrives in the form of Daisuke Torii’s Zombie Fairy (CMX) which seems to start with a visit to a Japanese version of Antiques Roadshow and follows up with pesky ghosts (Page 100).

    There seems to be a new global manga publisher in the Previews listings, Demented Dragon, or maybe I just haven’t noticed them before. There are solicitations for first volumes of The Phoenix Chronicles by Kenyth Morgan and Melissa Hudson, A Steel Wing Shattered by Chris Hazelton, and Stray Crayons by Yoko Molotov. Here’s their web site. (Page 265.)

    Go! Comi goes global with the release of animator Aimee Major Steinberger’s Japan Ai – A Tall Girl’s Adventures in Japan. It’s a journal of Major Steinberger’s travels in Japan and her “passion for all things cute.” (Page 295.)

    Houghton Mifflin, the publisher of Alison Bechdel’s Fun Home, offers Blue Pills: A Positive Love Story by Frederik Peeters. It’s a memoir about the creator’s relationship with an HIV+ mother and son. (Page 296.)

    NBM releases the softcover version of Rick Geary’s ninth Treasury of Victorian Murder: The Bloody Benders. I’m crazy about these books, but I always wait for the paperback version. Yes, my love is cheap. (Page 312.)

    Tokyopop drops the first volume of Kozue Amano’s much-admired Aria, with a new cover and “refreshed translation.” (ADV published it a while back.) It’s one of those books that’s always been on my “to try” list, and this seems like a good opportunity to start from the beginning. (Page 333.)

    I just mentioned this book a couple of days ago, and voila, here it is in Previews: Fox Bunny Funny by Andy Hartzell (Top Shelf). I dug out my copy of The Book of Boy Trouble (Green Candy Press) to refresh my memory about Hartzell’s style, and his story is really funny in a mortifying, slightly perverse way. (Page 342.)

    I’ve read a couple of chapters of Hinako Ashibara’s Sand Chronicles (Viz) in Shojo Beat and found them really effective and moving. The first collection is solicited in this issue. (Page 365.)

    Filed Under: CMX, Demented Dragon, Go! Comi, Houghton Mifflin, NBM, Tokyopop, Top Shelf, Viz

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